Negative Press

Negative Press Negative Press is a publisher of artists' books and limited edition prints by contemporary Australian artists.

Sydney friends, my pals  are presenting as part of Sydney Contemporary this week. Please stop by and see their fabulous ...
09/09/2025

Sydney friends, my pals are presenting as part of Sydney Contemporary this week. Please stop by and see their fabulous editions.

I've had the good fortune to work with them on editions by (pics 1–3) and (pic 4).

The other works here are by Katherine Hattam (pic 5) and Melinda Harper (pic 6) printed by and

They also published a great work by Rob McHaffie not illustrated here.

🌺🧡♥️

I was thrilled to learn that Sandy Barnard of Sandy Prints is presenting at Sydney Contemporary later this week/end. San...
09/09/2025

I was thrilled to learn that Sandy Barnard of Sandy Prints is presenting at Sydney Contemporary later this week/end. Sandy is a great friend of Negative Press and a national treasure for her international contribution to photographic printing. Her Bellograms are stunning 😍

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Photo Sydney 2025 is launching at Sydney Contemporary, showcasing incredible works from 30+ talented photographers.

We spoke with curator Sandy Edwards about her advice for making the most of your visit, top tips for starting or growing a photography collection, must-see artworks, and more.

Read the conversation through the link in bio.

Photo Sydney is presented at Sydney Contemporary, Australasia’s largest art fair, taking place 11-14 September at Carriageworks. Tickets are on sale now at link in bio.

Pictured:

Sandra Bernard, Orchid Bellowgram, 2022. Sandyprints.

Looking forward to talking with Darcey Bella Arnold and Simon McGlinn tomorrow 6th September from 2 pm Keeper Print Room...
05/09/2025

Looking forward to talking with Darcey Bella Arnold and Simon McGlinn tomorrow 6th September from 2 pm Keeper Print Room.

The discussion will be centred on the artists' collaborative drawing practice.

RSVP appreciated via the eventbrite form

Open to all.

All image credits:
Darcey Bella Arnold & Simon McGlinn
Untitled, 2023
Biro, inkjet and Letraset; collage; on archival paper.
29.7 x 42.0 cm (sheet)


As always, it was a pleasure to work with Stolon Press on a selection of relief printed works for their current, collabo...
23/08/2025

As always, it was a pleasure to work with Stolon Press on a selection of relief printed works for their current, collaborative exhibition with Chui Lee Luk at 1301SW, Sydney. For the printed matter, Stolon Press also worked with Sydney-based printmaker Marcus Dyer-Harrison.

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Installation views and details of Stolon Press’ ‘Stainers’ (2025) in their current exhibition with Chui Lee Luk, ‘Live Feed’, which continues this week at 1301SW Sydney.

Open this week, Tuesday – Saturday, 11am - 5pm

Images: Stolon Press ‘Strainers’ (2025)
Etching ink on various Japanese papers
Dimensions variable

A belated image of Jana Papantoniou's 'Two Figures Interwoven' which one the Young Emerging prize category at Fremantle ...
23/08/2025

A belated image of Jana Papantoniou's 'Two Figures Interwoven' which one the Young Emerging prize category at Fremantle Arts Centre's print award. 👏🏼👏🏼👏🏼👏🏼👏🏼👏🏼

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CONGRATULATIONS TO OUR YOUNG AND EMERGING PRIZE WINNER: Jana Papantoniou has won the Young Emerging Print Prize and has been awarded $5,000 for her artwork ‘Two Figures Interwoven’, 2023. This award is supported by

Legally blind emerging artist Jana Papantoniou’s ‘Two Figures Interwoven’ confronts conventional notions of vision by presenting blindness as a unique form of perception. Across nine adjoining panels, intense black-and-white contrasts and disjointed lines destabilise visual harmony, creating an intentionally overwhelming experience. Textural surfaces invite tactile engagement, shifting “seeing” beyond passive observation. The physically demanding process—working on the floor with tools from toothbrushes to fingertips—infuses the work with traces of intimate contact. By merging scale, texture, and embodied mark-making, Papantoniou challenges misconceptions of blindness, revealing it as a shifting, active encounter with the world rather than an absence of sight.

