Arts of the Working Class

Arts of the Working Class Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Arts of the Working Class, Zeitschrift, Lynarstraße 38, Berlin.

Distributed on the streets of Western Europe by those excluded from the system, Arts of the Working Class is a newspaper covering Art, Poverty, Wealth and Precarity.

The Shape of a Circle in the Mind of a FishAt E-WERK Luckenwalde, Lucia Petroiusti and Filippa Ramos gathered artists, p...
08/08/2025

The Shape of a Circle in the Mind of a Fish

At E-WERK Luckenwalde, Lucia Petroiusti and Filippa Ramos gathered artists, poets, curators, and thinkers to reflect on love, lament, and the fragile ecologies we inhabit—human and non-human alike.

In a time when the word “community” has become hollow, the day offered something different: a space to listen, grieve, wonder, and feel kinship in the face of collapse.

the full text “The Shape of a Community” by Mia Butter at the link in the bio.

Images:
“The Shape of a Circle in the Mind of a Fish”. Courtesy E-WERK Luckenwalde, photo: Laila Kaletta.

Maps lie. Land remembers. A walking through Folkestone Triennial 2025, following 18 artists who’ve placed works in unexp...
06/08/2025

Maps lie. Land remembers.

A walking through Folkestone Triennial 2025, following 18 artists who’ve placed works in unexpected corners inviting the audience to shifting attention away from dominant systems of spatial order, troubling timelines, and exposing political and economic conditions of the place. 

 Theresa Zwerschke’s review at the link in the bio. 
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Images:
Laure Prouvost, Above Front Tears, Oui Connect, commissioned for Creative Folkestone Triennial 2025. Photo by Thierry Bal
Jennifer Tee, Oceans Tree of Life, Oui Connect, commissioned for Creative Folkestone Triennial 2025. Photo by Thierry Bal

Where Rosa Luxemburg’s revolutionary spirit meets the spectral remains of late-stage capitalism: Raqs Media Collective‘s...
04/08/2025

Where Rosa Luxemburg’s revolutionary spirit meets the spectral remains of late-stage capitalism:

Raqs Media Collective‘s “The Capital of Accumulation” (2010)

the full conversation

This contribution accompanies Raqs’ participation (with The Capital of Accumulation, 2010) in “Accumulation—On Collecting, Growth and Excess” at Migros Museum für Gegenwartskunst.
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Image: Raqs Media Collective, The Capital of Accumulation (2020), video still. Copyrights and courtesy Raqs Media Collective.

The City as PlantationOctavia Abril unpacks the layered logic behind the seemingly festive installation 7000 Palms by Co...
01/08/2025

The City as Plantation

Octavia Abril unpacks the layered logic behind the seemingly festive installation 7000 Palms by Cosima von Bonin— tracing lines between Beuys, Buren, postcolonial critique and summer in Germany

the text at the Link in bio
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Images:
Cosima von Bonin: 7000 Palmen, 2025 ( Installation view Fridericianum, Kassel)
Foto / Photo: Nicolas Wefers © Cosima von Bonin, documenta und Museum Fridericianum
gGmbH
Cosima von Bonin: 7000 Palmen, 2025
© Cosima von Bonin, documenta und Museum Fridericianum
gGmbH

Read AWC at Maktaba Room – Opening Tomorrow!We are thrilled to announce that AWC will be available at the new Maktaba Ro...
31/07/2025

Read AWC at Maktaba Room – Opening Tomorrow!

We are thrilled to announce that AWC will be available at the new Maktaba Room, which officially tomorrow, August 1st at 6:00 PM at Rita McBride’s former studio and the new gallery ThisThat in Düsseldorf Oberkassel. Maktaba Room serves as a pop-up library designed to break down structural barriers that prevent marginalized groups from accessing artistic platforms.

The term “Maktaba” originates from North and East Africa, meaning “library” or “bookstore.” In its broader sense, it represents a space where knowledge is collected, preserved, and made accessible to all.

the date will present AWC on August 16th at the Maktaba Room.
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Images:
Raumansicht Maktaba Room x ThisThat Gallery 2025
Tischdesign by Manuel Raeder
Regaldesign by Kader Aslan

In Psycho-Colonial Spaces, Samia Henni transforms the exhibition at AR/GB Kunst into a space of collective listening. He...
30/07/2025

In Psycho-Colonial Spaces, Samia Henni transforms the exhibition at AR/GB Kunst into a space of collective listening. Here, imperial cartographies are traced in chalk—fragile, erasable—and knowledge surfaces not through display, but through shared memory and subversive intimacy.

