Claves Records

Claves Records Claves is a Swiss record label, founded in 1968 in Thun dedicated to every kind of classical music Follow this link: http://www.claves.ch/contact

Claves is a Swiss record label, founded in 1968 in Thun and now based in Prilly, VD. A Swiss reference / An independant label

Claves is a Swiss record company, founded in 1968 in Thun by Marguerite Dütschler-Hüber. Since 2010, the musician and concert organizer Patrick Peikert is the director, succeeding Antonin Scherrer and Thierry Scherz. Dedicated to all genres of classical music, Claves likes

to give priority to young artists, rare repertoires, composers, performing, orchestras, Swiss festivals and historical reissues. The label's reputation was first established by two Swiss performers: the pianist, harpsichordist and conductor Jörg Ewald Dähler and the flutist Peter-Lukas Graf, who have made numerous recordings that are always in demand. Later, the label had the privilege of developing close relationships with Dietrich Fischer-Dieskau, Teresa Berganza and Ernst Haefliger, among others. On the orchestral side, the English Chamber Orchestra, the Orchestre de Chambre de Lausanne and the Kremlin Chamber Orchestra regularly record with Claves. In the 1980s, Claves enjoyed a very active partnership with Swiss conductor Marcello Viotti - a rising star in the world of conducting, a guest of the greatest opera houses such as the MET, La Scala, the Wiener Staatsoper, and La Fenice - which resulted in a series of premieres of Rossini's one-act operas and a complete set of Schubert's Symphonies. The Crommelynck Duo also marked this period with an important series of recordings covering almost the entire piano duet repertoire. The publishing of archives, in collaboration with Radio Télévision Suisse, is one of the strong points of the label, with a fabulous catalog: Haskil, Milstein, Michelangeli, Gilels, Kogan, Magaloff, Koopman, Francescati, Stern, Grumiaux or Van Cliburn. A constantly expanding catalog

In the last decade, the label has returned to its historical production rhythm with 16 to 18 recordings per year. Collaborations with Swiss ensembles have been strengthened, notably with the Orchestre de la Suisse Romande, the Musikollegium de Winterthur, the Berner Symphonieorchester, the Académie vocale de Suisse Romande, the Orchestre de chambre de Genève and the Orchestre de Chambre de Lausanne. The repertoire has also been extended with a regular collaboration with the Swiss Chamber Soloists for the music of our time, the resumption of a jazz collection and an opening towards the popular repertoire of quality (La Chanson de Fribourg). As for young artists, the label continues to pursue intense collaborations, notably in collaboration with the Sommets Musicaux de Gstaad, with artists such as Timothy Ridout, Anastasia Kobekina, Andryi Dragan or Jean-Paul Gasparian. The catalog now includes nearly 600 recordings, all of which have been available since 2007 on the global online market (iTunes/Apple, Spotify, YouTube, Qobuz, etc.). Thanks to this, Claves' audience has grown impressively, with regular sales in over 180 countries. The physical market remains important, especially in Japan, Germany, France, Switzerland and the UK. Do you want to send us your work and perhaps be recorded by Claves?

26/09/2025

Помните, мы рассказывали вам о живущей в кантоне Во пианистке Соне Игитян, записавшей диск с произведениями Арно Бабаджаняна? Рады сообщить – диск вышел! Уже ставшее архивным интервью с Соной можно прочитать здесь: https://nashagazeta.ch/news/les-gens-de-chez-nous/sona-igityan-prinoshenie-arno-babadzhanyanu
А заказать диск можно здесь: https://www.claves.ch/products/arno-babadjanian-works-for-piano?srsltid=AfmBOoqEqmbrteuqfl14gDkE_616v-B2ym-s7vVgBL1ENZjAY1HWuIEY

 Dinu Mihailescu on Spotifyhttps://open.spotify.com/intl-fr/album/6x7iYnSgfBbLRqcrfqdACd?si=JDY3FpYySuK7iu-JMmo8mAABOUT ...
26/09/2025



Dinu Mihailescu on Spotify

https://open.spotify.com/intl-fr/album/6x7iYnSgfBbLRqcrfqdACd?si=JDY3FpYySuK7iu-JMmo8mA

ABOUT THE PROJECT

The first two years of the Covid-19 pandemic caused a brutal halt to face-to-face cultural events - in particular, to live performances. Even after health restrictions were eased, audiences were reluctant to return for a quite some time; some never returned to concerts at all, which speaks to the fragility and fluidity of nowadays audiences.

During this tough period, the following thought came to me: “In view of the habits that have radically changed since the beginning of the pandemic, I see here an opportunity to change the way I give classical piano recitals in order to make them accessible to a new audience beyond the habitual traditional music lovers.” This thought was the impetus for the concept of ROmerican Avant-Garde.

The choice to associate an American repertoire with Romanian works allows us to highlight the cultural links that have always existed through music, despite wars, distance and social upheaval. George Enescu’s nocturnal nostalgia in Romania during World War I resonates with John Cage’s post-war imaginary landscapes in New York in 1948, as Jacob Druckman’s 1955 atonal rebellion in Paris can resonate with a 21st century audience going through a period of profound and constant transformation. Today’s audience is more and more concerned about the current dramatic global situation that humanity is facing, and it participates actively in its improvement.

