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Trusty Chords, Melbourne (2025)

07/08/2025

Episode 64: Davey Lane – You Am I

When you think about Australian music, it's a little hard not to think about Davey Lane. That might sound grandiose, but given he's spent more than 25 years as a guitarist for local legends You Am I, it's hard to classify him any other way.

Joining the already-established outfit at just the age of 18, Lane swiftly found himself as part of Aussie music royalty, eventually going on to be part of ARIA Award-winning releases and countless revered live shows.

He's also stretched his musical wings with his other band, The Pictures, and since 2013, he's been releasing solo gear as well. While last year's brilliantly-titled cover album, 'How To Make Davey, Vol. 1,' was one of my favourite records of 2024, this year, Lane is back with another album, this time called 'Finally, A Party Record.'

Feeling like a love letter to classic '70s rock, it's a testament to his anachronistic place within the world of Australian music, but for those listening close, it's not exactly a party record in the strictest sense. It's a little bit deep, it's a little bit powerful, and it's a great example of Lane's many and varied talents.

This week, I was lucky enough to have a brief chat with Davey Lane about his musical journey, and his latest record. Just a quick warning, Davey was out and about when we had the chat, so there's a couple of audio drop-outs here and there, but if you don't mind, then neither do I.

Anyway, have a listen to Davey Lane's 'Finally, A Party Record' when it arrives next week, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

24/07/2025

Episode 63: John Busby – Halfway

Hello and welcome to Trusty Chords, the podcast which aims to celebrate music and those that create it.

For the past 25 years, Brisbane's Halfway have operated as one of those well-kept secrets that often feels as though only a select few know about.

Of course, with ARIA, APRA, and AIR Award nominations (and a win the latter category), along with three Queensland Music Awards, it's fair to say that their reputation and creativity has managed to transcend the categorisation of well-kept secret and become one of those groups with a passionate fanbase.
Formed out of the likes of Queensland outfit St. Jude, Halfway emerged in 2000 and swiftly became a band who demanded your attention. With immersive musicianship and arresting songwriting, it didn't take long for their profile to grow and for the albums to emerge.

This year, Halfway returned with their first new album in three years, 'The Styx.' Once again, it's a stellar release from the sprawling outfit, with the record's lyrical themes serving as something of a concept album.

Along with repeated tales of characters often overlooked by the wider world, and a luscious musical backing, it's a record that I really recommend you spend some time with – both passively and actively, so as to get the full experience.

This week, I was lucky enough to chat with Halfway's John Busby about his musical journey, and the story of the group's latest record.

Anyway, have a listen to Halfway's 'The Styx,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

17/07/2025

Episode 62: Bryan Estepa

For a few decades now, one of Australia's greatest unsung musical heroes has been none other than Bryan Estepa .

Born in the Philippines before moving to Australia as a child, Bryan has had a storied career as a musician, performing in bands such as Swivel and Hazey Jane before turning his attention toward solo gear. That solo gear first took form under the moniker Adeline before he decided to use his real name around 20 years ago.

Since then, he's been a prolific artist, writing and recording frequently, and releasing myriad albums in recent decades.

For those playing at home, the last time Bryan released a full-length album was back in 2019, with 'Sometimes I Just Don't Know' arriving before an EP called 'Back To The Middle' in 2021. But fast-forward to this year, and Bryan is back with another record called 'I See It Now.'

It's an exceptional piece of work, drenched with clever songwriting, power-pop sensibilities, and an immense sense of passion. Truly, it's something worth your time.

I've been following Bryan for many years now, but this week, I was lucky enough to finally have a chat with the great man about his musical career and that new album of his.

Anyway, have a listen to Bryan Estepa's 'I See It Now,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

10/07/2025

Episode 61: Justin Burford – End Of Fashion

Cast your mind back 20 years and you might be taken right back to a moment in time where one of the most exciting Australian bands out there on the scene was none other than End Of Fashion.

Formed in Perth by Justin Burford, who was at the time a member of The Sleepy Jackson, End Of Fashion found itself slowly finding fame thanks to constant airplay on triple j, and by the time 2005 rolled around, the group were readying their debut album.

I can speak from experience when I tell you that it was pretty hard to ignore the stark black and yellow colour scheme of the band's debut album and singles, and equally hard was it to overlook singles such as 'O Yeah' and 'The Game.'

ARIA Award winners with loads of potential, End Of Fashion unveiled a few new albums over the coming years, but ultimately went a bit silent in the following years. However, there have been a few singles since 2020, and this year, the group will be putting out their self-titled debut on vinyl and hitting the road for a national headline tour.

Speaking as someone who actually saw End Of Fashion back in 2006 as part of my first 'real' concert experience, I can't tell you how excited this makes folks like myself.

As you might be able to gather by this point, I was lucky enough to be joined by the musical mastermind that is End Of Fashion's Justin Burford this week. And yes, I certainly did ask if he remembers that 2006 gig.

