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30/12/2025

Someone posted this in response to yet another knee jerk bit of cancel culture.

News flash: the only thing I despise more than identitarianism ("identity politics") is cancel culture.

Oh, boo hoo. All our heroes were just as human as you and I. Idols always come with feet of clay.

Grow the f**k up. I celebrate the lives and work of many a person whose eventual politics, views or personal choices I stand in diametrical opposition to. I reject their stances, their statements in support of same or thoughts about contemporary society.

But I still enjoy the hell out of, say, early Woody Allen. Roman Polanski. Stallone. Kelsey Grammar. F**k, I'm the first to admit that the only decent black metal always comes from guys with EXTREMELY oppositional views to mine, spiritually and especially politically. I've interviewed one guy whose metaphysical awareness I respect, but whose interest in, as he put it on the show, "populism" I obviously stand diametrically opposed to.

So when I express my lifelong admiration for Brigitte Bardot, how I found a woman just like her in so many ways, I refer to the natural beauty, the unaffected nature, the primal, animalistic existential authenticity to simply BE, without even knowing (much less bending the knee to) the ridiculous "rules of social engagement" or prudish "societal mores" that ruin people's personal and s*x lives. Bardot in her prime simply WAS, and the fact that this bothered anyone surrounding remained a subject of bafflement and unconcern to her. Know anyone else like that? (Cough)

I by no means refer to, celebrate or even accept the woman she apparently became under the influence of her last husband Bernard d'Ormale. In fact, I choose to ignore the aged Bardot per se. But this was a given, not an expression of acceptance for cancel culture. I often signed off podcasts about flawed figures with a quick caveat of acknowledgement. That Michael Caine became a supporter of Brexit, for example.

Because I've met too many of my musical, televised and cinematic idols to hold anyone in such high regard that I cannot adore what they have given to us in art, what they represented to culture in their day, and the flawed, distasteful human being they have become or may have been all along. Even David Carradine gave us Kung Fu, one of many series that broke through an unshakably white culture to ignite an honest fascination and appreciation of Eastern culture and beliefs (for me personally, as well as to the world per se.)

I present the below commenter's own words in affirmation. And as ever, I fall back on the words of one of my personal heroes, Pontius Pilate. Because the truth is not up for public debate. It simply IS.

"What I have writ, I have writ."

the commenter:

"I truly despise today’s culture because it’s addicted to moral grandstanding, zero-sum thinking, and performative outrage. A public figure dies quietly of old age, and within minutes their entire life is reduced to a purity test run by people who’ve done nothing worth remembering. History is dragged through present-day optics by the most sanctimonious voices in the room, not to understand it, but to posture over it.

If this reflex ever turns back on them, there will be no body of work, no legacy, no contribution to temper the judgment, only a record of sneering, small-minded certainty. That’s the irony they never grasp. They erase others to feel righteous, but there’s nothing about them worth preserving in the first place.

Take, for example, Brigitte Bardot. When people talk about her today, it’s almost always about her controversial statements or accusations of racism. That’s a small part of who she was, but it’s treated like it defines her entire life. What gets ignored is the decades she spent fighting for animal welfare, founding the Brigitte Bardot Foundation, campaigning against seal hunting, animal testing, and cruelty in factory farming, and using her fame to actually make a difference.

Her critics focus on her flaws because it’s easier to tear someone down than to acknowledge the real, lasting good they did. But that good is still there. The shelters, the laws, the awareness she raised, all of that survived her imperfections. And that’s the point: the people who spend their lives pointing fingers often leave nothing worth remembering, while those who take action, even if flawed, leave a mark that lasts."

In her prime, the most beautiful, by far the most desirable and in terms of look and hairstyle, most influential woman i...
28/12/2025

In her prime, the most beautiful, by far the most desirable and in terms of look and hairstyle, most influential woman in the world for more than a decade.

For a time, she was the very image of France, literally the face of Marianne, and the woman who single handedly turned the quiet fishing village of St. tropez into a global hotspot tourism destination.

A gifted, genuinely sweet and coquettish comedienne, she defined the word "natural" in private just as much as onscreen, with no pretense or affectation whatsoever.

I adored her so much I married a woman just like her in that very defining respect (who also adores her comedies, I might add.)

