
03/07/2025
In today's issue ✍️
In December 2024, VAN obtained a tranche of documents relating to the Komische Oper. Today, we publish the months-long investigation by Hartmut Welscher and Merle Krafeld into the use and alleged misuse of public funds by the house.
Komische Oper is one of the most successful German-speaking opera houses of recent times, with Barrie Kosky’s decade-long artistic leadership resulting in a sharply defined artistic profile. Obviously, this status has something to do with its finances; along with the Staatsoper Berlin and Deutsche Oper, Komische Oper is the third Berlin opera house to receive generous public funding.
This financial situation has been questioned of late, as Berlin’s Senate announced large cuts to the culture sector in their 2025 budget. This included the Komische Oper. “The struggle must continue for every euro and every future year of construction,” the house’s co-artistic directors Philip Bröking and Susanne Moser wrote in their introductory brochure this year.
But today’s report shows its leadership racking up bills on unexplained consultants, extensive travel, costly renovations to the Schiller Theater, and the perplexing case of an unregistered, unused advertising bus that has since disappeared. (The piece also includes an appearance by VAN’s favorite German media lawyer, Dr. Christian Schertz.)
Read on below...
Unexplainable consultants, contraband renovations, and a disappearing bus: inside the finances of Berlin's most successful house