What are the opening hours?

Friday 12pm - 5pm Saturday 12pm - 5pm

http://www.negativepress.com.au/

Negative Press, Factory 8/102 Henkel Street, Brunswick (2025)

20/12/2025

Final day of this wonderful exhibition.

Repost -
Today is the last day to view 𝘐 ♥ 𝘓𝘪𝘻𝘻𝘺, a group exhibition celebrating the influence and friendships of Elizabeth Newman at Neon Parc Brunswick. The gallery is open 12-5pm.

Email [email protected] or click the link in bio to request a catalogue of available works.

—

Featuring over fifty artists including contemporaries and younger practitioners informed by Elizabeth Newman’s practice, the exhibition honours Newman’s extraordinary contribution and enduring impact across generations of Australian and International art.

Artists include A Constructed World ( ), Adelle Mills, Andreas Exner, Andrew Hurle, Beth Maslen (), Brent Harris (), Christopher LG Hill, Claire Lambe (), Damiano Bertoli, Darcey Bella Arnold, David Thomas (), Elizabeth Newman, Emily Floyd (), Esther Kläs (), Gail Hastings, Gordon Matta-Clark, Hannah Maskell, Helen Johnson, Helen Nicholson, Imi Knoebel (), Irene Hanenbergh, Isabella Darcy, James Lynch, Janet Burchill & Jennifer McCamley, Jane O’Neill (), Jens Haaning, John Nixon (), Jon Campbell (), Juan Davila (), Kain Picken, Kate Meakin, Laura Skerlj, Lisa Radford, Lou Hubbard (), Louise Forthun (), Lucina Lane, Maria Cruz, Masato Takasaka, Matt Hinkley (), Melinda Harper, Mikala Dwyer (), Mira Gojak, Moya McKenna, Naomi Eller, Nick Selenitsch (), Paul Knight, Polly Borland (), Raafat Ishak (), Rob McKenzie, Rose Nolan (), Shelley Lasica, Sister Corita Kent, Spencer Lai, Stephen Bram (), Steven Rendall (), Tony Clark (), Trent Walter, and Warren Taylor.

𝘐 ♥ 𝘓𝘪𝘻𝘻𝘺
Neon Parc Brunswick
21 November – 20 December 2025

04/12/2025

Burchill/McCamley's 'Selected Prints +, 1988–2025' continues till the 13th December at Negative Press x Keeper Print Room. Open today and tomorrow from1–5 pm.

25/11/2025

This is a big one. While writing my PhD I started work on a position paper that became the larger conceptual frame for my research. Written between Naarm/Melbourne and Colombo, the initial essay became a preface in my exegetical writing. Simryn and Tom read it and invited me to expand it for their pocket book series. It has benefited from their feedback and close reading, along with Naomi Riddle and beautiful design work by Rudd Ruttens. A special thank you to my friends Helen Hughes and Anna Arabindan-Kesson, two widely published scholars I greatly admire, for their thoughtful and generous blurbs. And as always to Emily .atlas for everything.

Repost

Find Trent Walter’s pocket book, Thuppahi: identity, object, method, now available on our website.

“Like the rootless Burgher, Trent Walter understands his role in his print workshop as in-between and interstitial. Akin to an interpreter. Neither insider nor outsider, or perhaps both at once. Joining some of the most significant artists, poets, and writers of this century, ranging from Saidiya Hartman to Archie Moore, in this essay Walter deploys family history—with all its fundamentally impenetrable absences and fantastical yearnings—as a critical and creative method with clear applications for a studio practice.”
—Helen Hughes, Senior Lecturer, Monash University

“Weaving between familial stories and silences, Trent Walter reimagines identity formation as artistic process. As he reclaims the shifting contingencies of relatedness through lived experience, printmaking and objecthood, he encourages us to look beyond the absences of history into the ‘needs and realities of the present.’ Thuppahi is an offering: it seems to want to say here is how art can be a form of relation, how longing can be transformed into tenderness.”
—Anna Arabindan-Kesson, author of Black Bodies, White Gold: Art, Cotton, and Commerce in the Atlantic World

Design by Ruud Ruttens
Copy-editing by Heather Anderson
Proofreading by Tina Melick
Printed by AC Dominie, Singapore
or.rents

21/11/2025

It was a great pleasure to print this poster with for the exhibition 𝘐 ♥ 𝘓𝘪𝘻𝘻𝘺, a group exhibition celebrating the influence and friendships of Elizabeth Newman

Lizzy is a huge influence and dear friend to us and to so many 💛🖤💙

Email [email protected] to request a catalogue.