Anyway, have a listen to End Of Fashion's back catalogue (and their self-titled debut), buy a ticket to their upcoming tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

03/07/2025

Episode 60: Ashlea Jaye – Left On Seen

If you know me (or simply listen to the podcast – both are very good options), then you'd likely know how much I like to surround myself with musicians I both enjoy and respect. Frankly, with that in mind, I reckon you can't go past someone like Ashlea Jaye.

A lifelong lover of music and a self-described theatre kid, Ashlea has been a supporter of music for as long as I've known her. If you're from Adelaide, you might know her from her time hosting the Peripheral Noise show on Three D Radio, or you might know her from musical groups such as Twin Decoy or Left On Seen.

It's the latter which might jog your memory the most, with the duo (which also comprises Will Adam) releasing some stellar music in recent years. Whether it's the killer debut single "Life Support," their cover of SZA's "Kill Bill," or their brilliant 'Wilted' EP from this year, you can't go wrong.

Alongside that though, Ashlea is also a huge supporter and advocate for those with disabilities both in and out of the music scene. An AuDHD, disabled artist, creative, musician, singer, and writer who juggles so much in her day to day, the fact that July was Disability Pride Month felt like an immensely fitting time for us to speak.

Also, because it's the month in which Left On Seen will play a stellar hometown show as part of Fangz' album launch tour. It's also going to be a special one, but I'll let Ashlea tell you why that is…

Oh, in case you couldn't tell, Ashlea is my guest on this week's podcast! Needless to say, I'm always happy to use this podcast to showcase musicians who I call friends, and this was a great opportunity for Ashlea and myself to just nerd out for… a long time.

Anyway, have a listen to Left On Seen's back catalogue, buy a ticket to their upcoming show, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

26/06/2025

Episode 59: Eliot Argus – Cardboard Cutouts

Ever since they released their debut single back in 2019, Queensland alt-rockers Cardboard Cutouts have been determined to keep themselves moving.

Whether it's trying new things on the writing or recording front, or simply looking towards myriad artists for inspiration, it's easy to see they're a group who aren't happy to stay in one lane.

Indeed, these past few years have seen the group slowly grow and evolve with each and every release, with EPs such as 'Weekends' and 'Patchwork' now giving way to their debut album, 'Politics & Footy Tips.'

An impressive piece of work for the group, it's a record built upon combined decades of musical appreciation, and clearly focused on the shuffle feature. With each and every track feeling like its own little world, so too does the music ebb and flow, showcasing their varying musical approaches and their associated talent.

What I'm trying to say is that it's a corker of a record that's worth your time.

This week, Eliot Argus of Cardboard Cutouts was kind enough to join me for a far-reaching chat where we discussed everything from rockabilly bands to Norwegian black metal (though the latter one might have been me).

Anyway, have a listen to Cardboard Cutouts' 'Politics & Footy Tips,' buy a ticket to their tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

19/06/2025

Episode 58: Josh Morris – The Electorate

For a few years now, the Australian music industry has been home to a band whose current iteration has roots spanning back decades.

In the early '90s, the Sydney scene featured an indie-rock trio dubbed The Templebears. Issuing three releases across as many years, the group never released a debut album, ultimately splitting around 1992.

Its members would soon find themselves playing in bands such as Big Heavy Stuff and Atticus, before eventually re-emerging as The Templebears around 15 years ago.

Fast-forward to 2019, and those same members were still playing together, but this time they'd adopted the name The Electorate to represent their new sonic focus. That trio would release their debut album, 'You Don't Have Time To Stay Lost', in 2020, and I highly recommend it if you've got the time.

Now in 2025, they're back once again with a second record, this time called 'By Design'. Like its predecessor, it's exceptional, with a bit of growth and musical evolution on display.

This week, I was lucky enough to chat to Josh Morris of The Electorate to discuss the band's history and its journey from conception to dissolution, and from reformation onwards to rebirth.

Anyway, have a listen to The Electorate's 'By Design', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

12/06/2025

Episode 57: Crystal Choi & Simeon Kavanagh-Vincent – Phoebe Rings

If you're someone who likes their music a little bit dreamy, a little bit hazy, and a whole lot of brilliant, then you need to point your peepers toward New Zealand, where Auckland's Phoebe Rings have been providing just that for some years now.

Initially beginning as something of a solo project for Crystal Choi, it swiftly expanded, bringing together a group of stellar artists to form what we now know today as Phoebe Rings.

Of course, if you look a bit closely, you might recognise some of the artists in the mix. While Simeon Kavanagh-Vincent has performed with Princess Chelsea, Alex Freer has served as a member of Tiny Ruins, and Benjamin Locke's name can be found over myriad New Zealand releases.

After releasing a debut EP a few years back, the group slowly worked toward the next logical step, debut album 'Aseurai.' If you've listened to it, then you'd already know just how amazing it is, and if you've not listened to it, then maybe check it out before you listen to me ramble for the next hour.

Either way, Crystal and Simeon were kind enough to join me for a chat this week, and I can't thank them enough for their time and their wonderful insights.

