Anifex

Anifex Anifex is one of Australia's leading Animation Companies, specialising in Stop-Motion Animation for TV commercials and Short Films.

Author: Michael Cusack:Congratulations to Richard Chataway ACS who last night became a Life Member of the Australian Cin...
03/05/2026

Author: Michael Cusack:

Congratulations to Richard Chataway ACS who last night became a Life Member of the Australian Cinematographers Society. Wonderful recognition for all of his outstanding achievements in the film industry. Thoroughly deserved!
On a more personal note, Richard and I have been business partners for around five decades (doesn't sound as bad as fifty years!) and in that time he has produced all of our short films and has been the cinematographer on the majority of them.
His is a remarkable talent and this recognition is so well earned. Richard is currently shooting our latest stop motion short film "Charlie" and is bringing a wealth of experience and knowledge to that project.
Congratulations to him again.

Author: Michael CusackWell, after a couple of frustrating weeks, I have finally managed to get back to shooting our late...
18/04/2026

Author: Michael Cusack
Well, after a couple of frustrating weeks, I have finally managed to get back to shooting our latest film “Charlie.”
We had some issues with the Mo-Co rig which wasn’t behaving itself, but now appears to be fixed, but it took a while. It came at a particularly difficult time as I am in the emotional heart of the film and these delays have been quite disruptive mentally. I’ve had to work at not letting these issues affect the animated performance. Like any actor, you have to try to shut out any and all distractions that get in the way of your thought process.
I need to place myself into the passion of the scene and when that method is disrupted it can be hard to get back. It is no different to an actor on the stage if they are suddenly taken out of the moment. It takes effort to get back to the right head space.
My usual modus operandi is to play some music on set which is appropriate to the mood I want to create. Immersing myself in that usually does the trick. I started the new shot a couple of days ago and I’m pleased with the result.
Hopefully, from here, I can just keep going providing the Mo-Co rig behaves itself!

Photos:
The Mo-Co rig, now up and running again!
My logging… the high pile is what I have shot so far. The lower pile is the animation that I have yet to do. Each page represents four seconds of action.

Author: Michael Cusack.I found this picture a day or so ago. This young guy sculpting a creature in modelling clay could...
02/04/2026

Author: Michael Cusack.

I found this picture a day or so ago.
This young guy sculpting a creature in modelling clay couldn’t ever imagine that this would be the start of a career that has spanned over fifty years (YES! FIFTY!) and is still going. If I only knew then what I know now. But then again, the uncertainty, the self-doubt was part of the journey, part of the adventure. If I HAD known, then no doubt things would have played out differently anyway.

This was a photo from the days when Richard Chataway ACS and I were working on our first “proper” film together (The Disc of Magala) while we were still training to be teachers… a career we never pursued because the lure of filmmaking was too seductive.

By contrast is a photo of me working on the last completed film, The Better Angels. The curly hair has gone and there are significantly more wrinkles, but the passion remains the same.
Many decades later from the first photo, we are working on our next film (Charlie) and it is highlighting just how wonderful and frustrating this animation business can be.

We are now down to the last few shots… it will still be a while before we are finished because each shot is quite long and I am now getting to the emotional core of the piece, so the acting from the puppet is critical, and that takes more time.

Richard and I decided that we should put a camera move into the next shot to highlight the drama, but unfortunately, our motion-control rig decided to misbehave and three of the movement axes failed on us as we were planning the shot.

As luck would have it, we were able to ask Leith Greig, who is our go to person for this kind of thing, to fix it. He was able to do that, but not before we had to wait to get the parts from overseas. The repairs were done, but because the next shot is so long and complicated, we need to test the rig before we start in order to ascertain that it’s all behaving itself.
We were all set to do that, when I came down with a sore throat and a fever. It was just a cold, but it set the test back by a couple of weeks. So, hopefully we are good to go on the test next week and then on to the shot itself. Like I said, frustrating but I wouldn’t want it any other way.

Author: Michael CusackThe great cast of "Meanwhile, at the Abandoned Factory..." catching up. It was a pleasure to work ...
07/01/2026

Author: Michael Cusack
The great cast of "Meanwhile, at the Abandoned Factory..." catching up. It was a pleasure to work with you all.
Holly Myers: Recorded phone voice... "If your emergency concerns a giant monster attacking your city, please press one..."
Andy Seymour : Blindman the Superhero... " I lost my sight in a freak accident with a radioactive octopus..."
PJ Oaten: Joey and Regina, experts on the "Superhero Hotline"... " There's a giant lizard attacking Tokyo as we speak... and you know what a pain in the ass those giant lizards can be..."
Jo Stone: Lois Cul de Sac, Reporter for "The Daily Probe." ..."I'm not 'Orean!"
I was a bit limited in picking a quote from Jo's performance as anyone who has seen the film will know! 🙂
A lot of fun recording these. The dialogue is always recorded first as it lets me know what shape the lips need to be in order to keep the dialogue in sync. An excellent voice performance can help dictate much of the action. An actor's emphasis on certain lines of dialogue also informs the animator of body language and spatial positioning, so you can see how much we rely on these guys to help craft a total performance. It's a real skill.