—

Featuring over fifty artists including contemporaries and younger practitioners informed by Elizabeth Newman’s practice, the exhibition honours Newman’s extraordinary contribution and enduring impact across generations of Australian and International art.

Artists include: A Constructed World ( ), Adelle Mills, Andreas Exner, Andrew Hurle, Beth Maslen (), Brent Harris (), Christopher LG Hill, Claire Lambe (), Damiano Bertoli, Darcey Bella Arnold, David Thomas (), Elizabeth Newman, Emily Floyd (), Esther Kläs (), Gail Hastings, Gordon Matta-Clark, Hannah Maskell, Helen Johnson, Helen Nicholson, Imi Knoebel (), Irene Hanenbergh, Isabella Darcy, James Lynch, Janet Burchill & Jennifer McCamley, Jane O’Neill (), Jens Haaning, John Nixon (), Jon Campbell (), Juan Davila (), Kain Picken, Kate Meakin, Laura Skerlj, Lisa Radford, Lou Hubbard (), Louise Forthun (), Lucina Lane, Maria Cruz, Masato Takasaka, Matt Hinkley (), Melinda Harper, Mikala Dwyer (), Mira Gojak, Moya McKenna, Naomi Eller, Nick Selenitsch (), Paul Knight, Polly Borland (), Raafat Ishak (), Rob McKenzie, Rose Nolan (), Shelley Lasica, Sister Corita Kent, Spencer Lai, Stephen Bram (), Steven Rendall (), Tony Clark (), Trent Walter, and Warren Taylor.

𝘐 ♥ 𝘓𝘪𝘻𝘻𝘺
Neon Parc Brunswick
21 November – 20 December 2025

𝘐 ♥ 𝘓𝘪𝘻𝘻𝘺 poster designed by Warren Taylor and printed by Warren Taylor and Trent Walter

14/11/2025

𝘉𝘶𝘳𝘤𝘩𝘪𝘭𝘭 / 𝘔𝘤𝘊𝘢𝘮𝘭𝘦𝘺: 𝘚𝘦𝘭𝘦𝘤𝘵𝘦𝘥 𝘗𝘳𝘪𝘯𝘵𝘴 + 1988–2025 opens today, Saturday 15 November, 3–5 pm, at Negative Press and Keeper Print Room.

—

Spanning over three decades of Janet Burchill and Jennifer McCamley's collaborative practice, this exhibition tracks how printmaking—particularly screenprinting—has been an enduring medium for the artists throughout their careers.

—

For a catalogue of available work, DM or email [email protected]

𝘉𝘶𝘳𝘤𝘩𝘪𝘭𝘭 / 𝘔𝘤𝘊𝘢𝘮𝘭𝘦𝘺: 𝘚𝘦𝘭𝘦𝘤𝘵𝘦𝘥 𝘗𝘳𝘪𝘯𝘵𝘴 + 1988–2025
Negative Press and Keeper Print Room
15 November – 13 December 2025

Photography: Andrew Curtis

07/11/2025

Huge appreciation post for Rose Nolan 🌹 This weekend is the last to view Rose's expansive exhibition "Breathing Helps"

Alongside this show, Rose held an additional solo show at Anna Schwartz Gallery titled "Word Work" (head over to for installation photography) as well as launching her Enough flag made with at .studio for their collaborative "On Top of the World" program.

Working with Rose has been one of the great joys of running Negative Press since we were introduced by Warren Taylor back in 2012.

🌹🌹🌹

Images reposted from

studio

31/10/2025

ANNOUNCEMENT: Negative Press and Keeper Print Room are thrilled to present an exhibition of printmaking by acclaimed Australian artists Janet Burchill and Jennifer McCamley. Spanning nearly three decades of their collaborative practice, these works offer insight into key themes of the artists' oeuvres. Please join us on Saturday 15th November from 3–5 pm for the opening celebration.

For a catalogue of available works, please email [email protected] or [email protected]

Janet Burchill and Jennifer McCamley are represented by Neon Parc, Melbourne.

Poster design by .or.ents

09/10/2025

Please join us this Saturday 11th October from 3–5 pm for the launch of Darcey Bella Arnold's "A Measure of Disorder". Copies of the publication will be available to purchase.

