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Independent print & digital culture publication London has become a way of life – not just a place to live. Yet why are so many of us still stuck in a bubble?

No other place is like our capital, as cosmopolitan and ever-changing. Whether you’re here to study or career-climb, whether you’re a new-comer or were born and bred, Londnr Magazine is your golden ticket to indulge in the arts, culture and lifestyle of our capital. Experience the history and stories that give London its cutting edge and acquire new intriguing insights and perspectives. We’ll be y

our food for thought and conversation-starter. There's no breaking news, current affairs, filler articles or celebrity juice. There’s no nonsense, no nudity. Londnr is deliciously timeless.

25/06/2025

Here it is: our first print issue as LOST ART (but our 11th in total; we did 10 issues under our old name, LONDNR 😉).

So, let’s “spill the beanz” on what you’ve got to look forward to in this edition…

It’s a pocket rocket made of paper.

A heat-seeking missile for blowing your mind (one page turning story at a time).

It was a carefully considered decision to explore digital arts & cultures. As the first theme we tackle under the name LOST ART, we felt it summarised what we stand for: nosing out the stories that fall through the cracks.

Because while digital arts, NFTs and AI are on everyone’s lips, few are covering these topics thoughtfully and accessibly.

In between our features, interviews & other articles from the cutting-edge of art and tech, you’ll meet our narrator, Bobu.

He’s our mascot for this special issue, and as he was born in the pixelated fantasy of blockchain, we really are bringing you the insider scoop complete with a native guide. You’ll be hearing more about him soon.😎

We hope you enjoy this playful take, bursting with original art commissions. Copies are available for purchase via link in our bio. 📚✨

Special thanks to our team & contributors:

Editorial director:
Creative director:
Deputy editor:
Project manager:
Staff writer & social media strategist:
Editorial assistant:

22/06/2025

Summer Solstice celebrations continue this Thursday 🌞🌞 tickets are running low, so get yours soon x

x Secret Ceremony by .art.media present a very special screening of THE WICKER MAN on JUNE 26th in the surroundings of St Giles’ Church, Camberwell, a 200 year old Gothic Revival church located in South East London ⚔️🔥🕸️

Alongside the screening a musical performance by (lead singer of seminal indie band Opus Kink) and Friends will set the tone of the evening 🫶🏽

A percentage of every ticket sold will be contributed to The Friends of St Giles’

The Friends of St Giles’ was founded in the 1980’s to help raise funds for the repair and maintenance of St Giles.

It recognises that St Giles’ plays a significant role in the secular life of SE5, in particular through the development of community involvement in music and the arts.

Tickets: £18 via DICE or Ticket Tailor. Link in bio 📲

Beautiful poster by

Dash The Henge Store https://dashthehengestore.com/
LOST ART https://www.lost-art.media/

21/06/2025

In this weeks installation of THE LOWDOWN we’ve got insights into our print launch, flammable films and lessons in letter writing… 📘🔥 🖊️

Subscribe for £5 a month and we’ll send you a copy of our VERY beautiful magazine 💜

Link in bio 📲

20/06/2025

‘If you thought classical music is a story with a full stop, or that fusion is a pretentious affectation, wait till you hear Hymns of Bantu. The opening bars of Tsohle Tsohle(translating as Everything, Everything) are as delicate as a butterfly palpitating dew from its wings.

An improvisation inspired by 17th-century French composer Marais is overlaid with haunting Bantu melodies. Selaocoe’s blending of African and Western influences reaches its zenith in this album, which he describes as an ode to the truth that we’re ‘somehow all connected’.’

To read the rest of our interview with ahead of his debut, hit the link in bio 📲

✍️

19/06/2025

Some pics from our launch party on Saturday at , celebrating our print magazine ‘Spill the Beanz: Digital Arts and Cultures’ 👾💎💜📘 all made possible thanks to and (we especially relished introducing Bobu to our fellow art lovers)

Thank you to for keeping us sufficiently wired throughout ⚡️

Thank you also to for her beautiful installation and performance that added an extra art and tech touch 💘

And a final special thank you to who do amazing work supporting female artists 👩‍🎨

Photography by .media

And a HUGE thank you to everyone who came to support us 🌞 were you papped? Tag yourself x

18/06/2025

Snapshots from our latest article ‘Unlikely Bedfellows: How NFTs and Museums are Forging Digital Art’s New Frontiers’

✍️
📲 link in bio to read

17/06/2025

Only 9 days until our screening of THE WICKER MAN the hallowed hall of St Giles’ Church in Camberwell in partnership with the wonderful 💎🌞⚔️🕯️

But this is more than just an ordinary screening, as aka Angus of will be opening the night will a special set 🦚🎤🪕

OVER HALF our tickets have sold, so get them now to avoid disappointment. Tickets: £18 via DICE or Ticket Tailor. Link in bio 📲

Art by
Sound by and
~
x Secret Ceremony by .art.mediapresent a very special screening of THE WICKER MAN on JUNE 26th in the surroundings of St Giles’ Church, Camberwell, a 200 year old Gothic Revival church located in South East London ⚔️🔥🕸️

Alongside the screening a musical performance by (lead singer of seminal indie band Opus Kink) and Friends will set the tone of the evening 🫶🏽

A percentage of every ticket sold will be contributed to The Friends of St Giles’

The Friends of St Giles’ was founded in the 1980’s to help raise funds for the repair and maintenance of St Giles.

It recognises that St Giles’ plays a significant role in the secular life of SE5, in particular through the development of community involvement in music and the arts.

Tickets: £18 via DICE or Ticket Tailor. Link in bio 📲

12/06/2025

… Alice and Corbun fidget somewhat impatiently when asked about the artistic merit of digital pieces. ‘This conversation has been happening for over 100 years,’ says Alice, ‘and it’s generally been proved posthumously that when art is called into question it turns out to be the very tip of contemporary culture.’ Meanwhile Corbun notes that every important movement from the Impressionists to the YBAs provoked negative responses. ‘With contemporary art there’s always a phase of rejection.’

So, what about the fiery debate surrounding AI and authorship? If images are made by people generating them via prompts to a machine, is this the ‘best of humanity’ that museums are supposed to showcase?

Words:

Link in bio for our latest article 📲

With interviews from studio
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