SeeingDance

SeeingDance News, reviews and features on dance in the UK, Europe and Asia.

"Certainly spectacular... The dancing is powerful, the ensemble injecting a sense of great scale while the central duet ...
13/09/2026

"Certainly spectacular... The dancing is powerful, the ensemble injecting a sense of great scale while the central duet provides a moment of calm... The backing projections by Hamill Industries are impressive... The score by Sam Shepherd (aka electronic music artist Floating Points) is terrific."

David Mead on San Francisco Ballet in 'Mere Mortals' by Aszure Barton.

The dancing is powerful, the ensemble injecting a sense of great scale. The backing projections are impressive and the score is terrific

McRae’s attack, Lamb’s nerve, Nicholson’s theatrical instinct and Vassilev’s swagger feed off one another... pleasure ke...
13/09/2026

McRae’s attack, Lamb’s nerve, Nicholson’s theatrical instinct and Vassilev’s swagger feed off one another... pleasure keeps spilling outwards.

Zoë Hewitt reports on the McRae / Vassilev Project at The Royal Ballet And Opera with Royal Ballet principals Steven mcrae and Sarah Lamb, violinist Vasko Vassilev, and pianist Pamela Tan Nicholson.

McRae’s attack, Lamb’s nerve, Nicholson’s theatrical instinct and Vassilev’s swagger feed off one another... pleasure keeps spilling outwards.

American choreographer Micaela Taylor’s latest creation, ‘Bow Out’, features as part of English National Ballet’s forthc...
11/09/2026

American choreographer Micaela Taylor’s latest creation, ‘Bow Out’, features as part of English National Ballet’s forthcoming ‘Rhythm Riot’ programme at Sadler's Wells. David Mead met recently with her, to talk about her work.

A conversation with Micaela Taylor about her work and her new ballet, 'Bow Out’, part of English National Ballet’s forthcoming Rhythm Riot programme

"An evening that shone with optimism and hope, an evening when young people showed us a better world working together cr...
10/09/2026

"An evening that shone with optimism and hope, an evening when young people showed us a better world working together creatively in an atmosphere of respect and harmony to deliver a vibrant programme of dance."

Maggie Foyer reports on the National Youth Ballet at Sadler's Wells.

An evening that shone with optimism and hope, of young people working together creatively to deliver a vibrant programme of dance

Lost Dog dance’s new production, ‘The Last Hamlet’, comes to Sadler's Wells East in early November following performance...
09/09/2026

Lost Dog dance’s new production, ‘The Last Hamlet’, comes to Sadler's Wells East in early November following performances at the Avignon Festival and in Théâtre de la Ville - Paris. Ben Duke, who conceived and directs the show, talked recently with Zoë Hewitt.

Ahead of performances in Paris and Sadler's Wells East, Zoë Hewitt talks to Lost Dog director Ben Duke about his new production, 'The Last Hamlet'

With the 2026-27 season about to start, we look ahead twelve months to next September's UK debut of Ballet de Santiago (...
07/09/2026

With the 2026-27 season about to start, we look ahead twelve months to next September's UK debut of Ballet de Santiago (Municipal de Santiago), now led by former Birmingham Royal Ballet principal César Morales Anderson. He chatted recently with David Mead about the company, Ivan Nagy’s Swan Lake, which they will be performing in London, and becoming a director.

September 2027 sees the UK debut of Ballet de Santiago in Ivan Nagy's Swan Lake. Artistic director César Morales Anderson talks to David Mead about the company, the ballet, and becoming a director.

Ekleido, choreographic duo Hannah Ekholm and Faye Stoeser, are noted for their mesmerising, flowing choreography, on sta...
25/08/2026

Ekleido, choreographic duo Hannah Ekholm and Faye Stoeser, are noted for their mesmerising, flowing choreography, on stage and on film. Following a recent performance and associated events in South Devon as part of Kingsbridge Fair Week, the town's Harbour House contemporary art and wellbeing centre is giving visitors an opportunity to look further at the company's work.

David Mead reports on the "small but well-put together, and rather engaging exhibition." On to September 26, and well worth dropping in on if you are that way, he reckons.

An exhibition in KIngsbridge, South Devon that encourages all to come and explore Ekleido’s movement, choreographic ideas and creative process

Nicola Claire reports on a fine evening with the Centre for Advanced Training (CAT) students at The Place."Moving betwee...
11/08/2026

Nicola Claire reports on a fine evening with the Centre for Advanced Training (CAT) students at The Place.

"Moving between contrasting choreographers, styles and emotional worlds, everyone performed with flair, confidence and impressive technical ability."

Moving between contrasting choreographers, styles and emotional worlds, all the dancers, all 16 or under, performed with flair, confidence and impressive technical ability.

Rolling back a couple of nights, David Mead reports on Carlos Acosta's 'Myths and Modern Masters' programme at the Royal...
07/08/2026

Rolling back a couple of nights, David Mead reports on Carlos Acosta's 'Myths and Modern Masters' programme at the Royal Ballet And Opera, an evening with dancers from Acosta Danza and Birmingham Royal Ballet.

Myths and Modern Masters is not only about Acosta himself. It’s just as much a celebration of the talent at the two companies he leads.

"Framed by trees, open sky and a beautifully atmospheric set, the production embraces its surroundings with confidence.....
07/08/2026

"Framed by trees, open sky and a beautifully atmospheric set, the production embraces its surroundings with confidence... Andrew Lloyd Webber’s score has lost none of its appeal... McOnie’s choreography is frequently inventive and full of theatrical pleasure."

Zoë reviews the new production of Cats, directed and choreographed by Drew McOnie, now on at London's Regent's Park Open Air Theatre ahead of an extensive UK tour.

Framed by trees, open sky and an atmospheric set, the production embraces its surroundings with confidence, and the score has lost none of its appeal.

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