Two Figures Interwoven, 2023
Monotype
225 x 148 cm
Courtesy of the artist

Photo by

It has been an honour to judge the Walyalup Fremantle Print Award this year alongside  and Hannah Mathews. Thank you to ...
15/08/2025

It has been an honour to judge the Walyalup Fremantle Print Award this year alongside and Hannah Mathews. Thank you to all the artists who submitted work and congratulations to all the short-listed artists, you are all stars. Thank you to all the staff at Fremantle Arts Centre and all the sponsors.

Pictured here is Prita Tina Yeganeh, who was selected as the first prize recipient for her astounding work 👏🏼👏🏼👏🏼👏🏼

Mervyn Street was awarded the First Nations Prize (previous post) and Jana Papantaniou received the young emerging prize.

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CONGRATULATIONS TO OUR FIRST PLACE WINNER: Prita Tina Yeganeh has won the acquisitive Walyalup Fremantle Arts Centre Print Award 2025 and has been awarded $20,000 for her artwork ‘My Soil Farsh فرش (The Sacred Shared Labour)’, 2025. This award is supported by

See Prita tomorrow at Artist Talks (Edition 1)! All info at link in bio.

Prita Tina Yeganeh’s ‘My Soil Farsh’ transforms labour into connection. Over 145 hours, 17 women gathered on a Persian carpet—symbolic communal ground—to hand-grind 45 kilograms of red clay soil from Queensland, mirroring that of her Iranian homeland. The rhythmic, embodied ritual was mapped through 30 3D-printed motifs, hand-imprinted in symmetrical patterns to record the shared experience. Drawing on Iranian Indigenous knowledge, Yeganeh merges installation, print, and participatory practice to honour women’s collective labour traditions in Farsh-weaving. The work becomes both a vessel for memory and a placemaking tool, weaving migration, heritage, and ritual into a tactile language of connection. This is the first time the work has been acquired.

My Soil Farsh فرش (The Sacred Shared Labour), 2025
Soil hand printed with 3D-printed Farsh motifs
170 x 200 cm
Courtesy the artist and Onespace, Brisbane

Photo of Prita by

Congratulations to Mervyn Street on winning the First Nations Award at the Fremantle Print Prize, announced last night. ...
15/08/2025

Congratulations to Mervyn Street on winning the First Nations Award at the Fremantle Print Prize, announced last night. 💥💥💥

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Don’t miss ‘this is my 30 years’ – a stunning exhibition by esteemed Gooniyandi senior artist Mervyn Street, closing today at APW Gallery.

APW was thrilled to welcome Mervyn back to our Melbourne print studio earlier this year - to collaborate with APW printers to create a series of new original prints. These powerful works depict important stories of Mervyn's family, his time as a stockman, and life on a station.

Artist: Mervyn Street  
Title: C**t Rider  
Medium: Intaglio (lift-ground etching and aquatint with carborundum collagraph)
Edition size: 20 (plus proofs) 
Image size: 90cm x 120cm
Paper size: 101cm x 128.5cm 
Price: $2,200
Produced in collaboration with APW printers at Australian Print Workshop, Melbourne, 2025.

Congratulations to the Mimili Wati showing at 8 Hele Gallery, Mparntwe, in 'Kililpi Tjukurpa: Star Story''. I wrote a sh...
23/07/2025

Congratulations to the Mimili Wati showing at 8 Hele Gallery, Mparntwe, in 'Kililpi Tjukurpa: Star Story''. I wrote a short text that you can read in the online catalogue for the show. Thank you as always and well done Desmond, Mark, Shane, Richard and Arnold 💥💥💥 propel this work.

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Star Story opens tomorrow with our opening event next weekend!

The Mimili Maku Wati Group is a collective of Aṉangu men who are redefining what contemporary printmaking can look like - not in formal studios but out bush, on Country.

