Robotface

Robotface Australian specialists in camera motion control and slow motion image capture for film and television.

We operate a studio out of Port Melbourne with a BOLT High Speed motion control robot and tracks as well as a Phantom 4K VEO camera. Studio A (eggshell white cyclorama 10x11m)
Studio B (Tabletop / photography space 8x6m)
Indoor Loading Bay (10x9m)

16/06/2026

Some BTS of Parkway Drive video Sacred - this gives you a taste of how many things going on behind the scenes. We were brought in our Bolt robot and slow motion Phantom camera to catch some stunning visuals crafted by Carl Allison ACS and team for director Third Eye Visuals

Excuse the audio editing in this one, there was no way to splice clips together with single original track, so using mostly studio playback audio here. Catch the video Sacred on youtube.

Dir: Third Eye Visuals
Prod: Tim Whiting & Todd Farley
DOP: Carl Allison ACS

Prod Design: Tom Brandon
Prod Design: John Davies
Set Builder: Renee Schulz
Art Assist: Charlotte Ivey
Art Assist: Susanne Daoud
HMUA: Sam Pearce
Stylist: Sarah Birchley
Stylist Assist: Bella Gard

Gaffer: Sean McGlynn
Best: Stephen Loats
3rd LX: Mark Blanch
4th LX: Riley Earl
Lighting Assist: Logan Ferris

1st AC: Neha Shenvi
2nd AC: Charlie McGowan
Motion Control: Robotface
Motion Control Op: Tom David
Motion Control Assist: Cam Stewart
Jib Operator: Luke Skilbeck
Studio: Docklands Studios Melbourne
OHS Officer: Trent Bekis
BTS: Aime Harris
Prod Assist: Ray Levin
2nd AD: Jacinta Hudson
SFX: Dean Sunshine
Parkway Assistant: Emma Gardner
Drum Tech: Declan White

Edit, VFX, all-round wizard: Third Eye Visual
Colour: Tim Whiting

APE Lighting Australia SNOWMASTERS AUST Robotface Third Eye Visuals

03/06/2026

🤔 How do you take a camera move created in a virtual world and reproduce it precisely on set?

Using animation software such as Maya, along with our own in-house motion control tools, camera paths can be designed, refined and approved before filming begins. That data can then be transferred directly to our motion control robots, allowing the exact movement to be recreated in the real world.

The result is a seamless connection between previs, production and post-production. Visual effects elements, actors and multiple passes can all be filmed separately while maintaining perfect alignment frame after frame.

It’s one of the ways motion control helps bridge the gap between digital planning and live-action filmmaking.

BTS T2 Campaign with the legends at with our MINI rig - she flew through the shot list, bagging a lot of content and ra...
28/05/2026

BTS T2 Campaign with the legends at with our MINI rig - she flew through the shot list, bagging a lot of content and ran on tracks adding reach and flare to each shot

28/05/2026

Two years of MINI! Thank you for taking us to the most extraordinary places - Our most versatile rig, lightweight, battery powered and loads into a van. We haven’t found a location she can’t go!

24/04/2026

Revealed – Death Cap Murders is a 2025 Stan Original examining the 2023 Victorian mushroom poisoning case, where three people died after eating a beef Wellington. The three-part series follows the investigation, the trial of Erin Patterson, and the global media attention around it.

We joined the team to help add a new perspective to documentary storytelling - the team used the Cinebot Mini to build a series of repeatable shots allowing the storytellers to create a new take on how evidence can be discussed on screen. Also a dropped in a great time-lapse shot real time with an actor, then ran the same robot move over 20minutes to film the police officers collecting evidence behind her.

Now available on Stan and Apple TV, with support from Screen Australia.

Director:
Producer:
DP:
Robot Operator:

Address

111 Salmon Street
Melbourne, VIC
3207

Telephone

+61421176251

Website

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