Author: Michael CusackOn Saturday night,I attended the awards ceremony for the Adelaide chapter of the 48 Hour Film Proj...
01/12/2025

Author: Michael Cusack

On Saturday night,I attended the awards ceremony for the Adelaide chapter of the 48 Hour Film Project. Also present was Anifex stalwart JoAnne Bouzianis - Sellick. We were there in our official capacity as judges.
It was a great night and our sincere congratulations go out to, not only the winners and finalists, but to everyone who managed to put a film together in such a short amount of time and then get it into the project at all! Well done all round!
Ernie Dingo was the MC and the Key Note Speaker was ex South Australian premiere Mike Rann, who has a special love of film and South Australian films in particular.
Here are a few photos that JoAnne took on the night of us and a wide shot showing Ernie giving the winners a pep talk before the official photograph.
Also, many thanks to Anita Baltutis for including us in the process and for producing the Adelaide event.

So, it's done and dusted for another year and once agin, congratulations to those teams who picked up an award, who were finalists and those who participated. Well done to all concerned and we hope to see you next yearwith some new challenges and some new excellent ideas!

Back shooting our short film "Charlie" again... but first, there's a little bit of housekeeping to do. I'm currently mel...
28/10/2025

Back shooting our short film "Charlie" again... but first, there's a little bit of housekeeping to do.
I'm currently melting skin tone modelling clay so that I can pour the molten liquid into the green mould which has a series of mouth shapes. The mould and mouths were created by SA sculptor Durand Greig.
Replacing the mouth shapes every so often is essential, because they can get really dirty through constant handling, so they need to be refreshed.

Author: Michael CusackGetting close to finishing the first set of logging for our next film "Charlie." Each page has fou...
08/09/2025

Author: Michael Cusack

Getting close to finishing the first set of logging for our next film "Charlie." Each page has four seconds of dialogue on it and I am up to page 273.
Therefore, I am well over half way through. For those of you keeping track, that's 1,092 seconds so far....

Author: Michael CusackJust back from a trip to Canada where I went to see the Royal Tyrell Dinosaur Museum in Alberta. I...
02/09/2025

Author: Michael Cusack

Just back from a trip to Canada where I went to see the Royal Tyrell Dinosaur Museum in Alberta. I did some other things... but my main reason was to see that Museum... and it was wonderful.

Anyhow, I am back again now and after a short recovery period, I am back animating "Charlie" again. This is the second day of shooting in this present session but I have had to stop due to a problem with the puppet. It's not bad... more annoying than anything else (maybe it's the puppet's way of telling me not to leave it for a long period again!) so I am waiting, literally for some paint to dry before I can continue. I thought therefore, that this might be a good time to post something while I am waiting.

Richard was the feature of a local magazine and highlighted his importance in the SA film industry. I have included a few shots from the article... not only was he in the magazine, but he also made the front cover!

Author: Michael CusackLast weekend, I was invited to speak at Avcon. It was the first time I had been and I was pretty i...
10/07/2025

Author: Michael Cusack

Last weekend, I was invited to speak at Avcon. It was the first time I had been and I was pretty impressed by the enthusiasm and costumes of the participants. I was asked to speak on the involvement of Anifex in producing some of the VFX for the Sci-Fi series "Ultraman: Towards the Future."

It is with great sadness that I post this.  Ron Johanson OAM ACS has passed away. I will always remember him as a big ma...
30/06/2025

It is with great sadness that I post this. Ron Johanson OAM ACS has passed away. I will always remember him as a big man with a big heart and an even bigger sense of humour. Very sad indeed.

I have copied and posted the wonderful tribute to him and his legacy, penned by his great friend, cinematographer Ernie Clark ACS, that was posted on the ACS home page.

But first, a very personal note from me.

I really only knew Ron through the ACS awards ceremonies. I went to these award shows to support the cinematographers at Anifex, but also because, of all the awards nights, the ACS was unrelentingly positive and it was wonderful witnessing the amazing support that these artisans gave each other... I enjoyed being in their company. Not being a cinematographer was no barrier to my being accepted among the members as they were so generous.

In 2002 I was made an Honorary Member of the ACS and I can in all honesty say that that recognition was one of the best highlights of my career.

So... one night at an ACS awards ceremony in Adelaide I happened to see Ron sitting in a rather large chair. It was late and he was slightly slumped as he perused the room. As I said, Ron was a big man with a big beard, As I walked past him, I suddenly turned and sat on his knee. He was rather startled and looked at me with a "WTF?" expression on his face. After a beat I said...
"I'd like a bike and a train set and a football and a...."

Ron just started bellowing with laughter with me there sitting on his knee. It was a whole hearted laugh and it made me laugh too, especially when between wheezy laughs he declared
"Nothing for you, you've been too naughty!"
Rest in Peace Ron. You were one of the good ones.

Please read this great tribute from his pal, Ernie Clark ACS.

Vale Ronald Geoffrey Johanson OAM ACS
3/9/1949 - 28/06/2025

It is with great sorrow we acknowledge the passing of Ronald Geoffrey Johanson OAM ACS.