It was a great pleasure to contribute in a small way via printing text for Janet Burchill's exhibition 'Solastalgia' in ...
23/07/2025

It was a great pleasure to contribute in a small way via printing text for Janet Burchill's exhibition 'Solastalgia' in its final week at Neon Parc 🌺

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Installation views of Janet Burchill’s major solo exhibition 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢, on now at Neon Parc Brunswick until 26 July, 2025.

This exhibition runs in tandem with Janet Burchill and Jennifer McCamley’s collaborative exhibition 𝘚𝘪𝘮𝘰𝘯𝘦 𝘞𝘦𝘪𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵: 𝘏𝘶𝘮𝘢𝘯 𝘗𝘦𝘳𝘴𝘰𝘯𝘢𝘭𝘪𝘵𝘺.

Neon Parc Brunswick is open Wed–Sat, 12–5pm.



𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢 presents a series of Janet Burchill’s recent tie-dye paintings, produced using fibre reactive dyes. For these paintings, Burchill draws upon a lexicon of recently developed terms that seek to articulate the emotions associated with living in our uncertain contemporary world—rife as it is with geopolitical tensions and climate crises. Take, for example, ‘solastalgia’, a term developed by the environmental philosopher Glenn Albrecht defined as “the homesickness you have when you are still at home,” caused by negatively perceived environmental change. Not unlike the words referenced, Burchill’s tie-dyed works are deliberately ambiguous—mirroring the sense of uncertainty that has become so familiar in our daily lives. Evoking imagery suggestive of flames, satellite images or microscopic bacterial growth, Burchill’s paintings convey the tenor of what it means to live in our world today.

Burchill / McCamley’s work is held in numerous public and private collections, including the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Queensland Art Gallery, Brisbane; Monash University Collection, Melbourne; Bendigo Art Gallery, Bendigo; Griffith University, Brisbane; Heide Museum of Modern Art, Melbourne; Tasmanian Museum and Art Gallery, Hobart; and Artbank Australia.



Janet Burchill
𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢

Janet Burchill & Jennifer McCamley
𝘚𝘪𝘮𝘰𝘯𝘦 𝘞𝘦𝘪𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵: 𝘏𝘶𝘮𝘢𝘯 𝘗𝘦𝘳𝘴𝘰𝘯𝘢𝘭𝘪𝘵𝘺

27 June–26 July
Neon Parc Brunswick

It was a great pleasure working with Janet Burchill and Jennifer McCamley on the second iteration of their Simone Weil P...
22/07/2025

It was a great pleasure working with Janet Burchill and Jennifer McCamley on the second iteration of their Simone Weil Project 🌺

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Installation view of Janet Burchill & Jennifer McCamley’s 𝘚𝘪𝘮𝘰𝘯𝘦 𝘞𝘦𝘪𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵: 𝘏𝘶𝘮𝘢𝘯 𝘗𝘦𝘳𝘴𝘰𝘯𝘢𝘭𝘪𝘵𝘺, on now at Neon Parc Brunswick until 26 July, 2025.

This exhibition runs in tandem with Janet Burchill’s major solo exhibition 𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢.

Neon Parc Brunswick is open Wed–Sat, 12–5pm.



Burchill/McCamley’s 𝘚𝘪𝘮𝘰𝘯𝘦 𝘞𝘦𝘪𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵: 𝘏𝘶𝘮𝘢𝘯 𝘗𝘦𝘳𝘴𝘰𝘯𝘢𝘭𝘪𝘵𝘺 comprises a series of new silkscreen paintings, continuing the artists’ long-term project looking at the life and writings of the philosopher, political activist and mystic Simone Weil (1909–43). The artists were particularly drawn to Weil because of the “extraordinary intensity and precision” of her writings and the concern for justice which permeated her life and thought. In this new series, the artists have overlaid a found image of Weil’s face, her eyes closed, mid-blink, with excerpts from Weil’s text Human Personality (1942-43). Through a process of colour manipulation, image shifting and repetition, Burchill and McCamley present Weil’s visage as fractured and multiplied—a portrait refracted through time.