Aaron Copland · Sencillo · 2025 · 1 titre

 Arno Babadjanian: Works for piano by Sona Igityan“Only musical ideas inspired by passion can truly move the listener,” ...
26/09/2025



Arno Babadjanian: Works for piano by Sona Igityan

“Only musical ideas inspired by passion can truly move the listener,” wrote Arno Babadjanian. This Armenian pianist and composer followed a fascinating musical path at the crossroads of multiple influences. His work bridges folklore and popular music with all the major musical trends of the 20th century, from Bartók’s rhythmic writing to Schoenberg’s dodecaphonism, with jazz and even rock’n’roll leaving their mark. [..]

SONA IGITYAN

Born into a family of artists, Sona Igityan started studying the piano when she was seven years old, at one of the best music schools in Yerevan, her hometown. She was lucky enough to become a student of an exceptional teacher, Venus Haroutunian. Thanks to her first teacher, Sona acquired a particularly deep and smooth sound as well as a supple piano technique. Three years later she gave a remarkable performance of Bach’s piano concerto in G minor with the National Chamber Orchestra of Armenia.

Sona was selected for broadcasting on National Radio at the age of twelve and won the prize for the best performance at the New Names Festival in Yerevan at the age of seventeen. Sona was advised by renowned teachers such as W***y Sarkissian in Armenia, Elisabeth Athanassova, Michel Kiener, Jean-Jacques Balet and Paul Coker in Switzerland and Paco Moya in Spain. She obtained her soloist and chamber music diplomas at Komitas State Conservatory in Yerevan in 1996 and at Haute École de Musique de Genève in 2007. At the age of 14 she began her concert career and since then has followed as a soloist and also as a chamber musician in different cities in Armenia, Germany, France, Netherlands, Spain and Switzerland. [..]

Discover more: https://www.claves.ch/collections/rarities/products/arno-babadjanian-works-for-piano

PIANO WORKS ARNO BABADJANIAN (1921–1983) Read reviews “Only musical ideas inspired by passion can truly move the listener,” wrote Arno Babadjanian. This Armenian pianist and composer followed a fascinating musical path at the crossroads of multiple influences. His work bridges folklore and pop...

  by Gramophone"Clara Wieck Schumann (1819 96) championed the piano works of her husband, Robert, and her close friend, ...
23/09/2025

by Gramophone

"Clara Wieck Schumann (1819 96) championed the piano works of her husband, Robert, and her close friend, Johannes Brahms, plus Bach, Beethoven and others. At the height of her fame her playing was hailed for its nobility and eloquence, her name invoked alongside those of Liszt and Thalberg. A greatly talented composer as well, she inspired about 30 fellow composers to dedicate works to her. Swiss pianist Kathrin Schmidlin offers a balanced conspectus of those compositions, featuring many partially forgotten and overlooked character pieces. [..]" - Stephen Cera, September 2025

https://www.gramophone.co.uk/review/kathrin-schmidlin-clara-schumann-gewidmet

  by Aart van der Wal (Opus Klassiek)Kathrin Schmidlin, klavier "[..] Her latest project, the double CD Clara Schumann g...
15/09/2025

by Aart van der Wal (Opus Klassiek)

Kathrin Schmidlin, klavier

"[..] Her latest project, the double CD Clara Schumann gewidmet (Dedicated to Clara Schumann), offers a selection of mostly forgotten works by ten Romantic composers, including four female composers from Denmark, Germany, the Czech Republic, and Hungary. The diversity of forms is reflected in character pieces, dances, songs without words, variations, fantasies, and sketches. Kathrin Schmidlin has rightly set the bar high in terms of performance quality. Anyone who listens to her playing with an open mind is assured of many gems, including four world premieres! [..] - Aart van der Wal, September 2025

Source: https://www.opusklassiek.nl/cd-recensies/cd-aw/bargiel01.htm

New album out today !Ludus Tonalis by Jacob KatsnelsonPAUL HINDEMITH: LUDUS TONALISHindemith’s Ludus tonalis. Studies in...
12/09/2025

New album out today !

Ludus Tonalis by Jacob Katsnelson

PAUL HINDEMITH: LUDUS TONALIS

Hindemith’s Ludus tonalis. Studies in Counterpoint, Tonal Organisation & Piano Playing was composed in the summer and autumn of 1942, at a time when the composer had already been living in exile in the United States for two years. His life had changed drastically since 1933 due to the political situation in Germany, ultimately forcing him to emigrate. Whereas he had been one of the most important representatives of the young generation of composers in Germany in the 1920s, his works were now defamed as ‘cultural Bolshevism’ and no longer performed; he received no more concert engagements in Germany. During these years of limited concert activity, Hindemith devoted himself intensively to music theory and composition in addition to composing chamber music. In 1937, he published his first major theoretical work, Unterweisung im Tonsatz (The Craft of Musical Composition). [..]

https://www.claves.ch/collections/new-releases/products/ludus-tonalis

I love Hindemith's music for its unique “harmony of the world” (Harmonie der Welt). It is as diverse and unique as life itself. But it also has many parallels with different musical trends from different eras, from Renaissance polyphony to the lyrical works of Romanticism. I feel particularly cl...

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Ch. Des Passiaux 15-17
Prilly
1008

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