Batswana are not Basotho

Batswana are not Basotho Join us to uncover truths, debunk myths, celebrate Batswana heritage!
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Batswana are not Basotho corrects the miseducation that Batswana come from Basotho.With roots dating to CE 600, Batswana predate the Basotho, whose history starts in the 17th century.

Leboko la Bakwena ba Mogopa Kgomo e kwa PhaphaneKwa ga Mokgale ke kae? Ya re Bakwena!Ke a sitega, ke sitega go nanoga.Ka...
29/09/2025

Leboko la Bakwena ba Mogopa

Kgomo e kwa Phaphane
Kwa ga Mokgale ke kae?
Ya re Bakwena!
Ke a sitega, ke sitega go nanoga.
Ka gore Borraetshomogolo ba swa
Ba ntshwaetse wa Kobue.
Ntuduetse mosadi wa Phusumane!
Bakwena ba ga Mogopa, balelela difofu
Ba bidiwa Mafololedi a a loleng,
E e matlhomahibidu le Barwa.
Ya re kgomo di bolola, ba bo ba bolaane,
Bakwena ba tsamayang ba kekela.
Kgaka tsa matlhaswa mebala e dikgakaneng.
Ka Sitlwane le Mokata le a oketsega.
Ba bolaile Phuti ba iphutha metlhala
Ba bolaya Kubu ba kubuga!
Go tsweletsa katlaatlelo loago,
Go bona setšhaba se tsoga,
Bakwena ke motheo wa setso sa bona.
Ba diga Phala ba phala ba bangwe.
Ba jele leeba ba lebetse.
Go ipopa go itira Morafe.

Leboko le le gatisitswe ke Itumeleng Mabudisa, moithuti wa pele wa Sekolo sa Toloane ka kwa Aferika Borwa.

Bakwena ba Mogopa ke lekgamu la Bakwena le bontsi jwa lone bo fitlhelwang ka kwa Aferika Borwa. Bakwena ba, ba biditswe ka Kgosi ya bone ya pele ebong Kgosi Mogopa morwa Tebele-a-Kgabo I.

Mogopa o kgaogane morafe wa Bakwena le Monnawe ebong Kgabo II. Kgabo II yoo a ileng a tsaya batho ba gagwe go tswa mo Rathateng, a tlolela nabo noka ya Madi a Kwena (Madikwe, Basweu bare Marico) ka kwa bophirima a thibelela mo lefatsheng la Bechuanaland (Botswana). Bane ba bitswa Bakwena ba ga Kgabo kgabagare ba nna Bakwena ba ga Sechele gompieno ba tlwaelesegile ka leina la Bakwena ba Molepolole.

FOURTH IN THE WORLD!From a stage that carried 38 of the finest dance troupes across the globe, through five days of inte...
29/09/2025

FOURTH IN THE WORLD!
From a stage that carried 38 of the finest dance troupes across the globe, through five days of intensity, rhythm, and storytelling, Botswana’s own Mophato Dance Theatre rose to stand among the best — securing 4th position at the Cheonan World Dance Festival in South Korea.

Though the grand prize slipped away, the spirit of Mophato was honored with the Encouragement Award, shared alongside India — a recognition of artistry, resilience, and heart.

We salute the brilliance, sweat, and unshaken commitment of our dancers and creative crew who carried the soil, the rhythm, and the pride of Batswana onto the world stage. You have carved our name into global memory.

Congratulations to Slovakia for taking the grand prize, and to every troupe that brought their culture to life.

This is not the end — it is the beginning of Botswana’s story in global dance.






LEBOKO LA BAHURUTSHE🪶Ba ga Mmamokgatiti wa lewa,Tshwene ke naiwa mmele,Makopong ga ke naiwe,Ke sirelediwa ke seriba.Tshw...
28/09/2025

LEBOKO LA BAHURUTSHE🪶

Ba ga Mmamokgatiti wa lewa,
Tshwene ke naiwa mmele,
Makopong ga ke naiwe,
Ke sirelediwa ke seriba.

Tshwene fa di ya masimo,
Go eta Tshwenegadi pele,
Rotwe a sale kwa morago,
A sale a di retolola.

Ke ne ke fodile ka tlatsa,
Ka kgopiwa ka relela, ka wa,
Papalo tsame tsa ya le maritse,
Matlapa a etsho a borethe.

Leboko la Barolong🪶 Ke namane ya tholo,Ke ja mogoṕe ke o lala.Ke motho wa mogogoro wa losho,Wa ga Gogomela.Ke Mmina tshi...
28/09/2025

Leboko la Barolong🪶

Ke namane ya tholo,
Ke ja mogoṕe ke o lala.
Ke motho wa mogogoro wa losho,
Wa ga Gogomela.

Ke Mmina tshipi ha go le tlala,
Ha go le kgora re bina tholo.
Tholo e e thupana thekeng,
E e reng go utlwa lengolo e tlole,
Go bona lerole e tlolele godimo.

