Sabelo Omen Mzizi

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Sabelo Omen Mzizi

I am producer, film maker and overall content creator. I love digital marketing and I am on this journey to change my life and those around.

Come on for the ride..

13/02/2022

V-Class chats with hosting for a young drive. Car supplied by

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13/02/2022

Train runs over Tesla in this VFX shot

Wait for the end 🤯🤯🍿🍿

🎥 Via

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13/02/2022

A sick cinegram by

Curated by . ⠀⠀⠀⠀⠀

What vibes does this image 🎇 give you. Let me know inn the comments below.

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💎Sabelo Mzizi]]
💎Sabelo Mzizi]]
💎Sabelo Mzizi]]
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10/02/2022

Have you guys seen The Tinder Swindler yet?

It’s a top documentary on Netflix right now and cinematographer 🎥 gives a breakdown!

Breakdown:

We wanted to get that intimate feel for the interviews. An experience of a romantic date. Hence the little hints from both the production design (i.e., the second wine glass) and the lighting.

We went with a much more intimate lighting setup comparing to the usual interview approach.

Both interviews were lit with Litemat Plus-3 with egg-crates. For Cecilie it was 1x, Pernilla 2x + each had practicals on the table with 60w bulbs, dimmed.

The idea was to wrap the practical slightly while lifting the shadows in the "scene" a bit.

Pernilla's green restaurant location provided an abundance of houselights reflected, so I just dimmed them right down, but still to the level these would register - providing some depth to the space.

Both interviews went for hours, but Cecilie's location had this small window behind her that would giveaway the time passing, so we tented it up and added a single astera which produced a constant cold glow for that sky-just-past-the-sunset feel.

The film was shot on the Red Komodo (the first Netflix doc to have these approved!). ISO 800, 4000K white balance. The lenses were Todd AOs anamorphics.

The Tinder Swindler (2022)

Directed by ⚡

Producer -
Execs - and

Gaffers - ⚡

for the interviews; John Forsyth, Sam Alberg, Mark French

for dramatisation
Sparks - ⚡, ⚡

Have you guys seen the Doccie yet? Let me know in the comments below.

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09/02/2022

Here’s some funny movie magic 🤣🤣🤣

Video by

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07/02/2022

This is how you light a cinematic interview

📸 by .frank

👉🏼 Swipe for gear-breakdown

On the second slide, you can see the kind of equipment that was used for this shot.

Notes from director
As we shot throughout the day, two different interviews (with two different people), the outside light dropped rapidly since it was still mid-winter. We chose to do a 'bright' setting and a darker one. The BG fill light wasn't used in this shot, but in the second interview. On the 3rd shot, you can see the .lighting with a 2x fresnel shining bright creating a hard edge (which I like).

The .lighting 600x with a massive 150 dome attached creates a beautiful soft source as our keylight. I choose such a big softbox to be able to place it a bit further out and still create a nice soft wrap on the talent his face. For sound, we used the NTG5. It has good low-end, nice range.

The Matthews flag was used to block a bit of light from the top windows, thus creating more contrast on the face.

Overall, not a crazy complicated setup. It worked and it created a nice image. Of course, the location helped tremendously setting the feeling of this shot.

Director and I are working on a documentary about skateboarding. Hence the location ;-).

Follow the channel for more gear breakdowns!

via .app

05/02/2022

This image is the definition of complimentary colours

Image by :

Would you agree? Let me know in the comments below.
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01/02/2022

Let me say this one more time for the people in the back:

You can have the most expensive camera in the world but if your lighting sucks. Well.. go figure.

Look at this lighting setup from Euphoria Season 2

Euphoria S2E4, "Birth of Venus, 80k soft-box

BTS by Gaffer ⚡

Directed by Sam Levinson

Cinematographer - ⚡

Key Grip - ⚡

Color by ⚡

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23/01/2022

keep dreaming all day and night.

📸 by nunes3d

"I am grateful to people who push boundaries, who do things differently, and who trust in miracles, dreams, and big possibilities."

-Emma Wright.
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17/01/2022

Someone asked me the other day "what do you prefer, tv or narrative?"
As much as I enjoy TV, telling stories is my thing.
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Big up to and .co and for great TV.
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What do you enjoy? Let me know below
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16/01/2022

I’m dropping another episode of the home cinematics with the talented .c.mzizi

It drops tonite at 8PM. Cant wait to share it with you guys.

Go over to her account and show some love. ❤️❤️
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15/01/2022

This might sound really random but choosing to go into filmmaking 🎥 has been one of the best decisions I ever made in my life. 🤩

Would I choose differently? I think 💭 not.

What career did you make and how do you feel about that move?

Let me know in the comments 🙏🏾
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14/01/2022

What do these slides invoke on you?

Swipe left and let me know your fav slide.

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Follow for more
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09/01/2022

Happy 2022 and I pray we all get to do what we LOVE ❤️ or have the courage to fight for it.

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09/01/2022

Easier said than done but couldn’t be further from the truth. Words I wish to love by each day. Small actions each day when done consistently will lead to BIG action and that will change my life..

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