Another Gaze / Another Screen

Another Gaze / Another Screen A feminist film journal

Another Gaze, founded in 2016, is a journal of film and feminisms. Our aim is to publish writing that engages in thought...
30/04/2026

Another Gaze, founded in 2016, is a journal of film and feminisms. Our aim is to publish writing that engages in thoughtful and rigorous ways with film culture, past and present. We have historically focused on feminist approaches to film criticism, and remain committed to that project while also broadening our scope to address wider questions of cinema and politics.

Once a printed journal, we now aim to publish three issues a year online. We feature longform essays and criticism, sometimes experimental in nature…

Another Gaze is particularly interested in:
* Writing that takes the temperature of the current moment
* Well-researched essays about a filmmaker (to be understood as anyone involved in the making of a film) or filmmaking collective 
* Essays on recent restorations that provide historical context
* Commentary/critique on festivals/other parts of the industry apparatus
* Longform book reviews
Another Gaze is not looking for:
* Pre-written essays
* ‘Hot takes’
* (Repurposed) academic essays
* (Purely) personal essays
* X is a feminist film because Y
* X is not a feminist film because Y
* Interviews, except on rare occasions 
* Poems

We do our best to respond to all submissions but our resources are limited and we are not always able to reply.

We are still unfunded. We work on pieces over the course of months and several drafts.  Payment ranges from 150 – 400 GBP, depending on word count.  

Pitches – of maximum 400 words – are accepted at [email protected] until 25 May. Please include links to or PDFs of past work.

From select moments and anniversaries in 2025, a film critic looks back at the post-2010s fixation on the 1970s and asks...
24/04/2026

From select moments and anniversaries in 2025, a film critic looks back at the post-2010s fixation on the 1970s and asks: is it time to move on? Read Henry Miller’s piece on anothergaze.com / link in bio

Join us in Brussels from this Saturday (4/4, Duras’s birthday!) through May 23 for our expansive Marguerite Duras season...
30/03/2026

Join us in Brussels from this Saturday (4/4, Duras’s birthday!) through May 23 for our expansive Marguerite Duras season ✨ Thank you for hosting us.

Noite (2014) by Paula Gaitán is free to watch until 25/3 on Another Screen (www.another-screen.com). When we asked Gaitá...
22/03/2026

Noite (2014) by Paula Gaitán is free to watch until 25/3 on Another Screen (www.another-screen.com). When we asked Gaitán how she’d like us to present the film, she sent us a Patti Smith lyric: ‘Because the night belongs to lovers. Because the night belongs to lust. Because the night belongs to lovers. Because the night belongs to us.’

Watch four films by Mary Helena Clark free on Another Screen (www.another-screen.com) through 25/3. As Chiara Haefliger ...
21/03/2026

Watch four films by Mary Helena Clark free on Another Screen (www.another-screen.com) through 25/3. As Chiara Haefliger writes, they share ‘an elusive hypnotic quality: episodic, dreamlike’. Read Haefliger’s interview with Clark on Another Gaze’s website.

‘It is night-time in Notting Hill and there are croissants to be wrapped. In a sleepy West London hotel, a receptionist ...
20/03/2026

‘It is night-time in Notting Hill and there are croissants to be wrapped. In a sleepy West London hotel, a receptionist moves through her tasks as the hours stubbornly drag on. Keys must be handed out, forms filled, cellophane slit.‘
Read Sophia Satchell-Baeza on Robina Rose’s ‘Nightshift’ (1981). www.anothergaze.com

lygiapape (1991) by Paula Gaitán is free to watch until 25/3 on Another Screen (www.another-screen.com). A film about th...
17/03/2026

lygiapape (1991) by Paula Gaitán is free to watch until 25/3 on Another Screen (www.another-screen.com). A film about the work of Brazilian plastic artist Lygia Pape. Departing from Pape’s installations, a recreation of her visual and sonor universe. Read Gaitán’s interview with Patrícia Mourão de Andrade and Maria Chiaretti on Another Gaze‘s website.

Katherine Connell and Esmé Hogeveen talk us through redemptive depictions of transgressive motherhood in Mary Bronstein’...
17/03/2026

Katherine Connell and Esmé Hogeveen talk us through redemptive depictions of transgressive motherhood in Mary Bronstein’s If I Had Legs I’d Kick You (2025) and Lynne Ramsay’s Die My Love (2025). Available to read on our website (www.anothergaze.com)

‘Proceeding from the notion that a novel cannot be filmed, Fennell strikes out boldly under the banner of defeat’ —Georg...
13/03/2026

‘Proceeding from the notion that a novel cannot be filmed, Fennell strikes out boldly under the banner of defeat’ —Georgie Carr on Emerald Fennell’s “Wuthering Heights” and the trials and tribulations of adaptation. Read on anothergaze.com / link in bio

We are incredibly grateful to Mary Helena Clark and Paula Gaitán for letting us show some of their work to mark the rela...
12/03/2026

We are incredibly grateful to Mary Helena Clark and Paula Gaitán for letting us show some of their work to mark the relaunch of Another Gaze journal which features two incredible, in-depth interviews with them. You can read these on anothergaze.com and watch the films on another-screen.com

Ft.
Orpheus (outtakes) (2012)
The Glass Note (2018)
Figure Minus Fact (2020)
Exhibition (2022)
By Mary Helena Clark

Uaká (Sky) (1988)
lygiapape (1991)
Noite (2014)
By Paula Gaitán

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