DJ in the subgenre of Progressive psychedelic trance. has been producing high quality and original Psytrance music since 2018, blending his musical knowledge and production skills into cutting-edge and fresh new sounds.
DJ Reflex spins an eclectic variety of styles covering all points of the psychedelic trance and techno spectrum. Every performance is entirely improvised and custom-crafted to fit with the theme of the event and the flow of the night.
Reflex prefers to mix up the many styles of psytrance rather than stick to one formula. Depending on the time slot and nature of the event Basilisk is also known for breaking into blistering hard dark - psytrance, forest music, the more sophisticated side of full-on, the cold and mechanical sound of tech-trance, and the pumping energy of progressive.
One of the pioneering psytrance artists of the millennium, Reflex undoubtedly rules the psytrance roots. He has established himself as a Class A artist and it is clearly heard in his unique and melodic music style. Playing live and spinning his tunes around the Western Cape, South Africa has helped him pave his way to becoming one of the best local psytrance music artists in the country. Reflex is one of the few artists in the scene who really makes big waves throughout electronic dance music and is quickly gaining recognition.
DJ Reflex stands out amongst many because what he makes is by no means formulaic dancefloor fodder. It is clear listening to his music, that he is more of a musician and a rare talent indeed[c.samsodienn1] .
A short history of Psytrance
Psychedelic trance developed out of the early 1990s Goa Trance scene through the influence of artists such as Timeshard and Eat Static, both on the Planet Dog record label.
The first pure Psychedelic trance label was Dragonfly Records, formed by the artist and trance producer Martin "Youth" Glover (a former bassist for the band Killing Joke) in Brixton, London. For this he took advantage of the organization and the studio of his already existing label, Butterfly Records. It quickly became the centre of the London Psychedelic trance scene. Raja Ram and Graham Wood first produced here as The Infinity Project. Simon Posford, who worked as a sound engineer at Butterfly, later released his legendary album, Twisted as Hallucinogen on Dragonfly. This album featured the classic track "L*D" featuring a voice sample from acid guru Ken Kesey. The first compilation from Dragonfly was released as a trance sampler and was soon followed by another compilation titled Project II Trance in August of 1993. These included work from such well-known artists as the French project Total Eclipse and Mandra Gora. In 1994 it released singles from Man With No Name, Prana, Ayahuasca, Slinky Wizard and Doof. The signature Order Odonata compilation was released the same year.
At this point the scene was growing rapidly and many new labels were created. Return To The Source, a party collective first appeared. Raja Ram and Graham Wood went on to found their own label, called TIP Records (now TIP World). Tsuyoshi Suzuki worked with John Perloff to create the Matsuri Productions label. Flying Rhino Records was established by James Monro, Dominic Lamb and George Barker (Slinky Wizard), who hired Sally Welch as manager. Simon Berry founded Platipus Records, who among other things, released the first vinyl by Technossomy. It also out licensed the famous Robert Miles' "Children". Simon's own project, Union Jack released their morning trance album There will be no Armageddon in 1996, featuring well-known tracks such as "Red Herring", "Cactus" and "Two Full Moons and a Trout".
Around this time a new label emerged in UK. Some consider Blue Room Released to be of the most important, and unusual, labels in the Psychedelic trance genre. It was led by Simon Ghahary and had solid financial backing from a British loudspeaker company. Allegedly, Ghahary had free reign to spend the money as he saw fit, regardless of sales figures. This allowed Blue Room to move away from "classic" Goa trance into new, more experimental directions. Some of the most well-known artists today were signed and had their work distributed on the Blue Room Released label. Their first compilation was titled "Outside the Reactor" was released in April of 1995 and featured work from artists such as Total Eclipse, Har-El Prussky, and Voodoo People. Three of the most well-known projects - Juno Reactor, Total Eclipse and The Infinity Project also released their debut albums that year. Soon the German project X-Dream started working with Blue Room as well, releasing their "The Frog" single and the highly influential Radio album. At its height, the label went on to release such works as Violent Relaxation by Total Eclipse, Juno Reactor's Bible of Dreams, Saafi Brothers' Mystic Ci******es and Dragon Tales by Koxbox.
