Astbury Audio

Astbury Audio Astbury Audio specializing in post production audio and music for Film, TV, Radio, Theater and Web. Over 25 years experience.

I help creatives and brands produce effective sonic outcomes. Post production audio specialist and composer. Astbury Audio is a boutique award winning sound and music studio based in Adelaide, South Australia. Working in the arena of Film, TV, Radio, Music, Online, Events and content creation with over 27 years experience. Astbury Audio has worked with some of Australia's & the worlds best Film, T

V and Radio talent and personalities and has also helped some of the countries largest advertising agencies bring their projects to life. NAME Justin Astbury

ADDRESS 356 Halifax Street Adelaide
5000 South Australia

PHONE (08) 8232 2554
0419836705 (MOBILE)

EMAIL [email protected]

TITLE SOUND ENGINEER / EDITOR / SOUND DESIGNER / COMPOSER



HISTORY

Justin has over 25 years experience in television, radio and film sound postproduction, specializing in postproduction and music composition. Justin has worked at Street Remley Studios, NWS 9, Timms Tunes, Tracks Adelaide, Oasis Post, Kojo and now runs his own studio under the name Astbury Audio. Justin has also run his own independent record label ‘Digital Recordings’ and has had releases under various names such as ‘SystemBot’, ‘Digital Punks’, ‘D-Jon & Rotin’ & ‘ Auxiliary One’and
on various labels such as Central Station, Monster Tunes, Village Roadshow, Technique Recordings,GODS Kitchen and Riot Recordings. Awards include London International Awards
Hollywood Radio Awards
Golden Stylus
AADC
SA Dance Music Awards
Siren Awards

AFI nominated projects Wolf Creek
Lockie Leonard
Spike Up
Gargoyle











FILM TITLE POSITION

The Boys Are Back (Trailer) Music Composition

Fallen ADR Recordist

Wolf Creek Composer (party scene
only)

Sleight Of Hand 5.1 Cinema Mixer

Gargoyle Sound Supervisor/Foley/
Sound Design & Mixer

Spike Up SFX Editor

Love You Mum Sound Supervisor/Foley/
Sound Design & Mixer



And various short films. Television_____________________________________________________

TITLE POSITION

Packed To The Rafters ADR Recordist

CSI ADR Recordist

ANZAC Girls ADR Recordist

Sam Fox Extreme Adventures Fx Editor

Lockie Leonard Sound Supervisor/ Fx Editor

Rain Shadow FX Editor

Post Cards Fx Editor/Mixer

Directions FX Editor/Mixer

Humphrey Bear (International) FX Editor/Mixer

Humphrey Bear (local) Floor & Boom Operator

NWS News Live To Air Mixer

Late Line (Adelaide) Live To Air Mixer

Adelaide Today Floor & Live To Air Mixer

Cricket (Live Broadcast) Floor & Stump Mixer

Music Shop Floor & Boom Operator

15/10/2025

Why Supporting Local Sound Professionals Strengthens the Entire Film Industry:

Every dollar spent on local sound post-production — Sound design, dialogue editing, Foley, mixing, composition — does more than finish a film. It keeps a creative ecosystem alive.
When productions outsource to the cheapest bidder or send work overseas or even interstate, it might save a small margin in the short term, but it erodes the long-term health of the local industry. Skilled practitioners leave, fewer juniors are trained, and the standard of work becomes harder to maintain.
Conversely, when we keep the work local, the benefits ripple outward. Experienced people stay and share knowledge. Studios invest in better spaces and tools. Collaboration improves because people actually know each other — directors, editors, sound teams — all working face-to-face.

Of course, there will always be projects that call for a specific person or studio because of their sound, approach, or creative chemistry — and that’s totally valid. Collaboration should always serve the story first. But when it’s possible to work with local teams who bring equal skill and care, those choices don’t just make creative sense — they make economic and cultural sense too.

A healthy sound industry isn’t a luxury; it’s a multiplier.

Local investment creates better outcomes for filmmakers, more consistent quality for clients, and ultimately, stronger profit margins for everyone involved.
Because when your region becomes known for great sound, great sound becomes part of your region’s reputation.

If you’re in production, post, or agency work — consider the impact of your next project. Keeping sound local doesn’t just finish a film — it builds a stronger industry for all of us.