Ron was our much-loved, highly respected and long-serving National ACS president for fourteen years from 2008 to 2022, National vice president for five years and a past Queensland president for over ten years. Extraordinary and dedicated service indeed!

Ron was a driving force in establishing our first ACS National headquarters in North Sydney in 2010. He was immensely proud to be one of the dedicated members who helped bring the clubhouse to fruition. He did this not for personal recognition but for the society, its members and the future of Australian cinematography.

Ron helped expand the recognition of the ACS on the world stage, becoming only the second ACS president to serve as the Australian representative on IMAGO – the International Federation of Cinematographers- and eventually became a co-president in 2021. In fact, he fostered alliances with many international cinematography guilds as well.

Ron was instrumental in making the ACS more inclusive; by working with the other Australian guilds to bring our industry together to make it the best it could possibly be. He strove to make the ACS more welcoming to all and to implement changes to improve the ACS. He made the society truly national by establishing branches in every state and territory. He also drove the process to upgrade our website - www.cinematographer.org.au, to guide the publication of our own 288-page book on the history of cinematography in Australia - The Shadowcatchers, which was published in 2012.

Ron was larger than life, a deeply caring, generous soul, and a mentor to many over the years whom he helped and supported whenever and however possible. Many of his mentees have gone on to promising careers and have achieved recognition from their peers, as well as won numerous awards along the way.

Ron was born and raised in Melbourne, and although he could be self-deprecating about his academic achievements, at the age of 16 in 1965, he managed to secure a job at Crawford Productions as a naïve message boy. In ‘67 he was employed as a camera assistant at Senior Films in St Kilda, then promoted to camera operator and by 1970 he became their lighting cameraman before going freelance around 1972. It wasn’t long after in ’76 he was asked to move up to Brisbane to join Martin Williams Films as inhouse Director/DoP where he worked on many large TVC’s and docos.

Later, in 1980, he started his own successful production company Roly Poly Picture Company in Brisbane where he was Director/DoP on many quality TVC’s around Australia and across the world, as well as television series, documentaries and feature films including director Scott Hicks first feature, Freedom. Working with Ron has been described as absolute joy - so much fun. Who knew that working could be so enjoyable while making great images and stories? It was impossible to be with Ron and not have a good time!

His excellent work during these years earned him recognition with many significant awards, including three National ACS Gold Tripods, numerous State Gold ACS Awards, four New York Festival International Advertising Awards, three Mobius Awards, two Cannes Awards, and much more. Ron received ACS accreditation #212 in 1992, was inducted into the Hall of Fame in 2005, and was awarded Life Membership in 2007. In 2014, he was honoured with an OAM for his mentoring and services to the film industry.

Under Ron’s leadership, the ACS was acknowledged with the Byron Kennedy Award in 2014, this being the first time a guild rather than an individual had been recognised, with this prestigious recognition highlighting the status of the ACS within the Australian film industry.

In 1999, he was presented with a special Kodak Award for services to the film industry. In 2004 the Queensland New Filmmakers 'Kinetone Award' was bestowed on him for his contributions to the Queensland film industry and in 2009 he was inducted into the Queensland Advertising Hall of Fame.

In 2015, he received the Ron Windon ACS Contribution Award, recognising his enormous service to the society and industry in general. Still, with all these accolades, Ron remained a humble human being.

All this recognition was for the love of the craft of cinematography that gave him a fantastic career and life, which he repaid in spades by giving back to the industry that he so loved. He had a 'can-do' attitude, a positivity which inspired others to 'do', to achieve and to be on the journey with him. Ron was aware he was not perfect, but boy, he certainly did his best!

Ron had an infectious personality that drew people from all walks of life to him. He easily made people feel comfortable with his wicked and extremely quick sense of humour, not always politically correct and often quite cheeky. I’ve had professional comedians comment enviously on his quick wit.

To Ron, family was everything. He was a loving partner, a proud father and a funny and caring Grandpa. 'Family' also included so many strong friendships, where he often demonstrated his loyalty, kindness, generosity and consideration. His loyalty knew no bounds, including continuing to support his beloved football team, Essendon, the Mighty Bombers, as he’d like to call them, even when they were not so mighty! He said he could never understand rugby league.

Ron is survived by his wife Linda, his amazing mother Edna, his younger brother Alan, his wife Julie and family, Ron’s children Shannon and Kelly, their partners and four grandchildren. I know his family will miss him greatly, as will the many, many friends, colleagues and collaborators he has made over the years in the industry. I’m not sure I know of anyone else who has as many enthusiastic friends. He is loved, respected and admired by so many.

We will miss you, dear Ron, it is time to hang up the light meter and rest in peace.

Adieu, my very good friend.
Ernie Clark ACS aka Ernesto

Address

65 King William Street, Kent Town
Adelaide, SA

Opening Hours

Monday 9am - 6:30pm
Tuesday 9am - 6pm
Wednesday 9am - 6pm
Thursday 9am - 6pm
Friday 9am - 6pm

Alerts

Be the first to know and let us send you an email when Anifex posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Share