15/09/2025
THE DAY THAT ASPRILLA MET BATTY (NORA)
On Wednesday 17 September 1997, Newcastle United beat Barcelona 3-2 in the Champions League. It was a fairly famous result, and I’m pretty sure that all United fans are aware of it, along with supporters of other teams (like me). I wasn’t there, so I can’t really wallow in nostalgia about the game, the atmosphere, or Faustino Asprilla’s hattrick. However, I do have a story involving Asprilla from the following day that remains one of my favourite professional memories, and as Newcastle prepares for the visit of Barcelona again, now seems like a good time to share it.
In 1997, I worked for Lynne Franks PR in London (the agency that Absolutely Fabulous was very loosely based on). One of my clients was Puma and the company had arranged to film a TV commercial to promote its latest football boot. As was the trend in that era, the advertisement was going to involve various high profile Puma sponsored stars doing something daft but extraordinary in front of a green screen, which would then be edited into some sort of ‘story’. Filming was due to take place at Elstree Studios on Thursday 18 September 1997. Among the stars who had been lined up to take part was Asprilla. Others included the likes of Hristo Stoichkov, Gianluca Pagliuca and Emile Heskey.
As a keen PR executive, I saw an opportunity to set up some interviews with sports journalists while we had all of these players in one place. So I did, and of all of those, the biggy was an exclusive for football glossy Goal Magazine, with a writer called Michael Hodges (I think!). This was all arranged comfortably in advance of the day of the shoot.
So, as planned, I rocked up to Elstree on the Thursday morning and got to work. Some of the other interviews that I had arranged were scheduled first and all went to plan. Then I took a call on the company mobile ’phone (yes, this was a while ago). It was Michael Hodges, who happened to be a Newcastle United fanatic and had been at the Barcelona game. He had planned to get an early train back down to London on the Thursday morning, but had enjoyed the post-match celebrations a little too much and was running late. No matter, Asprilla hadn’t arrived either by this point.
The day continued. All of the other interviews that I had arranged were in the bag. Asprilla had arrived and was on set, and Hodges was inbound. All good.
The set up at Elstree was probably similar to other film sets. There was a series of big studios (like aircraft hangars), lined up in a row. Behind the studios was an open avenue with catering vans and other bits and bobs. And on the other side of the avenue were some other buildings, including offices and dressing rooms. I spent most of the day loitering in the open space, doing what I needed to do. It wasn’t just Puma filming at Elstree that day. The BBC was on site, working on something relating to the latest series of the long-running, much loved sitcom Last of the Summer Wine. So, there was a fair bit going on.
About mid-afternoon, there was a lull in everything and I was standing there alone, still waiting for Michael Hodges to appear. I happened to glance along the avenue and was presented with a sight that I will never forget. Walking towards me in full Newcastle kit was Faustino Asprilla. Heading in the other direction in full Nora Batty kit (head scarf, dowdy cardigan and skirt, wrinkled stockings) was Kathy Staff. Each in their own world, they got closer to each other, until they were about to cross. Asprilla glanced across at Staff, she looked back at him, and they both paused for just a second. Asprilla was heading in my direction, so I saw his absolute look of incomprehension about this lady who had suddenly appeared in his eyeline. I’d love to think that he briefly wondered what role she would play in the Puma commercial, but I suspect that he was too busy reflecting on his three goals from the previous night. Meanwhile, was Kathy Staff pondering whether the script she was filming involved a footballer being pushed down a hill in a wheelbarrow by Compo, Clegg and Foggy? I’m sure that would have boosted the ratings. Then the moment was over. Asprilla and Staff realised that they were from very different worlds and moved on.
Of course, this happened before the rise of the ubiquitous ’phone camera and, sadly, I don’t have a photo to memorialise the meeting. A few minutes later, Michael Hodges arrived and duly sat down with Asprilla for a good long interview. When he finished, as a thank you for setting everything up, he gave me the team sheet that had been handed out to media at St James’ Park the night before, with Asprilla’s signature added to it. Whenever I glance at that, I can bring the sight of Asprilla and Staff to mind very clearly and will always cherish it as a favourite recollection from my formative years in the PR industry. It’s the kind of image that might have gone viral or turned into a meme today, but I sort of like the fact that I was the only witness on the day that Faustino Asprilla met Nora Batty.
>Chris.