Paul Frazer Clarke

Paul Frazer Clarke Reggio Records: a boutique label curating soulful, intelligent, and cinematic sounds for modern listeners. linktr.ee/paulfrazerclarke

Home of Producer and Composer Paul Frazer Clarke, we partner with global artists: streaming to screen. Paul's professional music industry CV is pretty impressive and spans 35 years. He has been signed to major labels throughout his UK recording artist career including Epic Records and Edel Records and as a writer with Warner Chappell and MCA Music. In the early 1990’s, he featured in the 2-hour IT

V pilot of ‘London’s Burning’. During this period, he also participated in a concept album led by Gap Band/Jamiroquai guitarist Glenn Nightingale. Encouraged and influenced by Glenn, he then focussed on crafting his writing and production skills, working with several emerging/development artists in the UK under the guidance of music industry entrepreneur Christian Ulf-Hansen – who remains a key industry partner & colleague to this day. He went on to play an influencing role in the origination of the dance music genre ‘Drum 'n' Bass’ in the early '90s; co-writing and co-producing the first album in the history of this genre “On a Quest for Intelligence” under the artist name 'Fast Floor' in 1994. Further albums and a series of dance music releases for various labels followed throughout the 1990’s, including the co-written and co-produced album “Purveyors of the New Groove” under the artist name Earl Grey for internationally renowned DJ Carl Cox’s label Worldwide Ultimatum. He also worked with UK DJ Chris Simmonds on a series of releases for Cross Section Records with one such track ‘City of Angels’ featured a collaboration with the legendary U.S. Keyboard player/composer Jeff Lorber. Further house music releases followed with artist DJ Face, under the artist name Circle Line for the SWEAT label. In 1999, he was selected as a PRS writer member to participate in a national song writing initiative in schools, covering various age groups, as part of the UK Government’s millennium programme. He's gone on to produce numerous pop artists both in the UK and in Australia and has - for over 25 years – been on the roster of writers/producers for Sonoton Music; the largest independent library music company in Europe where he’s co-written/produced music for film, TV and other media including works for The Oprah Winfrey Show, National Geographic, Better Homes & Gardens, Home & Away, Dragon's Den, Discovery Channel and the BBC. Since migrating to Perth, Western Australia in 2011, he’s co-founded Radio Circus Music with his business partner Patrick Carre; a composition/production company, together with two music publishing companies ‘Blushing Zebra’ and ‘Melodium’ which are both UK/Australian alliances. In 2023, Blushing Zebra secured a publishing agreement with the international digital music & publishing company Sentric. His recent projects include tracks and full scores for independent films including “Runner”, “It Only Takes a Night”, “Touch” and “The Last Trip” and a library of music for the national DAB radio station ‘Disrupt Radio’. He has recently completed a solo album project, collaborating with talent from all over the world. This album has been adopted by record company AWAL who will manage the international streaming distribution for the project. The album features Double Grammy Award winning pedal steel guitarist Lucky Oceans, Australian Idol & The Voice finalist Sharin Attamimi, Naim Cortazzi (Fun Loving Criminals) and American EDM star Virginia Slimm. Paul regularly features on the panel of judges for the WA Music Song of the Year competition and the WAMMY's and also presents workshops and appears on expert panels at industry conferences and events.

52 years ago today: Led Zeppelin's chaotic Australian debut at Subiaco Oval, Perthon February 16, 1972... their first-ev...
16/02/2026

52 years ago today: Led Zeppelin's chaotic Australian debut at Subiaco Oval, Perth
on February 16, 1972... their first-ever gig in Australia – right here at Subi, just 15 minutes from where I live.

Reading about what happened..... apparently it was absolute mayhem:

8,000 fans inside for a 2.5-hour show
4,000 locked out, desperate to get in
500 fans ramming gates, throwing rocks and bottles, lighting fires
20+ police cars called in
15 people treated for cuts from broken glass

The West Australian called it "Perth has probably never seen a concert quite like it."
But here's the kicker – the next morning at 8am, Perth drug squad raided the band's Scarborough hotel. Found nothing. Jimmy Page was furious, convinced it was payback for the riot they had nothing to do with.

This was Zep's first and only Australian tour. They were at their peak, touring off Led Zeppelin IV (a great album in my opinion).

The Subiaco Oval is gone now, demolished when they built Optus Stadium. But the legend of that night clearly remains.
If you were there, or know someone who was, leave a comment below!

#1972

13/02/2026

Looking forward to sitting down with Cat Jane Shepherd ( ) for The Set podcast at Dordaak Kepup podcast studio.
Cat's doing something really meaningful through Your Set – bringing young people together through sport and art to build confidence and connection. As a WA National Finalist for Miss World Australia 2025, she's using her platform to create genuine opportunities for youth across Western Australia.
I'll be sharing some stories from 35 years in the music industry – the lessons, the mistakes, the things I wish I'd known earlier. If any of that can help young people navigating their own creative paths, then it's worth the conversation.
Grateful to be part of what Cat's building here.

The “Memories Of Our Lives (Manuscript Mix)” is out on Manuscript Records.This remix is taken from the original album ve...
08/02/2026

The “Memories Of Our Lives (Manuscript Mix)” is out on Manuscript Records.
This remix is taken from the original album version of “The Memories Of Our Lives” and reimagined specifically for the label.

🎧 Apple Music:
https://music.apple.com/album/memories-of-our-lives-manuscript-mix/

🛒 Traxsource (purchase):
https://www.traxsource.com/title/2584012/memories-of-our-lives-manuscript-mix

Proceeds from this release are being directed to support non-political humanitarian aid in Kharkiv, Ukraine.

Thank you for listening and for supporting the cause.

