29/05/2025
The second instalment of trip through his night time neon world has been universally well received since it hit the stores two weeks ago.
To make these albums happen we of course need to track down all the artists and including their stories in the sleeve notes has always been a priority for us, something we hope gives a greater understanding of the music’s time and place.
Here’s Jimmy D and his memories of recording Rescue Me (Imagination) (Dub)
As a budding 20-something songwriter/musician - working in a modest, home bedroom studio - Rescue Me (Imagination) first took shape on a Roland RS-09 Organ/String synth keyboard, circa 1982. Initially combining a simple reggae-style rhythm with a bluesy vocal melody, Rescue Me (Imagination) went through various transformations, finally becoming the ‘electro meets R&B’ version which informs the A-side. In contrast, however, this experimental B-side dub version turned out to be a far different and darker beast: painting a more impressionistic, surreal picture of the narrator’s turmoil through expert manipulation of an early Bel digital delay FX unit. That was mainly down to Bark Studio’s co-founder, John O’Connor, who knew his way round the desk and gear like the truly seasoned, pro engineer he was and is. Having left the legendary east London studio after that final session with 3 or 4 random dub mixes, over the next several days, I set about compiling a master - eventually achieved by first selecting and then splicing various bits of each mix at home, with the aid of a Revox 2-track recorder. Finally, after seemingly endless hours of repeated scrolling through all the assorted takes, I got the result I wanted. Now, incredibly, the song is forty years old this year (2024) - almost twenty years older than I was at the time of its creation. Heartfelt gratitude to all who helped me along the way to achieving its original release on vinyl. (And, indeed, again - this time round!) May any listeners enjoy the result of this 7-minute head-trip into a sonic heart of darkness as much as I relished making it. James Douglas