Tholo eo e sa latelweng ka motlhala,
Eo e bonwang ka bojang go thetekela.
Ke wa ga Morara-a-Noto,
Tshipi e ncho, Noto-a-Morolong.

Ntsha se huba Morolong,
Go tle go bonale kwa o tswang gone.
Ka tlhago ke tswa kwa go Tsheesebe-a-Modiboa,
Tsheesebe yo o hetotseng ntlha,
Ntlha ya lerumo la segosi.

Ke tswa kwa go Setlhare-a-Monnyane,
Setlhare sa metsiwe e e ko teng,
E e rileng go anama ya hudusa Magoge,
Magoge le morahe wa Bakaa.

Ke tswa kwa go Nakedi-a-Masepe,
Nakedi e e bobowa bo ntlha.
Ke Modiboa ke Morolong yoo binang
Tshipi noto e ntsho.

Ke ana Kgomo Modimo o nko e metsi.
Malenku a marumo se gagola letoutou.
Mogodungwana o molelo.
More o fisang banna ditedu.

Ka nna nao ka tlhoka boroko.
Ka e tlhoka, kea bo tlhoka.

HOW PILIKWE WAS FOUNDED: A ROYAL SECESSION AND THE ENDURING LEGACY OF UNITY THROUGH STRUGGLESeventy-five years ago, the ...
28/09/2025

HOW PILIKWE WAS FOUNDED: A ROYAL SECESSION AND THE ENDURING LEGACY OF UNITY THROUGH STRUGGLE

Seventy-five years ago, the heart of the Bangwato nation was shaken by one of the most dramatic political and cultural crises in the history of modern Botswana. The year was 1949, and in the royal capital of Serowe, the great kgota resounded with voices of anger, sorrow, and defiance as the morafe gathered to deliberate on a question that would split the nation: should Seretse Khama, the young heir apparent and future founding President of Botswana, be allowed to marry Ruth Williams, a white Englishwoman, against the will of his uncle and regent, Kgosi Tshekedi Khama?

The matter was not simply about love; it was about sovereignty, identity, and the survival of Bangwato authority under the watchful eyes of both colonial Britain and the Union of South Africa. At the center of the storm stood two giants of the royal house: Seretse Khama, heir by blood, and Tshekedi Khama, regent by appointment, protector of Bangwato interests during Seretse’s youth. Both men were bound by duty to the morafe, yet they held opposing visions. Tshekedi, fearing political disaster and cultural humiliation under apartheid’s gaze, resisted the marriage, while Seretse, affirming both personal choice and defiance of racial oppression, insisted on his right to wed Ruth.

The feud reached a breaking point in Serowe. The kgota that had long symbolized consensus now echoed division. Lines were drawn not only between uncle and nephew but across families, wards, and bloodlines of the Bangwato. For the first time in living memory, the unity of Serowe splintered. From this fracture emerged an exodus—one of the most consequential internal migrations in modern Batswana history.

Kgosi Tshekedi Khama, together with a core of loyalists, elders, and uncles, chose to depart Serowe. Among those who walked with him were Gorewang Kgamane and his son Rasebolai, Gasebalwe Seretse, Rakoosha Seropola, and Badirwang Sekgoma—the last surviving son of the great Kgosi Sekgoma I. They were joined by forty-five headmen, men of stature and wisdom often referred to as the “cream of Bangwato society.” This was not a departure of the weak or the voiceless; it was a migration led by pillars of tradition, men who carried with them both the memory of Khama III’s leadership and the fire of Tshekedi’s regency.

Their destination was Kweneng, the land of the Bakwena under Kgosi Sechele’s descendants, where refuge could be sought. Yet the journey was more than physical—it was spiritual. The departure carried echoes of the ancient Batswana migrations of centuries past, when clans left homelands to found new settlements under the blessing of ancestors and the guidance of dingaka. Oral accounts recall that prayers were offered, rituals conducted, and ancestral approval sought to sanctify the difficult road ahead. For in leaving Serowe, Tshekedi and his companions were not merely seeking safety; they were laying the foundation of a new chapter for Bangwato identity.

In 1952, after years of displacement, the exiles laid down permanent roots. They founded Pilikwe, a village that would forever stand as a living monument to resistance, resilience, and continuity. Pilikwe was not an accident of geography—it was a deliberate creation, carved out of sacrifice and held together by the authority of men who refused to be silenced. Under Tshekedi’s hand, Pilikwe became a sanctuary for the Bangwato who chose principle over convenience, a reminder that leadership carries with it not only the right to rule but the burden of conscience.

Militarily, the split did not involve pitched battles with spears or guns, yet it carried the weight of civil war in another form: the battle for legitimacy. Tshekedi’s followers were seasoned leaders of regiments, men trained under the discipline of traditional mephato. Their absence from Serowe weakened the cohesion of Bangwato military organization, redistributing strategic strength across regions. This dispersal of regimental leadership reshaped Bangwato political geography, creating Pilikwe as a parallel seat of authority, even if diminished in scale.

