𝗛đ—ŧđ—ŋ𝗲 𝐊đĢđĸđŦ𝐡𝐧𝐚

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𝗛đ—ŧđ—ŋ𝗲 𝐊đĢđĸđŦ𝐡𝐧𝐚 âœĢâœĢâœĢâœĢĘ‚ĪƒÉŗÎąÆšĪƒÉŗÎš ÆˆÎąĪÆšÎšĪƒÉŗ ʋιԃŌŊĪƒââââ

āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨāĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨ...
09/04/2025

āϕ⧇āω āĻ…āĻŦāĻšā§‡āϞāĻž āĻ•āϰ⧇ āĻāĻĄāĻŧāĻŋāϝāĻŧ⧇ āϝāĻžāĻŦ⧇āύ āύāĻžđŸ™
5-āĻĻāĻŋāύ⧇āϰ āĻ…āύāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāĻ• āĻ—ā§āϰ⧀āĻˇā§āĻŽāĻ•āĻžāϞ⧀āύ āϏāĻĢāϰ⧇āϰ āϝāĻžāĻ¤ā§āϰāĻžāĻĒāĻĨ
āĻĻāĻŋāύ 1: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āφāĻ—āĻŽāύ āĻāĻŦāĻ‚ āϕ⧁āĻ°ā§āϗ⧇ āĻ¸ā§āĻĨāĻžāύāĻžāĻ¨ā§āϤāϰ
āϏāĻ•āĻžāϞ: āĻŦā§āϝāĻžāĻ™ā§āĻ—āĻžāϞ⧋āϰ⧇ āĻĒ⧌āρāĻ›āĻžāύ, āϤāĻžāϰāĻĒāϰ āϕ⧁āĻ°ā§āϗ⧇ āϝāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻ…ā§āϝāĻžāĻŦ⧇ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻ•āĻĢāĻŋāϰ āĻŦāĻžāĻ—āĻžāύ⧇ āĻ˜ā§‡āϰāĻž āĻāχ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāϟāĻŋ āϘ⧁āϰ⧇ āĻĻ⧇āϖ⧁āύāĨ¤
āϰāĻžāϜāĻžāϰ āφāϏāύ: āφāĻļ⧇āĻĒāĻžāĻļ⧇āϰ āĻĒāĻžāĻšāĻžāĻĄāĻŧ āĻāĻŦāĻ‚ āωāĻĒāĻ¤ā§āϝāĻ•āĻžāϰ āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āϏāĻš āĻāχ āĻŦāĻžāĻ—āĻžāύāϟāĻŋ āĻĻ⧇āϖ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽāĻžāĻĻāĻŋāϕ⧇āϰāĻŋ āĻĢā§‹āĻ°ā§āϟ: āĻāχ āϐāϤāĻŋāĻšāĻžāϏāĻŋāĻ• āĻĻ⧁āĻ°ā§āĻ—āϟāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻ•āϰ⧁āύ, āϝ⧇āĻ–āĻžāύ⧇ āϕ⧁āĻ°ā§āϗ⧇āϰ āχāϤāĻŋāĻšāĻžāϏ āĻĒā§āϰāĻĻāĻ°ā§āĻļāύ⧇āϰ āĻāĻ•āϟāĻŋ āϝāĻžāĻĻ⧁āϘāϰāĻ“ āϰāϝāĻŧ⧇āϛ⧇āĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻĒāĻžāĻ¨ā§āĻĄāĻŋ āĻ•āĻžāϰāĻŋ āĻāĻŦāĻ‚ āĻŦāĻžāρāĻļ⧇āϰ āĻļ⧁āĻŸā§‡āϰ āϤāϰāĻ•āĻžāϰāĻŋāϰ āĻŽāϤ⧋ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āϏāĻžāĻĨ⧇ āĻāĻ•āϟāĻŋ āϐāϤāĻŋāĻšā§āϝāĻŦāĻžāĻšā§€ āϕ⧁āĻ°ā§āĻ—āĻŋ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻĻāĻŋāύ 2: āϕ⧁āĻ°ā§āĻ— āĻĨ⧇āϕ⧇ āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ
