Brass Bulletin

Brass Bulletin Official page of the Brass Bulletin Archive. Editions Bim is an international music publishing company founded in 1969 by Jean-Pierre Mathez.

Preserving and progressively digitizing the complete Brass Bulletin collection (1971–2003), bringing more than 30 years of articles, interviews, research and historical documents back into circulation. As of today, our catalogue includes over 2000 original works for brass, woodwind, percussion, strings, voice, piano, orchestra and band.

Crispy Brass Quotes 😉“Many years ago, William Vacchiano of the New York Philharmonic purchased a Bach D trumpet which pl...
15/08/2026

Crispy Brass Quotes 😉

“Many years ago, William Vacchiano of the New York Philharmonic purchased a Bach D trumpet which played horribly sharp in pitch. When he complained to Vincent Bach, the latter, in his own inimitable style, responded by saying Vacchiano didn’t know how to play the instrument properly!

So Vacchiano put the instrument in a closet and never played it. Twenty years later he discovered the instrument had been improperly fitted with an E♭ trumpet leadpipe!”

— Thomas Stevens, The Trumpet in the U.S. - Part 6
Brass Bulletin, 1983

Monette, Malone and Blackburn challenge standard trumpet design as players and makers seek better response, intonation and balance through new leadpipes.

Newly added to the archiveMichel Laplace • The Trumpet and the Cornet in Jazz and Popular Music.With Armstrong’s rise an...
14/08/2026

Newly added to the archive
Michel Laplace • The Trumpet and the Cornet in Jazz and Popular Music.

With Armstrong’s rise and bebop’s arrival, the trumpet became jazz’s dominant voice, reshaping technique, orchestras, sound, mutes and virtuosity.

The second part of a captivating series on the evolution of trumpet and cornet in jazz history — and on the musicians who shaped it.

Armstrong, Ellington and the swing era made the trumpet central to jazz, while speed, range, mutes and bebop pushed its technique toward a new age.

Newly added to the archivePeter Damm • Ornaments in 18th-century Horn Concertos?Performance once depended as much on inf...
09/08/2026

Newly added to the archive
Peter Damm • Ornaments in 18th-century Horn Concertos?

Performance once depended as much on informed invention as on written notes, and early horn concertos still carry that forgotten freedom in plain sight.

From Brass Bulletin No. 42 (1983)

Eighteenth-century horn concertos assume performers who shape rhythm, articulation and ornamentation, challenging modern ideas of fidelity to the score.

Newly added to the ArchiveMichel Laplace • The Trumpet and the Cornet in Jazz and Popular Music - Part 1Before swing and...
07/08/2026

Newly added to the Archive
Michel Laplace • The Trumpet and the Cornet in Jazz and Popular Music - Part 1

Before swing and Louis Armstrong defined an era, cornet players, ragtime, New Orleans and early recordings shaped the language that made jazz possible.

From Brass Bulletin No. 42 (1983)

Before swing and Louis Armstrong defined an era, cornet players, ragtime, New Orleans and early recordings shaped the language that made jazz possible.

Newly added to the Archive:Jazz and the Horn • Julius Watkins by Jeffrey AgrellJulius Watkins helped establish the Frenc...
05/08/2026

Newly added to the Archive:
Jazz and the Horn • Julius Watkins by Jeffrey Agrell

Julius Watkins helped establish the French horn as a jazz instrument, performing with the leading figures of modern jazz while remaining faithful to an unlikely musical path.

From Brass Bulletin No. 41 (1983)

Julius Watkins helped establish the French horn as a jazz instrument, performing with the leading figures of modern jazz while remaining faithful to an…

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