Burchill / McCamley’s work is held in numerous public and private collections, including the National Gallery of Australia, Canberra; Art Gallery of New South Wales, Sydney; National Gallery of Victoria, Melbourne; Art Gallery of Western Australia, Perth; Queensland Art Gallery, Brisbane; Monash University Collection, Melbourne; Bendigo Art Gallery, Bendigo; Griffith University, Brisbane; Heide Museum of Modern Art, Melbourne; Tasmanian Museum and Art Gallery, Hobart; and Artbank Australia.



Janet Burchill & Jennifer McCamley
𝘚𝘪𝘮𝘰𝘯𝘦 𝘞𝘦𝘪𝘭 𝘗𝘳𝘰𝘫𝘦𝘤𝘵: 𝘏𝘶𝘮𝘢𝘯 𝘗𝘦𝘳𝘴𝘰𝘯𝘢𝘭𝘪𝘵𝘺

Janet Burchill
𝘚𝘰𝘭𝘢𝘴𝘵𝘢𝘭𝘨𝘪𝘢

27 June–26 July
Neon Parc Brunswick

It is the last two days of Stolon Press 'Flat Earth' at Monash University Museum of Art. As my friend Victoria Perin wou...
10/07/2025

It is the last two days of Stolon Press 'Flat Earth' at Monash University Museum of Art. As my friend Victoria Perin would say "Run, don't walk".

Alongside material for the exhibition, it was a great pleasure to work alongside Simryn Gill and Tom Melick (Stolon Press) on a series of unique prints on paper. They are very special works that record a great arc of experimentation in the studio 👇🏼

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We're pleased to offer a limited-edition series of works on paper by Stolon Press. Each print is taken from fragments of empty Al Rwad Palestinian Midjewel Date boxes. Only 11 of these unique relief prints remain.

View available prints on display in MUMA's foyer during Stolon Press: Flat earth or browse and purchase online via link in bio

Stolon Press
'Mixed Business: Al Rwad Palestinian midjewel dates' 2025
unique relief prints
$1200


Stolon Press was started in Sydney in 2019 by Tom Melick and Simryn Gill as a way to publish texts and images that might easily fall through cracks or remain in boxes and bottom drawers. Its growing list of titles follows the paths of friendships and longstanding conversations. Like the plants from which it takes its name, Stolon Press works close to the ground, thriving in modest terrain and untended places.

Stolon Press: Flat earth, curated by Stolon Press, with Rebecca Coates and Stephanie Berlangieri, at MUMA, 29 May – 12 July 2025.

Images: 1-5, Stolon Press, Mixed Business: Al Rwad Palestinian midjewel dates 2025. Photography: Trent Walter. 6. Installation view: Stolon Press, Mixed Business: Al Rwad Palestinian midjewel dates 2025. Photography: Andrew Curtis

It was a great pleasure to work on printed material with Simryn and Tom of Stolon Press for their exhibition Flat Earth ...
25/06/2025

It was a great pleasure to work on printed material with Simryn and Tom of Stolon Press for their exhibition Flat Earth at MUMA. As Simryn said during a talk with Nicholas Croggon, you need to see the show to acknowledge that it is open.

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Stolon Press: Flat earth — Now Open

Conceived as a flattened ‘map’, Flat earth creates a shared space where artistic, linguistic and material practices converge. Artworks overlap across the galleries as a material gesture toward cohabitation and neighbourliness.

Flat earth brings together work by longtime Stolon Press collaborators, including writer, translator and anthropologist Elisa Taber, and Lebanese-born, Sydney-based artist Khaled Sabsabi.

Stolon Press is a Sydney-based art and publishing collective whose work sits somewhere between art and book, image and text. Established in 2019 by writer Tom Melick and artist Simryn Gill, Stolon Press has published twenty books to date, regularly involving an extended network of collaborators and friends.

Now showing until 12 July
Free entry
All welcome
📍 Monash University Museum of Art | MUMA

Curated by Stolon Press, with Dr Rebecca Coates and Stephanie Berlangieri

/ (Khaled Sabsabi) / (Elisa Taber)

Address

Factory 8/102 Henkel Street
Brunswick, VIC
3056

Opening Hours

Friday 12pm - 5pm
Saturday 12pm - 5pm

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