Very pleased to share that a brand new remix of “The Memories Of Our Lives” is on the way ✨UK House DJ and producer Chri...
06/02/2026

Very pleased to share that a brand new remix of “The Memories Of Our Lives” is on the way ✨

UK House DJ and producer Chris Simmonds has delivered a great remix of the album track (ft. Abby Stevenson and Marksman Lloyd), with the release landing on 19 March via Cross Section Records.

Chris and I have known each other for over 30 years, so this release feels especially meaningful. It also marks the beginning of a broader creative chapter, as we’re currently working on a brand new album under our original artist name, Retro Emotion, due later this year.

The forthcoming album will feature re-works of a couple of our 90s house classics alongside a range of entirely new material, including collaborations with international artists.

More details to follow very soon.

­simmonds

23/01/2026

✨️Today’s energy: Community over competition! ✨️
These are amazing humans worth following, connecting with, and cheering on! 👏
Let’s flood timelines with positivity, love, and mutual support !!!!
Want to join in? ⤵️
1️⃣ Copy this entire post
2️⃣ Remove my tagged names
3️⃣ Type @ and tag the first 30 creators who appear. These will most likely be your followers who are on your top engager list currently.
4️⃣ Post it — let’s blow up the algorithm with good vibes and connection 🌍
Doing this challenge weekly should boost all of our numbers!

Saints of L.A. Armin F._music Resonara Jeff Barton Music Experience That Sfumato Effect Sir Coughs Alot Ryan Cross Music Mercury Teeth Mark Halliwell J4nv5 Project Vincent Inc Lost Cause Industry Xspliffic Luminary Of Spheres Ox music uk Oliver Twitter Whiskey Club Crash World Breakaway NE David Synn Across the Frostlands Music Gigs - Live Video Songs Fenix Falling Ron Friedland - Music Regifter Blue Grazer Records

23/01/2026

Currently working on a new collaboration for early 2026 — a remix of “I Want To Come Out Tonight” by Irish-born artist Liam Naughton.

I’m genuinely pleased to have been approached by Liam to rework this track. The original is a strong song in its own right, with a clear melodic sensibility and a subtle Tears For Fears–era influence, which is never a bad reference point.

The brief for the remix is to lean into 90s dance influences — and by definition (and age), I’m arguably suitably qualified for that particular remit. It’s shaping up to be an enjoyable project and a great opportunity to revisit some classic textures and approaches through a contemporary lens.

Liam’s radio mix is released on February 13, so congratulations to him on that upcoming release. More details on the remix version to follow.

Stay tuned.

After helping to establish BANDWIDTH in 2025 with the mighty Mat Lewis .creative_  I’m handing the program over to the n...
19/01/2026

After helping to establish BANDWIDTH in 2025 with the mighty Mat Lewis .creative_ I’m handing the program over to the next generation of leaders within the Creative Tech Village team.

It’s been incredibly rewarding to see BANDWIDTH grow into a practical, much-needed initiative that supports creatives to strengthen their commercial skills and long-term viability. The mentor team deserves enormous credit — their insight and generosity have made the real difference.

I firmly believe art and business must coexist for creative practice to be sustainable. Programs like BANDWIDTH Amplify help creatives navigate the shift from serious hobbyist to professional, providing clarity, confidence and capability in an increasingly crowded marketplace.

Huge thanks to Matt Lewis, Anita at Creative Corner Meshpoints, Spacecubed, RIFF, Lotterywest and our local government partners for believing in the value of this work. Long may it continue.

08/01/2026

Just back at the hotel after watching another England defeat and a 4–1 Ashes series win for Australia. This final Test threatened to get interesting late, but if we’re being honest, Australia should have chased 161 with relative ease.

There were some genuine individual performances for England. Jacob Bethell’s 154 was outstanding — composed, patient and technically sound. Joe Root delivered again with a superb 160, reminding us why he remains England’s most reliable Test batter. Josh Tongue bowled well and asked questions when others didn’t.

Beyond that, however, it’s been a deeply disappointing series for England.

This was meant to be competitive. Instead, England effectively gift-wrapped the first two Tests in Perth and Brisbane (despite Root’s early hundred), lost a hard-fought match in Adelaide, pinched a freak win at the MCG on a shocker of a wicket, and were second best for large parts of this final Test. The tactical gulf between these teams has been glaring.

DRS deserves its own chapter. What this system produces at times is genuinely mind-blowing. Today, Weatherall edges one clearly to the keeper — replay after replay shows a spike — and it’s still given not out. Stokes’ first-innings decision here was a shocker, and Jamie Smith’s dismissal in Perth was an absolute disgrace. Technology is supposed to reduce controversy, not amplify it.

None of this masks the bigger issue. The ECB needs to take a long, hard look at the health of county cricket. I’d scrap The Hundred entirely — a complete waste of space that’s actively contributing to the decline of the four-day game. I’d go further and reduce the number of counties to eight or ten, make county cricket the priority competition each English summer, and lift standards through genuine competition. Fewer teams, better players, higher intensity.

I genuinely feel for England supporters who travelled here at great expense. For the most part, they’ve been let down. Ben Stokes gives everything as a player — no question — but his captaincy has been poor. Field placements, bowling changes and plans to dismiss Australian batters have often been baffling, bordering on brain-dead at times.

Positives? Bethell looks the real deal. Root, despite two hundreds, has struggled outside those innings. Tongue should have played from the start. Stokes has bowled reasonably at times. And that’s about it.

A massive let-down. A lot of soul-searching required. Too much to unpack in one series, let alone one post.

04/01/2026

Great to be here for the first time

Address

Perth, WA

Website

https://www.instagram.com/paulfrazerclarke/, https://reggio-records.squ

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