She was more than competent in serious melodrama, a credible if bubblegum pop singer (whose work plays as much as occasional partner Serge Gainsbourg and Burt Bacharach into the entire sound and vibe of the band that led the 90s lounge/kitsch revival, Pizzicato Five,) and lived life on her own terms, walking away at the height of fame from a cruel paparazzi and later because she refused to turn figure of fun as she aged, instead pursuing her passion for animal rights and rescue.

Whatever she did, she did it with passion and fire, outspoken and intense, suffering no fools gladly. Love her or hate her, she could care less what you thought and would not back down to those who opposed her.

Her fatal flaw was that she loved flawed men too strongly. The Decadent Roger Vadim, who simultaneously gave his treasure to the world and broke her heart forever, with his Emanuelle Arsan/Paulene Reage-style manipulations. The awkward, self centered actor Jean Louis Trintingnant and depressive musician Jacques Charrier, and Serge Gainsbourg, about whom no more need be added.

About the only non-destructive relationship she appears to have been involved with was the rich showoff Gunther Sachs, but that marriage did not survive her affair with Gainsbourg. And perhaps worst of all, her long marriage to fascist leaning politician Bernard d'Ormale, whose views left her final years marred with their stench, ruining the legacy of good will and adoration she'd built up over a lifetime.

Regardless, all in all, she was a woman, and in a world of image conscious phonies, living inauthentic lives for petty social cachet? She was THE woman, particularly in her heyday.

Requiescat im pace, flawed angel.

BB est mort.

https://weirdscenes1.wordpress.com/2015/11/16/week-16-dear-brigitte/

Actual shows now located here:

https://archive.org/details/WeirdScenes_InsidetheGoldmine

It's official, all links directed towards Podbean are now defunct.Please refer all searches for our 100+ episodes to htt...
17/01/2025

It's official, all links directed towards Podbean are now defunct.

Please refer all searches for our 100+ episodes to

https://archive.org/details/WeirdScenes_InsidetheGoldmine

We may return in the future, follow this page and
https://weirdscenes1.wordpress.com/
for any updates.

Cheers!

The official archive of the Weird Scenes (Inside the Goldmine) podcast, 2015-2023Cult film and television discussion, review and analysis from longtime experts...

We've moved!  Come the new year, we will no longer be hosted by Podbean.The entire Weird Scenes podcast archive is now l...
17/12/2024

We've moved! Come the new year, we will no longer be hosted by Podbean.

The entire Weird Scenes podcast archive is now located at

https://archive.org/details/WeirdScenes_InsidetheGoldmine

All 100 plus episodes are now located at the above link for your enjoyment

Join us for an hour or two where the drinks flow (Doc swears by a good red, Lou's all about the vodka martini...) and so do the jokes, facts and real world truth...plus some well informed, lighthearted and (for a real change from the competition) honest discussion and critique of cinematic, televised and music history like you simply won't get anywhere else!

Drop in for a spell, won't you?

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Weird Scenes Inside the Goldmine
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The official archive of the Weird Scenes (Inside the Goldmine) podcast, 2015-2023Cult film and television discussion, review and analysis from longtime experts...

L'homme est mort.
20/06/2024

L'homme est mort.

Next time, we’re taking on another counterculture icon!

07/02/2024

Co-host Louis Paul was also interviewed recently by a Czech online fanzine, and however briefly, Weird Scenes was a topic of discussion.

Here's the translated version (which at times gets pretty rough - sorry, fellas, we are great friends, but have never been "roommates" - but you get the general picture.)

"I'm more interested in the "Weird Scenes Inside the Goldmine" podcast that you co-authored, and for good reason - you and your colleague Doc Savage discuss many great actors, actresses and cult films... podcasting, while it bears similarities to print publishing, is yet completely different in many ways.

How do you speak into a microphone compared to typing words on a typewriter/keyboard? Although audio is currently the preferred medium for many, which one do you personally prefer? Written or spoken word?

Do you know and listen to that podcast? Well thank you. I met "Doc" (obviously not his real name, but he used to work in an important job and didn't want it to affect his work, so he uses a pseudonym) when he sat in the front row during one of my early panels discussions at the film congress.

Of course, writing is different. You can go back to it as many times as you need to improve it, fix it, make sure your voice stands out. Podcasting is different. For Weird Scenes, we decide on the show schedule and topics.

