Al Gunn Luthier

Al Gunn Luthier Je fais des set up de guitare depuis 1976. Prenez rendez vous avec moi au 514-279-2758. Merci

05/07/2025

NAMM, along with leaders from Fender, Gibson, Martin Guitar, PRS Guitars, and Taylor Guitars, met with Tennessee Senator Bill Hagerty's office to discuss the devastating impact of potential tariffs on imported tonewoods that are an essential to US guitar manufacturing. This delegation of leading US guitar makers and NAMM are meeting with several elected leaders in Washington DC this week to continue our advocacy work on issues that can impact our industry.

L’histoire de la Batmobile
04/27/2025

L’histoire de la Batmobile

Before it was the Batmobile it was a 1955 Lincoln Futura concept car.

The Batmobile-to-be was the brainchild of Lincoln Mercury’s postwar chief stylist, William M. Schmidt. Schmidt began working as an automotive stylist in the Lincoln-Mercury Division of Ford Motor Company in 1940. Inspired by a scuba-diving encounter with a shark, Schmidt sketched a low, long, wide, and flat vision of the future with a predatory full width grille, ominously hooded headlights, and killer tail fins. Called a $250,000 “laboratory on wheels”, the low twin-dome experimental car would serve as a mobile test bench for a score of new engineering and design features. The Futura was used to road test such innovations as push-button gearshifts, colored warning signals for fuel consumption (green for full, amber for half-full, red for low), a clear Plexiglas top, a special 330 H.P. Lincoln engine and such engineering innovations as an air scoop for air-cooling the rear brakes.

The car is one inch short of nineteen feet long. It’s seven feet wide and less than four and a half feet high. Ground clearance at the center is six inches. It has dual fans, dual exhausts and a foot pedal horn. There’s a red light for the parking gear, blue for reverse, white for neutral, green for drive and yellow for low. The car has a tachometer. It has 27 different sizes and shapes of lamps, 18 control switches and 2000 feet of wiring. It has an “audio approach” microphone for picking up sounds of rear-approaching cars. There are no windows; the car is entirely air-conditioned; and one enters or leaves by raising the Plexiglas canopy. There was space for a telephone behind the center console.
It took just three months to ready the concept car for its debut at the Chicago Auto Show in January 1955.

In 1959, the Futura made its film debut in the MGM movie “It Started With A Kiss” starring Debbie Reynolds & Glenn Ford. The Futura was painted red for the movie and treated to a red interior.

After that, the car would have been forgotten and perhaps destroyed, as most show cars of that time were. However, it was later sold to car customizer George Barris who had a relationship with Ford due to his affiliation with the Ford Custom Car Caravan program. Despite the car’s original cost of $250,000, the Lincoln Futura was sold to Barris for $1.00 by Ford Motor Company. As the car was never titled and was therefore uninsurable, it was parked behind Barris’ North Hollywood shop where it sat idle for several years and was allowed to deteriorate.

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03/10/2025

Geoff Emerick: A Revolutionary Engineer Who Redefined Recording
Geoff Emerick was one of the most innovative and influential recording engineers in music history. His work with the Beatles, particularly on Revolver (1966), Sgt. Pepper’s Lonely Hearts Club Band (1967), and Abbey Road (1969), forever changed the way albums were recorded. His pioneering use of studio techniques—such as close-miking Ringo Starr’s drums, running John Lennon’s vocals through a Leslie speaker, and experimenting with tape loops and unconventional microphone placement—helped define the sonic character of the Beatles’ later albums. Producer George Martin credited him with introducing fresh, daring ideas that expanded the boundaries of what was possible in the recording studio.

Emerick’s career began at EMI’s Abbey Road Studios when he was just 16, working as an assistant engineer. He was present at the Beatles’ first recording session with Ringo Starr in 1962 and soon became involved in shaping the sound of their early hits. By the age of 20, he was promoted to chief engineer, stepping in to record Revolver, an album that marked a dramatic shift in studio experimentation. From the psychedelic swirls of Tomorrow Never Knows to the brass-heavy Got to Get You into My Life, Emerick played a key role in bringing the band’s ambitious ideas to life.

Following his work on Sgt. Pepper’s Lonely Hearts Club Band, which won him his first Grammy Award, Emerick continued to break new ground with the Beatles. He later returned for Abbey Road, where his engineering work once again earned a Grammy.

After the Beatles’ break-up, Emerick remained closely associated with Paul McCartney, engineering Band on the Run (1973), London Town (1978), Tug of War (1982), and Flaming Pie (1997). His work on Band on the Run won him another Grammy, further solidifying his reputation. His engineering expertise also contributed to albums by Elvis Costello (Imperial Bedroom), the Zombies (Odessey and Oracle), Robin Trower (Bridge of Sighs), and numerous others.

Beyond the Beatles and McCartney, Emerick’s fingerprints are found across an array of legendary recordings, from Supertramp to Jeff Beck, and his influence resonates in the work of countless producers and engineers. His innovative approach to sound shaped modern recording techniques, and his fearless willingness to push boundaries set new standards in music production.

Geoff Emerick passed away in Los Angeles in 2018 at the age of 72, leaving behind an unparalleled legacy that continues to inspire musicians and engineers to this day.

02/23/2025

Jimmy Page poses with his 1959 " Dragon" Fender Telecaster which was gifted to him by the late Jeff Beck when he joined The Yardbirds in 1966.

Jimmy Page's 1959 Dragon Telecaster is a legendary guitar with a fascinating history. The guitar was originally owned by Jeff Beck, who used it as a backup instrument during his time with the Yardbirds. In 1966, Beck gifted the Telecaster to Page as a token of appreciation for helping him throughout his early career.

When Page first received the guitar, it had a regular white finish. In 1967, he added eight circular mirrors to the body, inspired by Syd Barrett of Pink Floyd, who had a similar setup on his Fender Esquire. Later, Page decided to strip the finish completely and repaint the guitar himself. He created the iconic "Dragon" design, featuring a clear lacquer with a red and black dragon decal. He also added a custom-made clear plastic pickguard with reflective film underneath.

The Dragon Telecaster became Page's main instrument during his time with the Yardbirds and was prominently used on their album "Little Games" released in 1967. He continued to use the guitar during the early years of Led Zeppelin, including on their debut album "Led Zeppelin I".

In 1969, a friend of Page's stripped the guitar back, removing the dragon paint job and damaging much of the Telecaster. Despite this, Page kept the guitar and recently worked with a graphic designer to restore and repaint it. The restored Dragon Telecaster was revealed for the first time in 50 years in 2019.

The Dragon Telecaster holds a special place in rock history, symbolizing Page's early career and his transition from the Yardbirds to Led Zeppelin.

02/16/2025
04/15/2024

How many guitarists have had a headstock snap on their Gibsons after having it head dive?

03/29/2024

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