Howard Audio, 4 Anslow Lane, Bryanston (2026)

18/05/2026

A project we worked on a couple of months ago for PPS For Professionals is now out 🙌

The concept is about how small actions add up over time - and the spot uses musical looping to bring that idea to life, building piece by piece until it becomes something bigger. That made the music and sound a central part of the concept so it was a real pleasure shaping the audio and original music composition for this one.

Being a part of the shoot and working with Cindy Lee was amazing as was working with a talented cast that carries the concept so well - Mzizi and Azikiwe Azie. Thank you.

Client: PPS For Professionals
Agency: Promise
Cast: Mzizi and Azikiwe Azie
Director: Cindy Lee Director
Executive Producer: Adam Thal
Executive Producer: Saskia Rosenberg-Haak
Production Co Ordinator: Lesedi Mashigo
1st Assistant Director: Sean O’Sullivan
D.O.P.: Rick Joaquim
Audio and composition by us 🙌

14/05/2026

The IDIDTHAT.co 2025 Craft Awards Rankings are out - and this one feels especially significant for us 🔥

Howard Audio has been ranked #9 overall in the company rankings, a space that’s typically dominated by production companies. Seeing a music and sound studio recognised in the overall list like this is a first for us, and a strong result.

Among the work that helped drive these rankings were our audio rebranding for Cell C and Chicken Licken’s ‘Soul Food To The World”. Two very different briefs, both built on the kind of craft we care about most.

We’re also proud to share:

🥇 Howard Audio: #1 in Music & Sound
🥇 Adam Howard: #1 Sound – Original Music Craft
🥇 Adam Howard: #1 Sound – Original Music (Sonic Branding) Craft

More than anything, it feels like a testament to how we work. Our alignment with strong clients and brands allows us to create and elevate, landing in the space of fresh, new and premium. Our commitment to our clients is unwavering and their trust in us is the winning formula.

To our clients and creative teams who continue to inspire us with their ideas that we get to shape, mould and curate. Thank you.

Sonic branding is a space that we love crafting in, this is where experience and a real understanding of music and brand unite. It can be complex, multi layered and yet the outcome is simple.

For any outrageous ideas that you would like to explore and not quite sure how to execute musically, get in touch. We are here to find the campaign sweet spot you need.

👉 https://www.howardaudio.co.za/contact-us

04/05/2026

For the last year and a half I’ve been sitting on something I couldn’t speak about properly, for obvious reasons.

Now that it’s been announced: there’s a new international feature film in the works called 'The Road Home', directed by Oscar-winning Bill Condon, with a screenplay by Michael Bronner.

The story is set in the Graceland era - the period around Paul Simon’s work in South Africa, and the cultural and political complexity of that time.

The cast includes Cynthia Erivo, Guy Pearce, and Thabo Rametsi, who will be portraying Hugh Masekela.

My role has been very personal. I’ve been working closely with Thabo - we’ve already done a number of trumpet sessions together - focusing on the physical truth of how Hugh actually played: how he held the instrument, how he approached phrasing, what felt natural in his hands. I’ll also be on set, helping with those details as we go.

The other part of this is the music. Under the production of legends Hilton Rosenthal and Bobby Summerfield, we’ll be recording original material for the film at our studios.

Hugh was a friend. I travelled the world with him. So this isn’t “work” in the usual sense - it comes with responsibility. The aim is simple: do it well, and treat his legacy with the care it deserves.

More to share when I can.

Read more here: https://tinyurl.com/theroadhomearticle

28/04/2026

Sold out within a day 🔥

That response says something important about where South African audiences are right now, and about what Red Bull Symphonic has become in a very short time.

I’ve been closely involved with the Red Bull Symphonic creative team over the past two years and I’m thrilled to be returning in 2026 as Co-Director of the show. We’re deep in pre-production as we push 18 original arrangements over the line and oversee all music requirements/musicians/artists and choir. It has been one of the most rewarding live environments I’ve worked in - not because it is big, but because it is specific: the standard is high, the collaborations are well considered, and the audience reaction has been just amazing.

In 2026 we turn the page. After celebrating Amapiano, this edition pays homage to the genre that started it all: house music - South Africa's musical home. From Kwaito to Gqom - Amapiano to 3-Step, house has birthed every wave that's shaped our sound. This year, we celebrate Afro House and present its future. For the first time, two headliners share the Red Bull Symphonic stage - Sun-El Musician and Dlala Thukzin - both leaders, contributors, and architects of the next era of house.