Anyway, have a listen to Phoebe Rings' 'Aseurai', have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

05/06/2025

Episode 56: Ciarann Babbington – Bakers Eddy

Are you someone who likes their music with a bit of energy and a bit of fun? Then let me point you towards Bakers Eddy.

Formed in Wellington, New Zealand when its members were still quite young, the group found itself crafting a pop-punk sound and issuing a few tracks and an EP before heading west and relocating to Melbourne, Australia.

Since 2017, Bakers Eddy have been an Australian band in location only, with the group's profile consistently rising ahead of their debut album, 'Love Boredom Bicycles,' in 2022. And rightly so – it's a solid record and one that definitely shows the level of passion and skill they bring to their craft.

Since then though, things had been a bit quiet, with the group largely remaining silent on the recording front until this year. That's not to say they've been taking it easy – with appearances both at home and abroad, there's been plenty of activity, but we didn't get new music until the singles from their latest EP, 'I'm Doing Better.'

A solid release that really captures the band's maturity and their growth as songwriters and people, it's a record that's certainly worth your time.

To celebrate its release, I was lucky enough to have a chat with Ciarann Babbington from the band about their history, and everything that has led up to the new EP.

Anyway, have a listen to Bakers Eddy's 'I'm Doing Better,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

29/05/2025

Episode 55: Nick Thomas – The Spill Canvas

For over 20 years now, music-lovers of the world have been lucky enough to exist within the same timeline as The Spill Canvas.

Formed by Nick Thomas back in 2001, the group rose to fame throughout the decade, with their work equally being categorised as alternative rock, emo, pop rock, and more. Thanks to releases like the 'Denial Feels So Good' EP, 'One Fell Swoop,' and 'No Really, I'm Fine,' the group managed to make a name for themselves as one of the finest groups in the genre.

Of course, they've never exactly had the mainstream success that some of their counterparts have had, but I'll be damned if they don't deserve as much – if not more – kudos than many other of their contemporaries.

This July, The Spill Canvas make their way down to Australia for the first time, touring in support of the 20th anniversary of 'One Fell Swoop.' They'll also be joined by The Juliana Theory, who are themselves celebrating 25 years of the 'Emotion Is Dead' album.

No matter how you slice it, a good time will be had by all.

This week, I was lucky enough to be joined by Nick Thomas, who was kind enough to put up with my fanaticism of the band while I asked some probing questions.

Anyway, have a listen to The Spill Canvas' 'One Fell Swoop,' buy a ticket to their tour, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

22/05/2025

Episode 54: Chris Penney – Private Function

When it comes to explaining Private Function in just a few short paragraphs, there's a lot of difficulty at play.

After all, they're a Melbourne punk outfit who have been around for close to a decade now, pumping out blistering tunes while employing a visceral sense of humour as they use their platform to succeed in the rock world while simultaneously turning the genre back on itself and laughing at it.

Over the years, they've released albums like their Metallica-referencing debut 'St. Anger' and '370HSSV 0773H,' which was banned in South Australia due to its scratch-off competition cover.

Alongside that, they've released myriad vinyl variants and even issued records filled with bags of speed and members' own urine. Needless to say, they don't do things by halves.

This month, they release their fourth album, which is titled '¯\_(ツ)_/¯.' In an effort to make life difficult for folks like me, that's the shrug emoji and it's pretty much unpronounceable. However, it does come with an official title, but that title is included within the thousands of individual album covers included on the album artwork.

I've interviewed Private Function numerous times over the years, but to get to the bottom of this new record, I decided to call up vocalist Chris Penney and catch up with him to record an episode of the podcast. As always, it's a little bit intriguing, a little bit weird, and a little bit on-brand for fans of Private Function.

Anyway, I strongly urge you to check out Private Function's new album '¯\_(ツ)_/¯,' and once you’re done giving that a spin, have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Oh and of course, Private Function, still on top.

Check it out here: https://linktr.ee/trustychordspodcast

15/05/2025

Episode 53: Craig Finn – The Hold Steady

Anyone who knows me knows that I love a good lyricist, and then that means you should definitely know the great Craig Finn.

For the uninitiated, Craig was the man behind the likes of Lifter Puller, and following their split in 2000, he moved from Minneapolis to New York City and, well, didn't do much. That was, until he formed The Hold Steady after being inspired by the likes of Drive-By Truckers.

If you've not yet listened to The Hold Steady, then you need to do me a favour – turn off this podcast and go and listen to them right now. Of course, if you're already across their stellar discography you'd know the sort of power and impact that their performance style, and Craig's stunning lyricism, brings to the table.

While it's just been a couple of years between records for The Hold Steady, Craig has remained active as ever, issuing the exceptional 'Always Been' album only a few weeks ago. It's certainly one that you need to hear right away.

This week, I was lucky enough to be joined by Craig for a wonderful chat about his musical history and latest solo record.

Anyway, have a listen to Craig Finn's 'Always Been,' have a listen to our chat, and I’ll see you at the end of the episode for some general housekeeping.

Check it out here: https://linktr.ee/trustychordspodcast

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