āϏāĻ•āĻžāϞ:
āĻĻ⧁āĻŦāĻžāϰ⧇ āĻāϞāĻŋāĻĢā§āϝāĻžāĻ¨ā§āϟ āĻ•ā§āϝāĻžāĻŽā§āĻĒ: āϏāĻ•āĻžāϞāϟāĻž āĻšāĻžāϤāĻŋāϰ āϏāĻžāĻĨ⧇ āφāϞāĻžāĻĒāϚāĻžāϰāĻŋāϤāĻžāϝāĻŧ āĻ•āĻžāϟāĻžāύ āĻāĻŦāĻ‚ āϕ⧋āϰāĻžāĻ•āϞ āϰāĻžāχāĻĄ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāĻ•āĻžāϞ: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ (āĻĒā§āϰāĻžāϝāĻŧ 3-4 āϘāĻ¨ā§āϟāĻž) āĻĄā§āϰāĻžāχāĻ­ āĻ•āϰ⧁āύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ: āϏāĻŽāϝāĻŧ āĻ…āύ⧁āĻŽāϤāĻŋ āĻĻāĻŋāϞ⧇, āĻ…āĻ¤ā§āϝāĻžāĻļā§āϚāĻ°ā§āϝ āĻĻ⧃āĻļā§āϝ āĻāĻŦāĻ‚ āĻļā§€āϤāϞ āĻŦāĻžāϤāĻžāϏ⧇āϰ āϜāĻ¨ā§āϝ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϏāĻ°ā§āĻŦā§‹āĻšā§āϚ āĻļ⧃āĻ™ā§āĻ— āĻŽā§āĻ˛ā§āϞāĻžāϝāĻŧāĻžāύāĻžāĻ—āĻŋāϰāĻŋ āĻĒāϰāĻŋāĻĻāĻ°ā§āĻļāύ āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ–āĻžāĻŦāĻžāϰ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύ, āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 3: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ
āϏāĻ•āĻžāϞ:
āĻ•āĻĢāĻŋ āĻĒā§āĻ˛ā§āϝāĻžāĻ¨ā§āĻŸā§‡āĻļāύ āĻŸā§āϝ⧁āϰ: āĻāĻ•āϟāĻŋ āĻ•āĻĢāĻŋ āĻāĻ¸ā§āĻŸā§‡āĻŸā§‡āϰ āĻāĻ•āϟāĻŋ āύāĻŋāĻ°ā§āĻĻ⧇āĻļāĻŋāϤ āϏāĻĢāϰ āύāĻŋāύ āĻāĻŦāĻ‚ āĻ•āĻĢāĻŋ āϤ⧈āϰāĻŋāϰ āĻĒā§āϰāĻ•ā§āϰāĻŋāϝāĻŧāĻž āϏāĻŽā§āĻĒāĻ°ā§āϕ⧇ āϜāĻžāύ⧁āύāĨ¤
āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ: āĻšā§‡āĻŦā§āĻŦāĻŋ āϜāϞāĻĒā§āϰāĻĒāĻžāϤ āĻĨ⧇āϕ⧇ āĻŸā§āϰ⧇āĻ• āĻ•āϰ⧁āύ, āĻ•āĻĢāĻŋ āĻŦāĻžāĻ—āĻžāύ⧇āϰ āĻŽāĻžāĻā§‡ āĻ…āĻŦāĻ¸ā§āĻĨāĻŋāϤ āĻāĻ•āϟāĻŋ āϏ⧁āĻ¨ā§āĻĻāϰ āϜāϞāĻĒā§āϰāĻĒāĻžāϤāĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāĻ™ā§āĻ—āĻŋāϰāĻŋ: āϗ⧁āĻšāĻž āĻāĻŦāĻ‚ āϏ⧁āĻĢāĻŋ āϏāĻžāϧāĻ• āĻŦāĻžāĻŦāĻž āĻŦ⧁āĻĻāĻžāύ⧇āϰ āĻŽāĻžāϜāĻžāϰ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āĻĒāĻ°ā§āĻŦāϤāĻļā§āϰ⧇āĻŖā§€āϤ⧇ āϝāĻžāύāĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšāĻŋāϰ⧇āϕ⧋āϞāĻžāϞ⧇ āĻšā§āϰāĻĻ: āĻāχ āĻŽāύ⧋āϰāĻŽ āϞ⧇āϕ⧇āϰ āĻĒāĻžāĻļ⧇ āĻāĻ•āϟāĻŋ āĻļāĻžāĻ¨ā§āϤāĻŋāĻĒā§‚āĻ°ā§āĻŖ āϏāĻ¨ā§āĻ§ā§āϝāĻž āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻ•āĻžāĻ›āĻžāĻ•āĻžāĻ›āĻŋ āĻāĻ•āϟāĻŋ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āĻŽāĻžāϞāύāĻžāĻĻ⧇āϰ āϏ⧁āĻ¸ā§āĻŦāĻžāĻĻ⧁ āĻ–āĻžāĻŦāĻžāϰ⧇āϰ āĻ¸ā§āĻŦāĻžāĻĻ āύāĻŋāύāĨ¤
āĻĻāĻŋāύ 4: āϚāĻŋāĻ•āĻŽāĻžāĻ—āĻžāϞ⧁āϰ āĻĨ⧇āϕ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ
āϏāĻ•āĻžāϞ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āϜāĻ¨ā§āϝ āϤāĻžāĻĄāĻŧāĻžāϤāĻžāĻĄāĻŧāĻŋ āĻĒā§āϰāĻ¸ā§āĻĨāĻžāύ (āĻĒā§āϰāĻžāϝāĻŧ 6-7 āϘāĻ¨ā§āϟāĻž)āĨ¤
āĻŦāĻŋāϕ⧇āϞ:
āĻŦāĻŋāϜāϝāĻŧāĻž āĻŦāĻŋāĻŸā§āϟāϞāĻž āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻĒāĻžāĻĨāϰ⧇āϰ āϰāĻĨ āĻāĻŦāĻ‚ āĻŦāĻžāĻĻā§āϝāϝāĻ¨ā§āĻ¤ā§āϰ⧇āϰ āĻ¸ā§āϤāĻŽā§āϭ⧇āϰ āϜāĻ¨ā§āϝ āĻĒāϰāĻŋāϚāĻŋāϤ āĻāχ āφāχāĻ•āύāĻŋāĻ• āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻāĻŋāϝāĻŧ⧇ āĻšāĻžāĻŽā§āĻĒāĻŋ āĻ…āĻ¨ā§āĻŦ⧇āώāĻŖ āĻļ⧁āϰ⧁ āĻ•āϰ⧁āύāĨ¤
āĻŦāĻŋāϰ⧁āĻĒāĻžāĻ•ā§āώ āĻŽāĻ¨ā§āĻĻāĻŋāϰ: āĻ­āĻ—āĻŦāĻžāύ āĻļāĻŋāĻŦ⧇āϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇ āύāĻŋāĻŦ⧇āĻĻāĻŋāϤ āĻāχ āĻĒā§āϰāĻžāĻšā§€āύ āĻŽāĻ¨ā§āĻĻāĻŋāϰāϟāĻŋ āĻĻ⧇āϖ⧁āύ, āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻāĻ•āϟāĻŋ āϗ⧁āϰ⧁āĻ¤ā§āĻŦāĻĒā§‚āĻ°ā§āĻŖ āĻ˛ā§āϝāĻžāĻ¨ā§āĻĄāĻŽāĻžāĻ°ā§āĻ•āĨ¤
āϏāĻ¨ā§āĻ§ā§āϝāĻž:
āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ: āĻšāĻžāĻŽā§āĻĒāĻŋāϰ āĻ§ā§āĻŦāĻ‚āϏāĻžāĻŦāĻļ⧇āώ⧇āϰ āωāĻĒāϰ āĻāĻ•āϟāĻŋ āĻļā§āĻŦāĻžāϏāϰ⧁āĻĻā§āϧāĻ•āϰ āϏ⧂āĻ°ā§āϝāĻžāĻ¸ā§āϤ āωāĻĒāĻ­ā§‹āĻ— āĻ•āϰāϤ⧇ āĻšā§‡āĻŽāĻžāϕ⧁āϟāĻž āĻĒāĻžāĻšāĻžāĻĄāĻŧ⧇ āϚāĻĄāĻŧ⧁āύāĨ¤
āϰāĻžāϤ⧇āϰ āĻ–āĻžāĻŦāĻžāϰ: āĻāĻ•āϟāĻŋ āĻ¸ā§āĻĨāĻžāύ⧀āϝāĻŧ āϰ⧇āĻ¸ā§āϤ⧋āϰāĻžāρāϝāĻŧ āĻ­ā§‹āϜāύ āĻ•āϰ⧁āύ, āωāĻ¤ā§āϤāϰ āĻ•āĻ°ā§āĻŖāĻžāϟāϕ⧇āϰ āϐāϤāĻŋāĻšā§āϝāĻŦāĻž