They join forces this year with Maestro Chad Hendricks and a full Symphonic Orchestra in a landmark collaboration.

Chad is an exceptional musician, and I’m genuinely excited to see his leadership shape this edition.

I’m proud of what this platform has become, and I’m looking forward to seeing this year’s show on stage at Montecasino.

Red Bull

24/04/2026

Mandisi Dyantyis’ Symphonic Celebration with The Egoli Symphonic Orchestra is selling out quickly - and we're really looking forward to sharing the stage with Mandisi once again.

It’s been a big inaugural year for our orchestra and one of the things I’ve enjoyed most has been seeing just how wide the audiences have been across the work we’ve presented - from "Red Bull Symphonic feat. Kelvin Momo” to “Jonathan Roxmouth - My Favourite Broadway” and now this (with many corporate events in the diary) we can’t wait to see what the future holds for us!

It’s exactly what excited us about starting the Egoli Symphonic Orchestra in the first place - forming an orchestra that could move between musical worlds and challenge what an orchestra can be - always keeping the musical standard high.

If you’d like to come and experience Mandisi’s Symphonic Celebration at The Teatro, book soon before it’s too late.

21/04/2026

Who else is itching for a Red Bull Symphonic '26 update? 😉

21/04/2026

I’ve been involved with Red Bull Symphonic over the past two years - and it’s been an incredible experience to be a part of.

Conducting the newly formed Egoli Symphonic Orchestra on the Teatro Montecasino stage last year was an awesome career moment and having the chance to trade the baton for my trumpet in the middle of it, alongside Kelvin Momo… that’s the kind of thing you don’t take for granted. I’m so excited to be continuing the Red Bull Symphonic journey this year - more on that very soon 😉

As we prepare for the launch - I worked again on the Red Bull Symphonic interactive Maestro Game where you can build your own version of a track and stand a chance to win tickets for this year’s show.

I worked with a top producer and created the orchestral loops that the game is built around. I then worked closely with the Red Bull team to make sure the whole thing felt right when it played back.

If you want to play, build your own version in the Maestro game and submit it - I’m excited to hear what people make.

👉 https://www.redbull.com/za-en/events/red-bull-symphonic-south-africa

25/03/2026

We’re absolutely thrilled to share that our collaborators at Multi-Media picked up Best Sound Design at this year’s Naledi Theatre Awards - a win we’re genuinely proud of.

We went into the night with seven nominations across six categories, up against an incredibly strong field, so to see this one land for the technical craft is a big moment.

Multi-Media rolled out L-Acoustics’ L-ISA Hyperreal system on My Favourite Broadway - a spatial audio system that lets sound be placed and moved more naturally in the room, rather than coming from a traditional left-right mix. It made a real difference to how the show translated in The Teatro, and they deserve the spotlight for pulling it off at that level.

A special mention as well: congratulations to Bryan Hill on his Lifetime Achievement Award. Bryan has been an instrumental part of our Teatro shows - backing the vision from the get-go and helping create the kind of conditions where ambitious shows can actually be done properly.

Very proud of the team. Congratulations to all the winners!

25/03/2026

Another very special win at the Naledi Theatre Awards 👇

Diary of a Wimpy Kid took home the award for Best Production for Children and Young Audiences and we couldn’t be prouder of our two older kids, Tabatha and Joshua, who were cast in the show.

Tabatha was also Dance Captain, a role she a role she stepped into with so much maturity. They both had the best time, learned so much, and came home buzzing after every performance.

A big shoutout as well to Vicky Friedman and Daphne Kuhn for creating such a positive, encouraging space for the kids at Theatre on the Square, Sandton. That kind of environment makes all the difference.

Proud parents, full hearts. Well done everyone!

24/03/2026

Last Saturday we played at the inaugural LIV Golf tournament at Steyn City - and for an avid golfer, this was basically the perfect gig.

The event was packed (sold out across the weekend), and we had the honour of playing on the first tee as a lineup of golfing legends headed out to start their rounds.

Shoutout to my mate, Bez Roberts, who runs the Sousaphonics - always a good time, adding the gees to so many events around the country 🇿🇦

Massive credit to LIV Golf and Steyn City for pulling off an event of this scale so well. One to remember.

Howard Audio

18/05/2026

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