In my idea, we try to cover what can be considered important or relatively interesting films that we discuss. I have a movie collection (mostly euro-horror and such, and access to more) that is so large that I sometimes consider selling some of it. Anyway, we both start with a list, a prepared script, and quickly get off track.

Sometimes my roommate didn't get a chance to see a movie, or he really didn't like something, and I liked it. It's give and take and sometimes we can get tired - yes I know they are long - Jess Franco's filmography is hours long and has at least 3 podcasts.

For Colors of Prog I used to go without a script and for a long time… but that's who I am. Now I try to make them no longer than 30 min. Whatever the ending, not even a cut will help from a mispronounced error or mistake. As I said before, you can correct it with written text…. But with the advent of artificial intelligence, we will see what happens with it."

Co-host Louis Paul shared this, for those wondering where we've been since our NYC cop/crime film show during the Holida...
06/02/2024

Co-host Louis Paul shared this, for those wondering where we've been since our NYC cop/crime film show during the Holidaze...

"While the other Podcast show Weird Scenes Inside the Goldmine that I co-host is on hiatus for the moment,

We have done at least 10 years worth of shows covering Genre film, Genre directors, Non- Genre Directors, Actors, Actresses, the occasional music-related show, Covid-lockdown-related shows, politically-themed shows, etc.

Our programs are always entertaining, if occasionally NSFW. It's our self-described "My Dinner with Andre" for Genre aficionados.

Here's a link to at least 8 years worth of shows on Spotify and enjoy: "

Visit the post for more.

https://m.facebook.com/story.php?story_fbid=945123613812077&id=100049433420770&mibextid=Nif5oz
12/01/2024

https://m.facebook.com/story.php?story_fbid=945123613812077&id=100049433420770&mibextid=Nif5oz

Hearing the news that the lovely Tisa Farrow est mort.

Always had a bit of a thing for Tisa, who unlike her more famed (and notably unbalanced) sister Mia provided visual appeal and a likeable vulnerability to numerous European cult classics we covered in several shows over at Weird Scenes Inside the Goldmine: (links in comments below)

our French Crime show's And Hope to Die,

our Poliziotteschi show's Strange Shadows in an Empty Room (aka Blazing Magnum),

our Satan in the 70s show's The Initiation of Sarah, our Tony Perkins show's Winter Kills,

our Lucio Fulci show's Zombi 2/Zombie,

our Joe D'Amato show's Anthropophagus (aka The Grim Reaper),

plus Woody Allen's Manhattan and Enzo Castellari's The Last Hunter - more worthy cult film appearances than nearly any other actress outside Barbara Steele (who we also did a show on) and Edwige Fenech.

Requiescat Im Pace, pretty lady. You may be gone, but your image will live on in all these frequently revisited films.

Next week, Thurs. Nov. 30 at 7pm EST, join us for the final Weird Scenes of 2023, as we bring it all back home to the me...
21/11/2023

Next week, Thurs. Nov. 30 at 7pm EST, join us for the final Weird Scenes of 2023, as we bring it all back home to the mean streets of Manhattan!

Tonight, we’ll be talking a set of films that almost form a genre of their own. These films were often, though not always, “respected” by critics and the general public at large, but all bore that …

Up and live!  Join us as we discuss the one and only Cary Grant!
21/11/2023

Up and live! Join us as we discuss the one and only Cary Grant!

Archibald Alec Leach was born in Bristol, England at the turn of the century, January 18, 1904 to a tailor and a seamstress. A theatrical tour of NYC led him to emigrate at the ripe old age of 16, …

ICYMI: now up and live, our French Crime show!  Melville!  Belmondo! Delon!  And the early works of Bronson and Perkins ...
07/11/2023

ICYMI: now up and live, our French Crime show! Melville! Belmondo! Delon! And the early works of Bronson and Perkins to boot!

Oh, yeah, that clown Godard comes up as well...

The French crime film is different from those of other countries for several reasons. While some, certainly Jean Dellanoy’s Soleil Des Voyeux (aka Action Man) draw elements from the German Kr…

Next Thursday 7pm EST, we take on Melville, Belmondo, Delon and the French Crime Film!
27/10/2023

Next Thursday 7pm EST, we take on Melville, Belmondo, Delon and the French Crime Film!

The French crime film is different from those of other countries for several reasons. While some, certainly Jean Dellanoy’s Soleil Des Voyeux (aka Action Man) draw elements from the German Kr…

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