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25/05/2026

How Annie January changed Erin Moriarty. 💛💫

Catch my full chat with Erin on the Collider Ladies Night YouTube channel now!

25/05/2026

Went to my first LAFC game last night and have a feeling it’ll be the first of many. The energy in that stadium is electric!

Jimmy, Sarah and the whole LAFC team, cannot thank you enough for having us! (+ Bonus thanks to Olly for taking some photos with me.)

24/05/2026

SO much to discuss with Erin Moriarty on Collider Ladies Night, but this final showdown between Annie and The Deep was an especially high priority.

Such a treat having Erin back on the show after six years! It’s wild looking back and seeing how much Ladies Night has grown since and it was only possible because artists like Erin took the time to join us virtually back in 2020/2021. Eternally grateful!

Head on over to the Collider Ladies Night YouTube channel for our full conversation covering all the key beats in The Boys series finale, how Erin’s evolved as an artist over the years, her goals moving forward, and loads more!

24/05/2026

“If she’s not being perceived, does she exist?” 💔

Been saying Inde Navarrette‘s work in Obsession was bound to be a favorite performance of 2026 since I first saw the film in September 2025. I cannot overstate how happy it makes me to see SO MANY people saying the same now that the movie is *crushing* it in theaters.

Go catch our full conversation on the Collider Ladies Night YouTube channel now!

23/05/2026

A dreamy evening with STRANGER THINGS for many reasons.

First, getting to celebrate a full season of TV is lovely … but a full series? Especially one as ambitious and game-changing as this? That’s next level special.

Also, as someone who LOVES going to Hollywood Forever, getting to moderate a Q&A there for the first time was just the coolest.

Biggest thanks to everyone at Netflix for having me and yet another huge congrats to team Stranger Things on a truly epic run.

23/05/2026

Everybody say thank you to Julia Crockett!

Not only is Mikaela Hoover a singular talent for this and many other reasons, but she’s also one of the most delightful interviews. No doubt we’ll be doing many, many more Ladies Nights in the future.

But in the meantime, catch her second appearance on the show focusing on her scene stealing work in Beef Season 2 and her heart-melting performance as Chopper in One Piece Season 2. It’s up and running on the Collider Ladies Night YouTube channel right now!

21/05/2026

Karen Fukuhara explains why Kimiko still opts to use Sign Language at particular moments in The Boys Season 5.

Catch more from Karen’s second appearance on Ladies Night on the Collider Ladies Night YouTube channel right now!

21/05/2026

Been covering more animation than ever lately and a big reason why is because the space is absolutely brimming with singular artists, bold ideas, jaw-dropping visuals and, in some cases, incredible original songs.

To the Prime Video animation team - thanks for having me, and thanks for getting behind visionary artists and letting them swing for the fences.

20/05/2026

I could talk to Karen Fukuhara all day long. Her passion for her character and the people who worked on this show is everything. Also, not an easy arc, but Kimiko’s journey in The Boys is a personal favorite.

Catch more from our latest Ladies Night chat which includes a whole lot on The Boys series finale on the Collider Ladies Night YouTube channel right now!

19/05/2026

Bound to be one of the biggest surprises of 2026 for me — I loved MASTERS OF THE UNIVERSE.

I’m a huge fan of a lot of the folks involved, but it was never really my thing growing up and I kind of assumed the same would be true now. Also, based on what I do know of the source material, this felt like an immensely challenging film to pull off. But Travis Knight & co. did it!

I was totally swept away by this super vibrant, weird and gleeful romp. It’s downright ridiculous but ridiculous works when the cast and crew wholly get the kind of movie they’re making and are enthusiastic about going all out to bring it to life.

The craftsmanship was a big winner for me in so many respects.

The costumes pop nicely, the extent of the set builds was impressive and I LOVED the heavy emphasis on practical effects! But, what wound up being one of my favorite aspects of the effects work in the movie was how well the practical and digital came together. (Not a surprise with Knight at the healm.)

The big action set pieces are also pretty fantastic. I was SO happy to see an abundance of longer shots vs. heavily edited fight scenes. And then that Daniel Pemberton score is just pitch-perfect and immensely invigorating.

And, of course, a whole lot of credit has to go to Nicholas Galitzine who absolutely nails the tone and humor of the film, but, perhaps more importantly, gives it an impossibly charming beating heart.

What an absurdly delightful ride.

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