Kither Co

Video Production and Strategy. 🎥
Australian Based, Producing Globally🌏

30/03/2026

👀 Swipe to Colour Grade 👈

Shot on the S1RII 🎥

This was a hot and fun live show shooting for at 2025.

The S1RII was still new to me at this time and I loved putting it to the test in a concert setting.
With zero control over the lighting and exposure, as well as a setting sun during the show, it was a real testament to the camera, just how flexible the footage was in post.

We went for a light grade on this one keeping it fairly true to life.

Also - shout out to my friends from Dojo Rise who absolutely killed this set. It was an real joy to see them own the stage and play to so many people in a massive festival! 🎉❤️

25/03/2026

⚠️Stop making lighting harder than it needs to be!

If your lighting setup takes too long… this is your sign.

Panel lights = speed + flexibility.

We’re using the Nanlite PavoSlim 120c and Nanlite PavoSlim 240c for:
⚡️ Fast setups
🎨 Full colour looks
🎬 Built-in FX

What’s your go-to light right now?

Lit with: .australia
Cams:

17/03/2026

👀 Swipe to Colour Grade 👈

Shot on the S1RII

Loved working on the UGC style campaign for
With the awesome creative spaces and courses we were showing off it was only fitting to make sure we lit them with pops of colour!

Have you seen one of these pop up in your feed?

Shot on
Lit with .australia

10/03/2026

👀 Directors monitor = game changer.

This .australia M7 Pro hasn’t left my hands on set lately.

Being able to walk around the set while still seeing the live feed from the main camera makes directing talent and adjusting lighting way faster.
The M7 Pro is loaded with pro tools, can record directly to the monitor, and lets you instantly play shots back.

It’s bright, sharp, and works perfectly with our CineView Master 4K transmission.

Best part?
You turn it on… and it just works. Every time.

Do you use a director’s monitor when you shoot?
👇 Curious what everyone’s using on set.

09/03/2026

👌This simple lighting trick adds instant depth.

Haze + hard light.

When you add haze to the air, a hard light source suddenly becomes visible and creates beautiful cinematic light shafts.

Break the beam up with venetian blinds, doors, or branches and let your camera move through it to really sell the effect.

Such a simple technique but it makes a huge difference.

Lights: Nanlite Australia
Cameras: Lumix

lumix

08/03/2026

⚡ One small accessory that gives you WAY more lighting control.
Grids.

Watch the A/B comparisons in this reel — they show exactly what’s happening.

A grid stops light spilling out to the sides, letting it travel forward instead.
Perfect when you want:
• Cleaner backgrounds
• Controlled highlights
• Lighting in tight spaces

There’s also a deeper reason they behave this way.lock.545 explains it brilliantly in Gaffer & Gear Episode 68 (Inverse Square Law & Grids). Worth a watch.

Light used: PavoSlim 240C from .australia

Lit by:
Cams by:
On set help:

05/03/2026

👀 Swipe to Colour Grade! 👈

Shot on the S1II and S1RII 🎥

Loved shooting this mini doc for .mcevoy.music with
at

We went for a super warm tone for this which lent into the in house lamps the studio is known for.
💡Lighting our subjects with a more 'neutral' Kelvin at 5600k made it easy to seperate skin tones without getting lost in the warm background, while adding a touch of blue tones to the shadows allowed some colour separation in the darker clothing.

Add a few masks and the final came together easily!

Lit with .australia

03/03/2026

One light only… how are you using it? 💡

Front-on lighting is safe.
But safe often = flat.

Angle that light about 45° to the side and watch what happens:
✅ Instant depth.
✅ Instant mood.
✅ Instant separation.

Same gear. Better result.
This is one of the first fundamentals I teach when it comes to lighting.

Is this how you light your talking head shots?

02/03/2026

Before vs After 👀

We actually tested this prop a bunch to try and get the feeling right.

In the end it was a last minute idea on the day to shred the foam into smaller pieces that ended up looking the best! 😅🎉

Shot on the LUMIX S1RII in 7.2K open gate for main cam and the S1II at 100fps as the B cam to get that beautiful chaotic looking slow motion.

Really impressed with how nice the new LUMIX cameras are looking.

Client
Shot on
Lit by .australia
Location

23/02/2026

No VFX used, for this fun practical effect!

This was the last take of the day and it's the one that we ended up using for new eco packaging awareness spot! 🎉

Designing and testing this box prop and explosion effect was pretty messy, but the results turned out really good! 🙌🏼

The sound effects really help to sell this too.

Thanks to the team

Filmed on
Lit by .australia
Location

20/02/2026

Behind the scenes of our latest campaign with SAE University College Aus

The new campus in Adelaide is incredible and it's super cool to be able to shoot in their spaces as well as collaborate with the students there.

Do you shoot BTS?
Let us know!

📸 - Charlie Kither & Tarsh Viskic
Lit by Nanlite Australia
Cams by Lumix Panasonic Australia ARRI

19/02/2026

🎬 We had the absolute privilege of working with an incredibly talented group of musicians.

Shooting a little mini doc for Dave McEvoy at Wizard Tone Studios

Shot on Lumix S1RII and S1II
Lit by Nanlite Australia

Panasonic Australia

Address

Adelaide, SA
5000

Telephone

+61400973677

Website

http://www.kitherco.com/

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