Despite being the centre of production for Psychedelic trance in the mid-1990s, England had an extremely limited party scene. This mostly due to the Criminal Justice Bill and requirements for early closing hours in nightclubs. On the other hand, Germany had much more liberal laws, which in addition to the recent unification contributed to the development of the scene there. The German label Spirit Zone Records opened in 1994 and ended up signing on many foreign artists such as The Infinity Project (UK), K.U.R.O. (Japan), Etnica (Italy), and Har-El Prussky (Israel). It was also the home label of many German artists such as Electric Universe, Star Sounds Orchestra and S.U.N. Project. France was also becoming an increasingly important location, with not only Total Eclipse, but the now famous projects like Talamasca and Transwave emerging.
Around 1997, the original Goa trance scene was undergoing hard times, especially in the UK. Sales dropped and many big labels such as Flying Rhino went bankrupt, while others had to reinvent themselves and emerge under a new name as did TIP World. The death of Goa trance was "officially" declared by Tsuyoshi Suzuki on his Let it RIP album, where the liner notes read "RIP: Mother Theresa, Princess Diana, William Burroughs, Goa trance."
The new sound of what would become the Psychedelic trance of today emerged at this time. It included elements of minimal and progressive trance, house, and techno, while focusing less on the original Goa melodies. Germany became the centre of this movement in 1997 and 1998. Many Swedish artists also emerged playing a more progressive sound. The most successful and well known is Tomasz Balicki (Atmos). His track "Klein Aber Doctor" was the most successful release for Flying Rhino yet, which was in the process of restructuring. Even the Dragonfly label stated to switch to this new progressive sound, and Psychedelic trance was once again becoming popular. Debut releases from Atmos, Noma, S-Range and Son Kite only cemented this fact and made Sweden an important producer of psychedelic trance.
Soon Psychedelic trance was expanding rapidly once again, and for the first-time differences became apparent in the music being produced in different countries. Parallel scenes also developed in countries like Israel, Germany, South Africa, and Japan. There are also smaller, but active scenes in India, New Zealand, Australia, Brazil, Mexico, The Netherlands, Switzerland, Austria, Greece, Portugal, Finland, Russia, Ukraine, Thailand, Denmark, Poland, Canada and even the United States.
Psytrance and Goa Trance
The term "psychedelic trance" is used almost synonymously with "Goa trance". Goa trance is a precursor to the late 1990s psychedelic trance, which utilizes more sophisticated melodic devices and distinctive basslines. Goa trance is an almost completely defunct genre of music, since few if any contemporary artists would describe the music they create as being of this genre. The term "Psychedelic trance" is used to distinguish the newer material made by many artists, who were formerly known to have produced Goa trance. Full On is a sub-genre characterized by "solidly driven" basslines, melodies, and frequent use of DSP Effects. Notable artists include, Spain's (Ibiza) Growling Mad Scientists G.M.S. and Israel's Astrix in comparison to the more "clubbier" minimalist and less melodic genres, such as progressive trance with more of a psychedelic influence, exemplified by many Scandinavian and German artists, including Sweden's Son Kite. Many use the term Goa trance to simply distinguish those pieces which seem to incorporate eastern, Indian, or "organic" melodies (see raga), derived from sources, like Indian classical music. This makes it easier to identify those which don't incorporate such elements, which listeners would call Psychedelic trance. These pieces tend to be more experimental and futuristic (in the case of Full on), usually using programmed melodies just a positionally derived from minor arpeggios Cm7, Dm7, Em7, etc and other exotic or unusual harmonic combinations, with the intent of being multi-timbral. Both genres, however, continue to use samples taken from sources, like sci-fi films, documentaries, etc.
DJ Reflex might be young, exceptionally talented young mind with a good ear for the art of music. His style is unique and thatโs what brings the crowd back for more!
[email protected]
www.reflex.site