The impact of this founding was profound. Pilikwe stood as a symbol of the high cost of the Seretse-Tshekedi feud, but also as a testament to the unbroken dignity of the Bangwato house. It demonstrated that even when divided, the descendants of Khama III retained the ability to adapt, to plant new roots, and to preserve their structures of governance. For the wider Batswana nation, the Pilikwe story became a cautionary tale: that the fractures of leadership, if not carefully healed, can scatter a people; yet from scattering can also arise renewal.

In the decades that followed, Pilikwe maintained its identity as the “child of exile,” deeply tied to the memory of Tshekedi’s stand. Oral traditions there still recount the names of those who walked away from Serowe, and the younger generations trace their heritage back to that fateful kgota debate of 1949. Spiritual memory and ancestral veneration continue to bind the village to the larger Bangwato body, ensuring that the sacrifices of Tshekedi and his companions are not forgotten.

Today, when we speak of Pilikwe, we speak not of a mere settlement but of a royal declaration carved into the land. It is a place where history breathes, where sovereignty was contested not against foreign invaders but within the heart of a great morafe. It is proof that Batswana history is not only about external conquest but also about the inner struggles of leadership, principle, and the destiny of nations.

Thus, Pilikwe remains—seventy-five years after its founding—not only a village but a shrine to the resilience of Bangwato identity, to the dignity of Kgosi Tshekedi Khama, and to the enduring lesson that unity, even when broken, can be reborn in new soil.

28/09/2025

BREAKING: MOPHATO INTO THE WORLD FINALS
After three days of epic dancing by 38 dance groups from around the world, we’re part of the nine groups that successfully won a slot into the Cheonan World Dance Festival final.
Tomorrow we will battle it out for the coveted crown in the world championship finals here in Cheonan.




Botswana Marches Among the Nations 🇧🇼The streets of Cheonan came alive with colour, rhythm, and spirit as 38 dance group...
27/09/2025

Botswana Marches Among the Nations 🇧🇼

The streets of Cheonan came alive with colour, rhythm, and spirit as 38 dance groups from across the globe converged for the World Dance Festival parade. Along Mannam-ro in Sinbu-dong, cultures met, stories were exchanged, and the heartbeat of humanity was carried through dance.

Amid this global celebration, Botswana’s own Mophato Dance Theatre stood tall, weaving the narrative of our ancestors into the tapestry of the world. Each step, each drumbeat, each movement bore testimony that our culture is not to be hidden, but to be shared with pride before nations.

And yet, this was only the prelude. Tomorrow morning, the stage is set for the semifinals, where Botswana will once again declare its presence not with words, but with rhythm, heritage, and power.

This is more than art—it is cultural diplomacy, it is sovereignty in motion, it is Batswana walking proudly upon the world stage.

26/09/2025

Motswana Student Wins Gold in Setswana News Reading in Lesotho

A Motswana student, Bofelonyane Tselayakgosi of Molopo River Junior Secondary School in Phitshane Molopo, GoodHope District, has won position one and a gold medal in Setswana news reading at The Broadcasters Organizations competitions held in Maseru, Lesotho.

Tselayakgosi outshone competitors from across the region to secure the top prize, earning Botswana recognition on the international stage.

On his return, Molopo River JSS and the local community organised a hero’s welcome. A motorcade was held yesterday through Phitshane Molopo village, with teachers, students, and residents joining in to celebrate his victory.

School authorities described the achievement as a source of pride, saying it will inspire other learners to embrace and promote indigenous languages.

The success is viewed as a milestone for the school and the GoodHope District at large.

🇧🇼 Batswana on the World Stage For the very first time, Botswana has stood as the sole African voice at the Cheonan Worl...
26/09/2025

🇧🇼 Batswana on the World Stage

For the very first time, Botswana has stood as the sole African voice at the Cheonan World Dance Championships in South Korea. Upon that stage, the acclaimed Mophato Dance Theatre carried with them not only the rhythm of performance, but the heartbeat of our ancestors.

The women, adorned in matlalo, evoked the memory of the first people of the Kgalahari—our ancient soil embodied in motion. The men, dressed in phatisi of Mokwena, brought forward the living pulse of Setswana tradition, a heritage that refuses to be silenced. Together, they commanded the stage with the dignity of a people who know where they come from.

Korea witnessed something it had never seen before: the spirit of Batswana rendered in movement, song, and timeless attire. And this was only the beginning—the semifinal stage awaits on Friday, where once again our name, our culture, and our identity will speak before the nations of the world.

This is not only dance. It is sovereignty expressed through art. It is history walking forward into tomorrow.

25/09/2025

Tyla wearing leteisi to celebrate the culture of Batswana on Heritage Day back in 2018.🥰❤️🔥

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