A Measure of Disorder
Darcey Bella Arnold

Texts: Brooke Babington and Tim Riley Walsh
Design: Yanni Florence
Photographs: André Piguet
Image Post-production: Peter Hatzipavlis
30 x 30 cm, hardback, 120 pages, 56 plates
ISBN: 978-0-6456905-0-7
The cover is embossed with black foil printing, and
hand drawn lines in pencil by Darcey Bella Arnold
Limited edition (250)
Published 2025
Retail price $55

If you can't make it on the weekend, but would like to purchase a copy, please contact:
[email protected]

30/09/2025

Please join us on Saturday 11th October for the launch of Darcey Bella Arnold's 'A Measure of Disorder' from 3–5 pm.

🧡🧡🧡

Repost

So excited to share with you a beautifully made book, featuring my recent drawings, designed by the exceptionally talented (and very patient) Yanni Florence.

Originally shown at ReadingRoom for ‘A Measure of Disorder, Part 2’, 2023, this publication maintains a focus on the material and formal qualities of the original material. The drawings, reproduced at scale and in colour, are presented with attention to their spatial and conceptual detail.

‘A Measure of Disorder’ is published in a limited edition of 250 hardback copies, comprising 56 plates across 120 pages. The volume features texts by Brooke Babington and Tim Riley Walsh, photography by André Piguet, and image post-production by Peter Hatzipavlis. Each copy bears an embossed cover individually hand-marked in pencil by myself, rendering each copy unique. Published in 2025.

Please join us to celebrate the book’s launch on Saturday October 11th at Negative Press from 3—5pm.

riley.walsh

24/09/2025

Massive congratulations to on being awarded the 2025 Bowness Prize
❤️🧡🌺🔥

Repost
On behalf of the MAPh Foundation, we are thrilled to announce artist Anna Higgins as the winner of the 2025 Bowness Photography Prize, for ‘Two horizons' (2025). This composite image demonstrates technical mastery of both analogue and digital processes, where Higgins works with light and landscape to create an otherworldly experience of Victorian Alpine country.

With this image, Higgins aims to ‘challenge conventions of how the landscape is depicted in photography, foregrounding the ephemeral, abstract and painterly qualities of film and light.’

The judging panel, consisting of artist and Bowness Photography Prize winner (2023) Anne Zahalka, Shaune Lakin ( Senior Curator Photography, NGA) and MAPh Director Anouska Phizacklea, selected one winner and two honourable mentions from the field of 50 finalists. As we celebrate 20 years of the Bowness Photography Prize, we reflect on the calibre and ingenuity of the artists who have submitted work over the years. They continue to shine a light on the possibilities of contemporary photography and its capacity for storytelling and revelation.

Anna Higgins wins $50,000 and her work will be acquired into MAPh’s collection. Please join us in congratulating Anna!

MAPh is grateful for the support of all our partners, sponsors and donors towards the Bowness Photography Prize. As we celebrate its 20th iteration in 2025, we are proud to acknowledge its longevity and reputation as one of the most prestigious photography prizes in Australia.

--

Image:
Anna HIGGINS
Two horizons 2025
pigment ink-jet prints, screenprint, varnish
175.0 x 125.0 cm
collection of the artist
courtesy of the artist

09/09/2025

Sydney friends, my pals are presenting as part of Sydney Contemporary this week. Please stop by and see their fabulous editions.

I've had the good fortune to work with them on editions by (pics 1–3) and (pic 4).

The other works here are by Katherine Hattam (pic 5) and Melinda Harper (pic 6) printed by and

They also published a great work by Rob McHaffie not illustrated here.

🌺🧡♥️

09/09/2025

I was thrilled to learn that Sandy Barnard of Sandy Prints is presenting at Sydney Contemporary later this week/end. Sandy is a great friend of Negative Press and a national treasure for her international contribution to photographic printing. Her Bellograms are stunning 😍

Repost
Photo Sydney 2025 is launching at Sydney Contemporary, showcasing incredible works from 30+ talented photographers.

We spoke with curator Sandy Edwards about her advice for making the most of your visit, top tips for starting or growing a photography collection, must-see artworks, and more.

Read the conversation through the link in bio.

Photo Sydney is presented at Sydney Contemporary, Australasia’s largest art fair, taking place 11-14 September at Carriageworks. Tickets are on sale now at link in bio.

Pictured:

Sandra Bernard, Orchid Bellowgram, 2022. Sandyprints.

Negative Press

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