05/05/2025
Invitation to an event with the artist Astrid S. Klein
who is guest of the project "Colonial Commodities" (https://medienwissenschaft.unibayreuth.de/wissenschaft/colonial-commodities/) at the Cluster of Excellence EXC 2052 – „Africa Multiple: Reconfiguring African Studies“ at Bayreuth University
TO THE RED SOIL
An audio piece by Astrid S. Klein with contributions by Jupiter Bokondji, Albert Gouaffo, Koko Komégné, and Soro Solo, and with music by Mariá Portugal and HugueFe Tolinga
When: Wednesday, May 7th, 2025, 6 to 8 pm
Where: AV studio/Medialab @ Forschungszentrum Afrika (FZA U.04.1) at Bayreuth University
Listening event in cooperation with Media Lab Sound (Medienlabor Sound) / Dr. Alan Fabian,
Media Studies, Bayreuth University, Moderation: Prof. Dr. Christine Hanke
The audio piece TO THE RED SOIL accompanies the art project THE POWER OF THE KOLA - NEGOTIATING THE LIVING (2023 - 2025).
Young kola plants, living in the diaspora in Germany, are embarking on a journey to the African tropics. The plants have decided to leave the University of Hohenheim’s tropical collection greenhouse to accept an invitation to travel to Dschang in Cameroon. This departure from the Western archive may seem a bit absurd, and it raises questions. Why are the plants in a botanical collection in Europe in the first place? Why are they traveling “to the red soil”? What are their plans? Do they wish to unfold their dormant potential, activate alliances, and negotiate more just relationships? Will they make use of their profound skills to become active again? Will they link various systems of knowledge in an equitable way? Are they capable of countering the violence of industrial plantations and the extraction of natural resources with alternative perspectives and actions?
The kola tree and its seeds, the kola nuts, hold significant meaning for the African continent. In the botanical collections of the West, which are inextricably linked to European colonialism and extractivism, the Cola acuminata as a tropical crop plant and raw material is omnipresent. Yet the agency of these plants as protagonists is widely ignored.
