Two Feathers Press

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Two Feathers Press is a small press with an interest in supporting regional writers; it is run by award-winning author P A Swanborough, and based in Terang, Victoria.

My novel 'Red Gifts in the Garden of Stones' was filed under House&Garden by Amazon πŸ₯Ί'Things With Teeth By Moonlight' is...
06/06/2026

My novel 'Red Gifts in the Garden of Stones' was filed under House&Garden by Amazon πŸ₯Ί

'Things With Teeth By Moonlight' is getting a lot of dentistry ads on the Amazon page 🫣

I swear, next publication is called 'Book Book Book: FFS Jeff it's got pages inside' πŸ™„

Things With Teeth By Moonlight: A Miscellany – ebook and print release on June 24th. Multi-genre tales of love, grief and spending too much time in cafes.

Teeth are only specifically mentioned a few times... πŸ˜‰πŸ˜

27/05/2026
You've got all the words down, now we just need to get them in the right order 😁 and then ...? Things can get pretty exc...
27/05/2026

You've got all the words down, now we just need to get them in the right order 😁 and then ...? Things can get pretty exciting

A practical workshop in how to polish and present your work in the best possible ways, including a look at the good options for self-publishing, reader feedback, and what to avoid at all costs!

Details and booking: https://twofeathers.press/2025/11/19/its-finished-i-think/

πŸ‘Œ such a good day
16/05/2026

πŸ‘Œ such a good day

Thanks to Geelong Regional Libraries for their excellent support and beautiful facilities. We 21 folks plus Peanut the puppy had such a great session taking all things world building, and a bit more... 😍

Thanks to everyone who came 🫢

Excellent collection
05/05/2026

Excellent collection

Bookery, authoring and general wordiness mirth
25/04/2026

Bookery, authoring and general wordiness mirth

β€œA good story transports the reader to a new place via experience. Not through arguments or facts, but through the illus...
23/04/2026

β€œA good story transports the reader to a new place via experience. Not through arguments or facts, but through the illusion that life is taking place on the page." [James Scott bell]

Plot is what happens in your story. Structure is how the reader learns what happens. Look at how to have them working for you, at this fun and practical session.

A few feedback comments from the April workshop:
* Inspiring. I'm just loving being with you and others, talking, sharing, learning. The way you deliver is fun and personal.
* '... I'm confident that I can apply what I've learned today to my short story writing.'
* ... a great teacher. Well done!'

See the link in the comments for details and how to book πŸ™‚
πŸ’•πŸ“šπŸ“–πŸ–ŠοΈ

Presented with support from Warrnambool Storytelling Festival and Noorat Writers Group

πŸŒπŸ–‹
30/03/2026

πŸŒπŸ–‹

making money is waiting. making art is sailing time.

A practical workshop for beginning and new-curious folks with a story to tell. This session is suitable for all genres o...
28/03/2026

A practical workshop for beginning and new-curious folks with a story to tell. This session is suitable for all genres of fiction and narrative non-fiction, looking at some skills to breathe life into your characters and your stories.

* What are voice, character and point of view (POV)?
* Advantages and disadvantages of the different POVs
* Why voice matters and when it doesn’t
* Character, image, sign-posting, and how to β€˜show don’t tell’ a person

Workshop Basics 1: Voice, Character and Point of View can be booked alone, or get a hearty discount if you book the bundle deal for all three 'basics' sessions πŸ˜πŸ˜πŸ˜ŽπŸ“šπŸ“–πŸ–ŠοΈπŸŽ‡

See the details here:
https://twofeathers.press/2025/11/19/voice-character-and-point-of-view/

With the support of Noorat Writers Group and Warrnambool Storytelling Festival :awesome:

27/03/2026

There's a pattern in how people describe safety once they've seen what happens without it.

They don't say "I'm a good person." They don't say "you can trust me." They name what was absent. Safety becomes something they're actively building, not a character trait. The language gets specific in ways that vague kindness never does. They're not dealing in abstractions. They're speaking from direct knowledge of the alternative.

People raised around institutional harm, in industries where adults wield structural power over kids, learn a certain vocabulary. They don't offer comfort. They offer contrast. It's not "I'm warm" or "I care about you." It's "I am safe" because unsafe is what they've witnessed. It's "I do not want anything from you" because they understand how a transactional business operates.

Jamie Lee Curtis didn't call Hollywood dangerous for children. She didn't make accusations or drop names or point to specific incidents. What she said was sharper than that, and more telling for its precision.

She said children don't belong in a business because business runs on transactions, and children shouldn't be treated as transactional in any relationship.
She said once the cameras stop and the crew moves to the next project, your relationships with those kids have to continue.

She wasn't theorizing. When Lindsay Lohan went through the most visible breakdown of her career, when tabloids made entertainment out of her collapse and Hollywood mostly walked away, Jamie Lee Curtis didn't walk away. She stayed.

Lindsay Lohan has talked openly about how few industry people were there for her then. Jamie Lee Curtis was one of them.

She said: I am safe. I am like home base. I do not want anything from you.
And her voice broke on the word safe.

The TikTok comments got it without quite being able to name it. "She's trying to tell the truth without telling it." "Voice cracking while saying safe because she knows d*mn well." One comment just quoted "I do not want anything from you" with nothing added, because nothing more was needed. Thousands of likes from people who knew exactly what was being identified.

This is bearing witness. Not confession. Not accusation. It's someone who's seen something standing in a room and choosing words so specific that the people who need to understand will catch it instantly, while everyone else just thinks they heard a celebrity being nice.
You don't say "I do not want anything from you" unless you've watched what happens when someone does.

You don't say "I am safe" with your voice breaking unless safe carries real weight, unless you've been in spaces where it was the missing piece, unless being safe has been something you've chosen on purpose, again and again, across decades in an industry that doesn't always make that choice simple.
Jamie Lee Curtis has worked in Hollywood over fifty years. She grew up in this industry as the child of two major stars. She's watched what happens to children when the adults around them treat relationships like transactions.

She didn't spell any of that out.

She said: I am safe. I do not want anything from you.

And the people who needed to hear it caught every word.

Source: TODAY with Jenna and Sheinelle, March 2, 2026

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Terang, VIC
3264

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