At Astbury Audio, we’re proud to collaborate with Australian filmmakers and agencies to help keep sound talent local and thriving. Have a project that need Post Sound or Music composition? Drop me a DM I'd love to chat about how Astbury Audio can bring your sonic dreams to life.

25/08/2025

🎧 Turning Vision into Sound: Director x Sound Team

A strong soundtrack doesn’t happen in isolation. It’s built through conversation.

Some directors come to post with a clear sonic vision. Others know the feeling they want, but not how to get there. Either way, it’s our job in post sound to listen, translate, and shape that intent into a living, breathing soundtrack.

That means asking the right questions early. Understanding tone, pacing, perspective. Knowing when to push creatively — and when to stay out of the way.

At Astbury Audio, we treat every director’s vision as the blueprint. Whether it's a high-concept soundscape or quiet emotional realism, the work starts with trust and ends with clarity. It’s not just about making something sound “good” — it’s about making it feel right.

Great sound supports story. And the best results always come from real creative connection.

05/08/2025

Next in the series...

🔊 The Big Moves: Sound Design in Film
If sound effects editing is the glue, then sound design is the spark.
It’s where creativity meets instinct—shaping a film’s tone, energy, and atmosphere from the ground up.
Sound design gives us the language of a world: the roar of an unseen creature, the shimmer of a dream sequence, the tension that builds before a word is spoken. It's about emotion, space, and storytelling—without relying on what's visible.
At Astbury Audio, this is the part of the process where things open up. It’s not just about what a scene needs, but what it could become. The right sound at the right moment can shift the rhythm of an edit, or change the entire feel of a story beat.
Done well, it draws you in—without you even realising why.
If you're working on a project and want to talk sound design, Astbury Audio is always open for a conversation.
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01/08/2025

🔊 The Invisible Thread: Sound Effects Editing in Film & TV
Sound design gets the glory—and rightly so. It’s the fireworks. The big moves.
But SFX editing? That’s the glue.
It’s the rustle of a jacket, the clunk of a door, the distant hum of a city street. It's every tiny detail that grounds a scene and keeps the sonic world coherent from frame to frame.
Where sound design asks, “What’s possible?”, sound effects editing asks, “What’s missing?”
And when done well, you don’t notice it at all.
At Astbury Audio, SFX editing is often the quiet work that helps scenes flow and emotions land. It’s not about standing out—it’s about holding things together.
When sound sits just under the surface, the story tends to speak for itself.
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29/06/2025

28 Years Later, didn’t do it for me.

🎙️ Introducing Dahlia, our new in-house producer! 🎙️ We're beyond excited to have her join the Astbury Audio family. Wit...
14/06/2024

🎙️ Introducing Dahlia, our new in-house producer! 🎙️ We're beyond excited to have her join the Astbury Audio family. With decades of experience in all things creative and a strong systems background, Dahlia is a much needed team member. Let's give her a warm welcome!

Great article by Adelaide City of Music! Thank you for the support!
22/04/2024

Great article by Adelaide City of Music! Thank you for the support!

A film 10,000 pixels wide. A mix of digital art and theatre that pushes the boundaries of audience experience. Brought to you by Richard Coburn and Justin Astbury, Anomalous is a film you have to be there to take part. Now extended due to popular demand.

Coming soon......
27/03/2024

Coming soon......

Stream and Pre-save Anomalous (The Sound Of 10,000 Pixels (Original Motion Picture Soundtrack) - Distributed by DistroKid

What a great campaign to be a part of! A big thank you to the amazing team @ Fuller Brand Communication SA Tourism, Nico...
03/10/2023

What a great campaign to be a part of! A big thank you to the amazing team @ Fuller Brand Communication SA Tourism, Nicola Tate & Annalise Menzel for having me on board. Also a big thank you to director Mark Webber who was such an awesome director to work with. Travel Our Way!

09/08/2023

Help needed! Looking for a web hosting site… but! Great website builder built in, domain purchase, good price and email for up to 4 users. It seems most offer some but now ship email off site. Is that the norm?

Casting call for a project im working on soon. Pass on if you know anyone who might be interested.
26/06/2023

Casting call for a project im working on soon. Pass on if you know anyone who might be interested.

Dare to dream! Today was a the first step in creating something I’ve dreamed of for a while now.  Future looks bright! 😎
19/05/2023

Dare to dream! Today was a the first step in creating something I’ve dreamed of for a while now. Future looks bright! 😎

Address

356 Halifax Street
Adelaide, SA
5000

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