Full Render

24/02/2026

La Dirección General de Aviación Civil (DGAC) como autoridad reguladora.

🔹 Su objetivo es garantizar la seguridad aérea y la protección de las personas en tierra.

🔹 Existen zonas de restricción en un radio de 8 km alrededor de todos los Aeropuertos del país.

🔹 La Dirección General de Aviación Civil (DGAC) es la única autoridad que autoriza la operación del uso de RPAS (Dron) en las áreas restringidas, con el fin de evitar operaciones sin permiso o ilegales y reforzar la seguridad operacional.

Informarse y utilizarlos responsablemente contribuye a una operación segura y al respeto del espacio aéreo.

📌 Para mayor información sobre drones puede visitar:
https://sub.dgac.go.cr/servicio/aeronaves-no-tripuladas/ #2

Seguiremos compartiendo información para promover un uso seguro y responsable de los drones. ✈️🚁

20/02/2026

HDR is quickly becoming the new standard in live production. But making the move isn’t just about better pictures, it affects your entire workflow, from cameras and shading to graphics and delivery.

The real challenge? Implementing HDR in a way that keeps operations simple and teams confident.

Our latest whitepaper breaks down what you need to know, including how to manage SDR and HDR together and future-proof your infrastructure without adding complexity.

If HDR is on your roadmap, this is a practical place to start.

👉Download the whitepaper to learn more. https://hubs.li/Q042HhN40

21/01/2026

12/01/2026

Full Render colaboró con la iglesia Life House en San José, Costa Rica, optimizando la mezcla de audio en vivo y transmisiones web mediante consolas digitales Behringer WING y X32, aplicando técnic…

12/01/2026

05/01/2026

FOH Teletón 2025

04/01/2026

10/12/2025

09/12/2025

04/10/2025

😱🎬 El podcast que engañó a miles: la granja de Interstellar… no era real

Muchos pensaron que Matthew McConaughey y Chris Williamson grabaron en una auténtica granja al estilo de la película Interstellar.
El paisaje, la luz, la vibra… todo parecía sacado directo del filme.

🌾 Pero la verdad sorprendió: para celebrar su episodio 1000, Chris recreó Cooper’s Farm en un set de producción. No había granja, ni campo abierto… era una mezcla de escenografía y tecnología que replicaba al detalle la casa de la película.

✨ El resultado fue tan realista que miles de fans creyeron que estaban en la verdadera locación. Williamson incluso compartió: “How we recreated Cooper’s Farm from Interstellar”, mostrando el detrás de cámaras de este truco audiovisual.

🔥 Un engaño cinematográfico digno de Hollywood… pero en un podcast.

👉 Nos recuerda que en la era digital, lo que parece real… puede ser solo un escenario perfectamente montado.

Fuentes:
• Chris Williamson en X
• Chris Williamson en Instagram

10/09/2025

Today we announced DaVinci Resolve 20.2, a major new update that adds support for support for immersive EXR workflows in DaVinci Resolve Studio. Blackmagic RAW clips from Blackmagic URSA Cine Immersive can now be exported and imported using the EXR format and include video from both eyes as well as lens metadata. This means you can export immersive images from Davinci Resolve to Fusion Studio to create new compositions and then import these back into DaVinci Resolve Studio, maintaining quality and creating a smoother workflow.

For visual effects artists, there’s now also support for streaming immersive content from the Fusion page in DaVinci Resolve Studio directly into an Apple Vision Pro headset. This allows you to experience your Fusion compositing and other edits in a true immersive form, for real time review on how your content looks in an immersive space.

There are also improvements to track patching and ripple trim controls. The ripple edit selection tool on the edit page is now independent from the track auto selection, meaning that you can control the ripple on/off behavior for each track separately without affecting synced audio.

There are also improved MultiText alignment and transformation controls in Fusion. A new set of controls has been added to the layout tab that provide a quick way to reposition layers, snapping the edge of text to either the perimeter of the frame or the title safe margin. A new position and size control has also been added to MultiText that allows you to change the position and size of all the MultiText layers simultaneously, helping you move or scale all the text layers quickly and easily.

New support for previewing media in its original source aspect ratio allows the preview monitor in the media, cut and edit pages to display clips in the exact sizes and aspect ratio that they were captured. With this update, you can now see exactly how the footage was shot, without any stretching or cropping of the image.

This update also adds support for playing Apple ProRes RAW and Apple ProRes RAW HQ in DaVinci Resolve. For filmmakers, colorists and editors, this means you no longer need to transcode footage into other formats such as ProRes 422 before editing, saving you time and maintaining the original quality of the footage.

DaVinci Resolve 20.2 update is available now as a free download from http://bmd.link/WNRc7s