Rochford Press was established in 1983 and is one of the smallest and oldest literary presses in Australia.
It publishes the on-line journal Rochford Street Review as well as the occasional literary journal P76 Rochford Street Review is an on-line journal reviewing new Australian writing – with an emphasis on poetry and small press publications. While Rochford Street Review is published quarterly, reviews will be uploaded to the site as they are received. We will also attempt to cover as many publications (both traditional and on-line) as we can.
14/10/2025
Rochford Street Review Issue 43. Vale Moya Costello.
Rochford Street Review was shocked and saddened to learn of the death of writer, editor, academic and wine critic Moya Costello.
Rochford Street Review was shocked and saddened to learn of the death of writer, editor, academic and wine critic Moya Costello.
13/10/2025
Rochford Street Review. Lucie Thorne is the featured artist for Issue 43. The issue will start loading over the coming days,
Rochford Street Review Issue 42 – 2025:2 has been archived.
Issue 43 will begin loading over the coming days.
We have archived Issue 42 of Rochford Street Review. Issue 43 will start loading in the coming days.
08/10/2025
Rochford Street Review Issue 42. 2025 Tasmanian Poetry Festival
The Tasmanian Poetry Festival was founded in 1985 by poet and activist Tim Thorne. Thorne’s contribution to poetry in Tasmania and beyond is remembered each year by the awarding of the Tim Thorne Poetry Prize.
The Tasmanian Poetry Festival was founded in 1985 by poet and activist Tim Thorne. Thorne’s contribution to poetry in Tasmania and beyond is remembered each year by the awarding of the Tim Th…
STILL BLACK WATER - the new poetry collection by Simeon Kronenberg - just delivered from our printers Pegasus Media+Logistics. Buy your copy on line today at pittstreetpoetry.com
03/10/2025
Rochford Street Review is looking for a reviewer for Eunice Andrada new collection KONTRA. If you are interested get in contact
‘KONTRA is, in many ways, a surgical operation on lineage, on language, on desire. This project engages the canon I grew up with – the kontrabida as she exists in Filipino media and her cultural equivalents across the world: women punished for wanting.’
Eunice Andrada reflects on her new collection KONTRA, which casts a female gaze on the kontrabida – a Filipina soap opera villain stuck in a rise-and-fall cycle.
Rochford Street Review Issue 42: Kate Newmann: 3 Poems
Kate Newmann is an Irish poet. She read at the 25th Medellin International Poetry Festival, Colombia, and at the Himalayan Echoes Festival in Nainital, India. She has been involved in many projects, including creative writing with student teachers at a summer camp in Vyborg, Russia, and with the Chickasaw Nation, Oklahoma, USA. She has published five collections of poetry.
Kate Newmann is an Irish poet. She read at the 25th Medellin International Poetry Festival, Colombia, and at the Himalayan Echoes Festival in Nainital, India. She has been involved in many projects…
30/09/2025
David Brooks and Louise Wakeling raise the bar for nature on World Animal Day at Katoomba
Raising the Bar for Nature on World Animal Day, Sat, 4 Oct, 6pm – 9pm AEST at the Blue Mountains Planetary Health Centre, 33-39 Acacia St, Katoomba NSW 2780. Tickets $15
Raising the Bar for Nature on World Animal Day, Sat, 4 Oct, 6pm – 9pm AEST at the Blue Mountains Planetary Health Centre, 33-39 Acacia St, Katoomba NSW 2780. Tickets $15 from Humantix Local p…
29/09/2025
Rochford Street Review Issue 42. Breath-taking sentience: Cathal Ó Searcaigh introduces Kate Newmann at the Errigal Arts Event, Donegal, Ireland
Her poetry is elegiac, meditative and grave. She is also gifted with the mystic’s intuitive insights. Her series of long poems in 'I Am A Horse, attests to this rare flair and power.
With her first collection, The Blind Woman in the Blue House, Kate Newmann made her presence felt in Irish poetry. Since then she is a commanding voice, a poet who writes about the tumults of the h…
29/09/2025
Rochford Street Review Issue 42. The harrowing task of truth telling: Judith Nangala Crispin reviews ‘The Nightmare Sequence’ by Omar Sakr and artist Safdar Ahmed
"The Nightmare Sequence is a profound and deeply moving act of truth-telling created by poet Omar Sakr and artist Safdar Ahmed. It is bravely published by University of Queensland Press, in an almost unprecedented period of censorship in Australia’s artistic and literary scene."
The Nightmare Sequence is a profound and deeply moving act of truth-telling created by poet Omar Sakr and artist Safdar Ahmed. It is bravely published by University of Queensland Press, in an almos…
27/09/2025
Rochford Street Review Issue 42. Upending common dichotomies: Leonie Bingham reviews ‘Parallax’ by Robin Morgan.
"Parallax is not an easy read, and demands re-reading, which is perhaps its intention. Morgan explores and upends common dichotomies which, to the reader, are inherently familiar: chaos/order, sanity/insanity, religion/science and freedom/captivity. She eloquently unpacks the paradoxes that lie within each."
Parallax is not an easy read, and demands re-reading, which is perhaps its intention. Morgan explores and upends common dichotomies which, to the reader, are inherently familiar: chaos/ order, sani…
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Rochford Press is one of the smallest Australian literary presses having been established by Mark Roberts in 1983 as a vehicle to publish 7 issues of P76 Magazine. The press has always operated independent of any government funding, and has continued to contribute to the small press poetry scene of this country. Rochford Press is committed to publishing creative and critical writing which pushes boundaries and stands out from the everyday. It is run by Mark Roberts and Linda Adair and is based in the Blue Mountains west of Sydney.
Since 2011 to the present time, we have published 26 issues of the online critical journal Rochford Street Review as well as producing several chapbooks and books including: Robbie Coburn’s first collection Before Bone & Viscera, Stevi-Lee Alvers Cactus and The Selected Your Friendly Fascist based on the cult poetry magazine established by Rae Desmond Jones and John Edwards in the 1970s.
2019 has seen resurgence of energy in Rochford Press as Linda Adair has driven the publishing program. Within the first half of 2019 the press has edited, produced, and launched the following three books:
The End of the Line by Rae Desmond Jones
When I was Clandestine by Juan Garrido Salgado
Open by Sarah St Vincent Welch
Additionally we promoted them by arranging launches and readings around the country ranging from venues such as The Exodus Foundation, Shop Gallery and Ashfield Library in Sydney, to the Press Bookhouse as part of the Newcastle Writers Festival, That Poetry Thing at Smiths Alternative in Canberra, The Dan O’Connell in Melbourne, a nightclub in Adelaide and Voicebox in Perth.
Most recently Rochford Street Review has partnered with creatives in the Blue Mountains to promote exhibitions by MAPBM and has produced a website for Vivienne Dadour’s exhibition Resilience in Times of Adversity: Blue Mountains responses to World War II.
More chapbooks will be coming in the next 6 months including from Blue Mountains writers and other regional areas.