07/02/2025
greyfade's ninth release, out today!
https://phillipgolub.bandcamp.com/album/loop-7
Pianist and composer Phillip Golub continues his acoustic loops project with Loop 7, dramatically expanding the project’s scope harmonically, technologically, and orchestrationally, while maintaining the emphasis on microscopic variation within tightly controlled repetition begun on his solo debut Filters.
Composed using a 22-note per octave tuning system, the studio recording of Loop 7 employs two microtonally-tuned Yahama Disklavier pianos controlled via keyboard controller. Golub is joined by a small ensemble—consisting of scordatura electric guitar, microtonal vibraphone, and live electronics—to create an absorbing realization of the piece, uncannily situated between chamber performance and imaginary studio creation.
Phillip Golub midi-controlled disklavier pianos
Aaron Edgcomb vibraphone
Ty Citerman e. guitar
Joseph Branciforte live electronics & synthsesizer
duration: 28:20
format: ultra high resolution digital (192k/24b)
recorded at Yamaha Artist Services and Greyfade Studio.
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THE WIRE (UK): A Satie-esque melody is warped by the unusual tonality, further enhanced by the spare deployment of scordatura electric guitar, microtonal vibraphone, and live electronics. The nuanced variation, with Golub dropping 1/22 of a pitch with each cycle, makes it so mesmerizing I only hear new sonic portals opening up.
TOUCHING EXTREMES (IT): Another classic Greyfade release, which could undoubtedly appeal to fans of William Basinski’s piano-based output, but also of the more experimental side of Ryuichi Sakamoto and – apropos of crepuscular refractions – of early Gavin Bryars.
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1 track album