Rolling Stone MENA

Rolling Stone MENA The Voice Of The Culture

25/12/2025

TUL8TE’s world tour arrived in Cairo today, adding a solid layer of showmanship to both hits and deep cuts from the young serenader’s discography. Behind him unfolded some of the most progressive psychedelic visuals seen at an Arabic music concert of this scale, made all the more surreal by the amusement-park backdrop.

Palestinian actor and director Mohammad Bakri passed away today after struggling with heart disease. The influential and...
24/12/2025

Palestinian actor and director Mohammad Bakri passed away today after struggling with heart disease. The influential and cherished stage artist is survived by six children, three of whom have carried on his legacy as actors: Adam, Ziad, and Saleh Bakri.

Bakri began his career in local theatre, working as both an actor and director, before gaining national recognition with his 1986 play “The Pessoptimist,” based on the novel “The Secret Life of Saeed, the Ill-Fated Pessoptimist” by Palestinian author Emile Habiby. The play ran on and off for several decades and became a staple of Palestinian theatre.

He is also known for his 2002 documentary “Jenin, Jenin,” which features interviews with survivors of the Israeli military operation in the Jenin refugee camp that same year. The documentary endured a series of legal battles in Israeli courts that stretched for 19 years, and ultimately resulted in the film’s ban.

In addition to directing other influential films, including “Zahra,” Bakri also starred in regional and international productions. His most recent role was in Palestinian-American director Cherien Dabis’s “All That’s Left of You,” which premiered earlier this year at the Sundance Film Festival, and was one of four Arab films shortlisted for Best International Feature Film at the 98th Academy Awards.

Amira Jazeera is adamant about making music that is unmistakably pop, and equally determined to do so while refusing to ...
24/12/2025

Amira Jazeera is adamant about making music that is unmistakably pop, and equally determined to do so while refusing to adhere to any rule in the pop playbook. Fully self-produced, instinct-led, and uncompromising, her music insists on pleasure, control, and authorship in a cultural moment that keeps asking Palestinians to explain themselves.

Head to the link in bio to read about how she carved a path for herself parallel to the unforgiving environment of the American pop industry.

Words by Adam Makary ()
Photo by Mollie Ryan ()

Morocco 🇲🇦 and Egypt 🇪🇬 dominated this week in Arabic music. ElGrandeToto wrapped up another solid year with his latest ...
24/12/2025

Morocco 🇲🇦 and Egypt 🇪🇬 dominated this week in Arabic music. ElGrandeToto wrapped up another solid year with his latest bruiser, “BOOMX3.” Nourine joined the wave of early-2000s pop-aesthetic revival with her charmer “Fein El Kalam?,” while Breezy took Moroccan rap to the dance floor with her club-rap banger “123.”

Enjoy our last weekly roundup of the year, and check our master playlist featuring all of this year’s weekly roundups via the link in bio 🎧

Othman Shahin () delves into one of our favorite songs of the year and unravels its densely layered lyrics one line at a...
23/12/2025

Othman Shahin () delves into one of our favorite songs of the year and unravels its densely layered lyrics one line at a time. His breakdown feels like unzipping an insanely compressed file. The 4-minute track unfolds into a 5,000-word essay and describes a monotonous and infinitely repeating West Bank day with claustrophobia-inducing precision.

Read the full breakdown through the link in bio 🔗

📷 by: Aram Sabbah ()

Cross-border collaborations between Arab artists and their global peers are becoming increasingly common, but they almos...
19/12/2025

Cross-border collaborations between Arab artists and their global peers are becoming increasingly common, but they almost always stay within the comfortable bounds of globalized genres: pop, rap, and R&B.

On “Damascus,” Gorillaz () make the bold, and challenging, choice to venture into the rough terrain of Syrian shaabi, a genre largely untouched by globalized aesthetics. The result may feel uneasy at first, but it charts a path worth exploring.

Read our full review through the link in bio.

17/12/2025

Sole DXB 2025 ✅

🎥 by

17/12/2025

Egyptian singer and actress Nourine Abouseada returns with her new single ‘Fein El Kalam?’, off her upcoming EP on Beatroot Records.

Produced by Ismail Nosrat, the track perfectly captures the ethos of Egyptian pop in 2025, weaving the revived soft sensibility of early-2000s hits with modern production and a hint of Gen Z glamour, including subtle nods to early Ruby.

Nourine first caught the attention of indie and rap audiences in 2023 through her uncredited appearance on Marwan Moussa’s “Hob Khena2,” delivering one of that year’s catchiest hooks. In 2024, her single “Ba2olek Eh” went viral thanks to its playfully absurdist outro, turning her into a widely recognizable voice as the song circulated heavily as a TikTok trend.

Later releases like “Paris” and “Mesh Fakrak” continued to push her internet-native, club-pop sound beyond fleeting trends and into more deliberate musical territory.

Get an early taste of the track before its full release tonight, exclusively on Rolling Stone MENA.

Written and Performed
Produced, Mixed & Mastered
Guitar
Song Writing ,

Directed .mky
Shot
Edited
Colored
Makeup Artist .ritaantoine
Artwork .mky
Special Thanks

©️ 2025 Beatroot Records (All Rights Reserved). 

North African musicians - from Egypt to Morocco, passing through Libya - have defined this week in Arabic music, led by ...
17/12/2025

North African musicians - from Egypt to Morocco, passing through Libya - have defined this week in Arabic music, led by the anticipated release of Wegz’s Aqareb (Side B), a mahraganat-leaning cut from Mousv’s upcoming album, and Amaka Jaji’s experimental dive into Tuareg soundscapes. The region’s dominance is briefly interrupted by Akhras’ Ehlef, which further cements the place of commercialized trap beats in contemporary Levantine pop.

Reading cultural journalism today can feel paradoxical. One article calls for more critical writing, chased by another s...
13/12/2025

Reading cultural journalism today can feel paradoxical. One article calls for more critical writing, chased by another showering a new, plastic pop release with the kind of praise usually reserved for canon. Some pieces paint a picture of a golden age across every creative medium, while others decry the commodification, corporatization, gamification, and meme-ification of art and culture.

There must be a middle ground, and in her Substack ‘Holy Rants,’ Palestinian writer Salma Mousa () has been trying to walk that fine line between calling for more teeth and actually biting. She writes like a 70s gonzo rock critic, unbothered by today’s post-isms, from post-reality to post-truth. She still believes there is an objective truth to be found through critique and analysis, and she still believes in saying it, especially when it’s inconvenient.

Today, we share the inaugural installment of her monthly Rolling Stone MENA column, In Bad Taste. Head to the link in bio to read Salma’s first submission, where she lays out the drive behind the toothy writing she’s bringing to our pages.

Link in bio.
11/12/2025

Link in bio.

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Dubai

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