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21/08/2026

You heard the song. Now hear the story behind it.

How did “Patar Bashuri” actually come together?

From the first conversation with the client to the agency’s vision, from production planning to ex*****on - Jihad Tahzeeb, Senior Vice President of Dot Birth & Project Lead of Coke Studio Season 4, opens up about the decisions, challenges, collaborations, and madness behind one of the season’s biggest songs.

Millions saw the final result.

But what happened before the cameras rolled?

🎙️ Jihad Tahzeeb
🎵 The Making of Patar Bashuri
🎬 Coke Studio Bangla - Season 4

What’s the Tea?

07/08/2026

Caught Raaz Mania in the middle of a shoot!

From ad screens to center stage - Sheikh Iftekhar isn’t just being noticed anymore, he’s becoming impossible to ignore.I...
05/05/2026

From ad screens to center stage - Sheikh Iftekhar isn’t just being noticed anymore, he’s becoming impossible to ignore.

If you’ve spent any time watching commercials, chances are you’ve already seen him. That face, that confidence, that effortless presence it’s not by accident. With over 30 commercials and counting, Sheikh Iftekhar has carved out a space in the advertising world that many strive for but few sustain. His portfolio isn’t just filled with big names it reflects range, reliability, and a consistency that brands trust. And that trust? It keeps bringing him back, project after project.

But staying in one lane was never the plan.

What started with brand shoots and on-screen charisma is now evolving into something much bigger. The shift from commercials to cinema isn’t just a career move — it’s a statement. A clear sign that he’s ready to go beyond short screen moments and step into stories that demand depth, presence, and performance.

This is where the game changes.

From delivering impactful seconds in ads to building full-fledged characters on screen, Sheikh Iftekhar is leveling up — and doing it with intention. The same style, professionalism, and screen command that made him stand out in commercials are now fueling his entry into films. And with major projects on the horizon, the transition feels less like a risk and more like a natural progression.

There’s a different kind of energy when someone knows their moment is coming and this feels exactly like that.

More than just screen time this is star time in the making.

Because this isn’t just about moving from one platform to another… it’s about stepping into a space where presence matters more, performances go deeper, and impact lasts longer.

And if the journey so far is anything to go by this is only the beginning.

Stay watching… because Sheikh Iftekhar isn’t just entering cinema ,he’s arriving.

18/04/2026

The song’s richness also comes from the team behind it. Rajib Ahmed Raju brings its soul through the lyrics, composition, and vocal, while Rasheed Sharif Shoaib shapes its wider sound through composition, production, mix, and master. With Studio Cowbell on audio production, and live textures from musicians like Hassan Haider Khan, Faizan Rashid Ahmad (Buno), Nazrul Islam, Md Makhan, and Shoaib himself, the track feels warm, earthy, and fully alive. The backing vocals from Baby Akhtar, Nupur, Tabassum, Nazrul Islam, and Md Makhan add even more depth to that feeling.

And that feeling hits even deeper when you remember this is a film led by Nazifa Tushi, whose presence already brings so much emotional curiosity to Roid. There is a softness and intensity around the whole thing that makes you feel like her character is going to stay with people long after the screen fades out.

Then there is Mejbaur Rahman Shumon, whose storytelling always carries its own texture and rhythm. Even through this one song, you can feel that Roid is not trying to be ordinary. It feels intimate, layered, and quietly powerful — the kind of film that pulls you in instead of shouting for your attention.

And of course, that emotional rhythm also depends on the edit — and Sazad Alok seems to hold that flow together with care. Because sometimes what makes a feeling land is not just the performance or the music, but the way everything is stitched together so naturally that it stays with you.

So yes, before Roid even arrives, this song has already done something beautiful. It has made the film feel close. And honestly, that is not something every song can do.

18/04/2026

Before Roid Arrives, This Song Already Leaves a Feeling Behind

Not every film song feels like a feeling. But “Roid E Aila Ga Juraite” does. Instead of arriving loudly, it slips in softly and leaves behind warmth, longing, and that strange little ache you cannot really explain but somehow still understand.

The song’s richness also comes from the team behind it. Rajib Ahmed Raju brings its soul through the lyrics, composition, and vocal, while Rasheed Sharif Shoaib shapes its wider sound through composition, production, mix, and master. With Studio Cowbell on audio production, and live textures from musicians like Hassan Haider Khan, Faizan Rashid Ahmad (Buno), Nazrul Islam, Md Makhan, and Shoaib himself, the track feels warm, earthy, and fully alive. The backing vocals from Baby Akhtar, Nupur, Tabassum, Nazrul Islam, and Md Makhan add even more depth to that feeling.

There is something so easy to sink into here. The melody feels sun-drenched, the mood feels rooted, and the whole thing carries the kind of emotional pull that makes you pause for a second. It does not feel like a song made just to announce a film. It feels like the first whisper of a story that already has a heart.

And that feeling hits even deeper when you remember this is a film led by Nazifa Tushi, whose presence already brings so much emotional curiosity to Roid. There is a softness and intensity around the whole thing that makes you feel like her character is going to stay with people long after the screen fades out.

Then there is Mejbaur Rahman Shumon, whose storytelling always carries its own texture and rhythm. Even through this one song, you can feel that Roid is not trying to be ordinary. It feels intimate, layered, and quietly powerful the kind of film that pulls you in instead of shouting for your attention.

And of course, that emotional rhythm also depends on the edit and Sazad Alok seems to hold that flow together with care. Because sometimes what makes a feeling land is not just the performance or the music, but the way everything is stitched together so naturally that it stays with you.

So yes, before Roid even arrives, this song has already done something beautiful. It has made the film feel close. And honestly, that is not something every song can do.

Written by : Sazzad Sejan

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