Tique, Antwerp (2025)

22/10/2025

Which question or theme is central in your work?

Time, perishability of matter, and a human factor are quintessential.
I often transform my existing works by reusing their parts and materials or hardcore updating their shapes, meanings and contexts.
In Winter 2023 while working on installation 'Blueberry pie tectonic body xx' (2017-2023), I chopped off three slices (approx. 300 kg each) from 'no time' sculpture I made in 2018. Then I spread all the old and new pieces of stone, like mayonnaise around SINNE Gallery space.

Tique asks six questions to an artist about their work and inspiration.
This week: Kristina Sedlerova Villanen

Read the interview here: https://tique.art/interviews/six-questions/kristina-sedlerova-villanen

18/10/2025

When art meets the everyday, cooking exceeds its utilitarian function. It becomes a site of gathering, exchange, and creative possibility. The kitchen transforms from private necessity into communal studio, where the act of preparation holds equal value to any artistic medium.

This selection of five books examines culinary creation within artistic practice—ranging from food prepared in the solitude of the studio to the connective power of cooking and eating in community. With books by:

→ Fatboy Zine: Multi-Heritage. Together, Not Apart

→ Weekend Recipes. Joyful Plates of Food from my Edinburgh Studio by Jess Elliott Dennison

→ Studio Cookbook Volume Three

→ There Is in the Kitchen by Charlotte Koopman

→ Lentil Space. Recipes from Artists’ Homes

Plus Objects & Sounds put together a playlist for your time in the kitchen and around the table: the buzz of cooking, the joy of sharing a meal, and the moments when everyone comes together.

Now on Tique: Alimentary Imagination: five books on culinary creation within the artistic practice

Read the article here: https://tique.art/printed-matter/collection/alimentary-imagination-five-books-on-culinary-creation-within-the-artistic-practice

15/10/2025

I continuously operate on the brink of the disciplines of art and craft, and as much as related - they are not the same. I work as a sculptor and as a carpenter. These two domains have their own particular rules, rhythms, methods and perspectives. So I let them feed each other. I used to think that I would have to choose one or the other, but after having functioned in this hybridised way for a while, I see that it is not necessary and that I would never want to limit myself to one of them. It is that combination that allows me for a very prolific way to be, to travel, to think. This niche in between establishes who I am and how I enter the conversation.

Tique asks six questions to an artist about their work and inspiration.
This week: Olga Micińska

Read the interview here: https://tique.art/interviews/six-questions/olga-micinska

12/10/2025

The exhibition Slime by Joanna Fluder presents a selection of 140 recent gouaches on paper or canvas, and premiere installations created especially for the space of Zachęta. Fluder has developed her own artistic language that combines surrealism, personal mythology, humour, and a vivid imagination. In her works, she talks about women’s everyday experiences, motherhood, neurodivergence, creative work, the social role of care, and the relationship with the surroundings, especially nature.

Now on Tique: Joanna Fluder – Slime

Read the article here: https://tique.art/exhibitions/joanna-fluder-slime

08/10/2025

I do not conceive of my practice as a succession of linear and ordered projects, but rather as an open network in which ideas circulate, contaminate one another, transform, and are constantly redefined. My work can be understood as a living archive of speculative exercises and conceptual tools that activate different systems of thought. I could describe my practice as a fragmented intertwining of knowledge and materials that connects the natural and the cultural through ambiguous encounters, where intuition, chance, and reasoning coexist and generate their own logic.

Tique asks six questions to an artist about their work and inspiration.
This week: Nicolás Lamas

Read the interview here: https://tique.art/interviews/six-questions/nicolas-lamas-2

08/10/2025

I do not conceive of my practice as a succession of linear and ordered projects, but rather as an open network in which ideas circulate, contaminate one another, transform, and are constantly redefined. My work can be understood as a living archive of speculative exercises and conceptual tools that activate different systems of thought. I could describe my practice as a fragmented intertwining of knowledge and materials that connects the natural and the cultural through ambiguous encounters, where intuition, chance, and reasoning coexist and generate their own logic.

Tique asks six questions to an artist about their work and inspiration.
This week: Nicolás Lamas

Read the interview here: https://tique.art/interviews/six-questions/nicolas-lamas-2

06/10/2025

HARD TIMES GOOD TIMES is a multidisciplinary performance project rooted in dance and choreography with a focus on improvisation and instant composition, experimentation, fragmentation and writing practices. Starting from the body and the Freudian notion of sublimation, this project was formulated by a strenuous question Sophia Danae Vorvila has been investigating over the past five years: how can we transform the discomfort and uneasiness of daily life into artistic creation via our moving bodies? How can all these neglected, unwanted feelings give their space to creativity, relief, playfulness, pleasure, intimacy? Could we possibly feel less lonely when we are coming together? Is the vastness of our feelings enough for us to make art with?

Now on Tique: Sophia Danae Vorvila – HARD TIMES GOOD TIMES

Read the article here: https://tique.art/interviews/artistic-research/sophia-danae-vorvila-hard-times-good-times

04/10/2025

The exhibition Magical Rage by Clara Bahlsen at Villa Heike e.V. Berlin, consists of a series of photographic still lifes and an accompanying text work. Much like sublimation in the psychoanalytic sense, Clara Bahlsen transforms in these works intense affects into culturally legible and socially recognized forms. It is the feeling of rage – along with its control or suppression – that she translates into precisely constructed still lifes, in which everyday objects form a web of artistic, biographical, and cultural references.

Now on Tique: Clara Bahlsen – Magical Rage

Read the article here: https://tique.art/exhibitions/clara-bahlsen-magical-rage

17/09/2025

With my work, I want to share the stories of my grandparents. By telling their story I am documenting and exploring the past at the same time. I am fascinated about the historical times they lived in. They survived the Second World War, experienced the difficult conditions of the first communist dictatorship in Hungary, took part in the Revolution of 1956, and eventually witnessed the slow transition to a softer regime as the Iron Curtain began to fall. Crazy! That generation was forced to remain silent, with the consequences of being surveilled if you didn’t follow the rules, while I grew up in the Netherlands, free to express my opinions at any time. This contrast interests me.

Tique asks six questions to an artist about their work and inspiration.
This week: Dóra Benyó

Read the interview here: https://tique.art/interviews/six-questions/dora-benyo

15/09/2025

The research project 'Thirty seconds...and Yet' by Inès Torrens is a study of garment’s representation through a design process inspired by conservation space.

"Two years ago, I created a research-based collection, aiming to translate, through a design process, the conditions of garments in museum conservation rooms. It offered me the space to re-imagine garments in a zone without body and a singular displaying, re-thinking on its core values and evanescence."

Now on Tique: Inès Torrens – Thirty seconds…and Yet

Read the article here: https://tique.art/interviews/artistic-research/ines-torrens-thirty-seconds-and-yet

13/09/2025

Lucy McKenzie presents new works at fjk3 (Vienna), inspired by moving panoramas and dioramas from the late 19th century – the precursors to cinema and immersive entertainment of the 20th and 21st centuries. Additionally, she engages with the work of the pioneer of modern architecture Adolf Loos.

Now on Tique: Lucy McKenzie – Orchestrion

Read the article here: https://tique.art/exhibitions/lucy-mckenzie-orchestrion

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