Read the interview

Samia Henni’s exhibition Psycho-Colonial Spaces is on view at ar/ge kunst in Bolzano until this Sunday, August 2, 2025. Her project Performing Colonial Toxicity is part of the group exhibition “Technoecologies and Bodies of Memory” at Künstlerhaus Bethanien, Berlin, running until October 5, 2025.

Images:
Samia Henni „Psychocolonial Spaces - Act 1, Exhibition view. Credits: ©Ar/Ge Kunst e Samia Henni, Foto Tiberio Sorvillo, 2025

Wenn Gerichte versagen, übernimmt die Zivilgesellschaft.Diese Tribunale fragen: Wer beansprucht das Recht? Wer darf es f...
28/07/2025

Wenn Gerichte versagen, übernimmt die Zivilgesellschaft.

Diese Tribunale fragen: Wer beansprucht das Recht? Wer darf es für sich nutzen?

den Kommentar von Madlyn Sauer unter dem Link in der Bio”

Aus “Die Einberufung zivilgesellschaftlicher Tribunale: Warum das Recht nicht dem Staat gehört”
Am 24. August 2025 findet ein zweites Volkstribunal zum Thema „Kulturelle Unterdrückung und Wiederherstellung der Meinungsfreiheit auf den Philippinen” statt, ausgerichtet von der Internationalen Koalition für Menschenrechte auf den Philippinen und ALPAS Pilipinas.
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Images:
Bana Group for Peace and Development: “People’s Tribunal on the Systematic Targeting of Women Activists in Sudan”. Part of Encounters and Mediation, 13th Berlin Biennale, Fabriktheater Moabit, June 22, 2025. Image: Eike Walkenhorst

There is no such thing as celestial neutrality“From the Cosmos to the Commons,” curated by Joanna Warsza, tracing how im...
26/07/2025

There is no such thing as celestial neutrality

“From the Cosmos to the Commons,” curated by Joanna Warsza, tracing how images, ideologies, and empires have used the heavens to colonize not just land, but consciousness. From Aby Warburg’s star-struck anxieties to planetary resistances still in orbit, the exhibition charts a counter-cosmos where myth becomes a tool of class struggle and public space a site of urgency and rest, simultaneously.

the review by Maja Ćirić

Unabating Wonder: Alessandro Y. Longo on spirituality for a re-enchantment of political commitment.At the
24/07/2025

Unabating Wonder: Alessandro Y. Longo on spirituality for a re-enchantment of political commitment.

At the

On Joy  the full conversation at the  .*Image: Flowers at the People’s Tribunal, for those who couldn’t be in the room. ...
22/07/2025

On Joy

the full conversation at the .
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Image: Flowers at the People’s Tribunal, for those who couldn’t be in the room. Courtesy Jasmine Grace Wenzel.

This week,  launches SUBMERGE, a five-week festival of performances, open workshop labs, communal lunches, talks, and in...
21/07/2025

This week, launches SUBMERGE, a five-week festival of performances, open workshop labs, communal lunches, talks, and informal gatherings—all free of charge.

Running from July 21 to August 24, SUBMERGE invites art workers to engage and collaborate with a dynamic lineup of choreographers from around the world.

With 
Kasia Wolińska
Cécile Bally & Cathy Walsh
Isu Kim Lee & Analu
Mehdi Dahkan
Siegmar Zacharias
Yuni Chung / Chōri Collective는
Estelle Ebenga / iLondzo Company
Marlon Barrios Solano
Double Much Collective
Angie Hauser, Darrell Jones & Bebe Miller

👉 Full program & registration:
https://lakestudiosberlin.com/submerge-festival/

Supported by the Senate Department for Culture and Social Cohesion.

A tender, furious, and reflective dialogue with the state—on fear learned too young, violence normalized, and the search...
17/07/2025

A tender, furious, and reflective dialogue with the state—on fear learned too young, violence normalized, and the search for a different kind of belonging.

all letters “To Break Up with I’” by Naama Shoshana Fogiel Lewin at the link in the bio

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