09/04/2025

āĻāϰ āϏāĻžāĻĨ⧇ āϰāĻž-āϧāĻž- āĻ•ā§ƒ-āĻˇā§āĻŖ – āφāĻŽāĻŋ āϤāĻžāϰ āĻ•āύāĻŸā§‡āĻ¨ā§āĻŸā§‡āϰ āĻāĻ•āϜāύ āĻ…āĻ¨ā§āϝāϤāĻŽ āϏ⧇āϰāĻž āĻ…āĻ‚āĻļāĻ—ā§āϰāĻšāĻŖāĻ•āĻžāϰ⧀ āĻšāϝāĻŧ⧇ āϏāĻŦ⧇āĻŽāĻžāĻ¤ā§āϰ āϤāĻžāϰ āϏāĻžāĻĒā§āϤāĻžāĻšāĻŋāĻ• āĻāύāϗ⧇āϜāĻŽā§‡āĻ¨ā§āϟ āϞāĻŋāĻ¸ā§āĻŸā§‡ āϜāĻžāϝāĻŧāĻ—āĻž āĻĒ⧇āϝāĻŧ⧇āĻ›āĻŋ!

The history of   â¤ī¸began with the discovery of two critical principles: The first is camera obscura image projection, th...
06/04/2025

The history of â¤ī¸
began with the discovery of two critical principles: The first is camera obscura image projection, the second is the discovery that some substances are visibly altered by exposure to light[2]. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.

View from the Window at Le Gras 1826 or 1827, believed to be the earliest surviving camera photograph.[1] Original (left) and colorized reoriented enhancement (right).
Around 1717, Johann Heinrich Schulze used a light-sensitive slurry to capture images of cut-out letters on a bottle. However, he did not pursue making these results permanent. Around 1800, Thomas Wedgwood made the first reliably documented, although unsuccessful attempt at capturing camera images in permanent form. His experiments did produce detailed photograms, but Wedgwood and his associate Humphry Davy found no way to fix these images.

In 1826, NicÊphore NiÊpce first managed to fix an image that was captured with a camera, but at least eight hours or even several days of exposure in the camera were required and the earliest results were very crude. NiÊpce's associate Louis Daguerre went on to develop the daguerreotype process, the first publicly announced and commercially viable photographic process. The daguerreotype required only minutes of exposure in the camera, and produced clear, finely detailed results. On August 2, 1839 Daguerre demonstrated the details of the process to the Chamber of Peers in Paris. On August 19 the technical details were made public in a meeting of the Academy of Sciences and the Academy of Fine Arts in the Palace of Institute. (For granting the rights of the inventions to the public, Daguerre and NiÊpce were awarded generous annuities for life.)[3][4][5] When the metal based daguerreotype process was demonstrated formally to the public, the competitor approach of paper-based calotype negative an

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