Spike Art Magazine

Spike Art Magazine Spike is a magazine for contemporary art, founded in 2004, and run by artist Rita Vitorelli. It's based in Vienna and Berlin.

Why does performance art seem to be retreating behind a screen? Travis Diehl shares the view from a strip club void of s...
24/09/2025

Why does performance art seem to be retreating behind a screen? Travis Diehl shares the view from a strip club void of st*****rs in September’s “Libra Season.” 🔗 in bio, now online!

Feat. &

Images
1-2. Views of Vladislav Markov, “OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR,” Management, New York, 2025
3. Anna Uddenberg, Continental Breakfast, 2023

Sure, diffusion models make for poor paintbrushes – then again, so did early cameras, cinemas, and raytracers. Lucas Gel...
23/09/2025

Sure, diffusion models make for poor paintbrushes – then again, so did early cameras, cinemas, and raytracers. Lucas Gelfond claps back at AI art’s early critics and speculates on the new forma emerging from the technologies’ jagged frontiers. 🔗 in bio, his essay is now online!

Feat. interviews with Jascha Sohl-Dickstein &

Videos
1. Daryl Anselmo, irish spring, magically delicious, 2025
2. Bennett Waisbren, Pig in the ball pit, 2025
3. Jon Rafman, Main Stream Media, 2025

After Thomas Bernhard’s The Woodcutters, there is Happiness and Love: Zoe Dubno’s one-night pan of the art world’s opera...
18/09/2025

After Thomas Bernhard’s The Woodcutters, there is Happiness and Love: Zoe Dubno’s one-night pan of the art world’s operators and their miserly view of art as a rat race. 🔗 in bio, Andrew Key’s review is now online!

Robert Redford 1936- 2025Photo: „ All the President’s Men“, 1976
16/09/2025

Robert Redford 1936- 2025
Photo: „ All the President’s Men“, 1976

Sure, AI therapy could induce psychosis – but it’s also instantaneous and completely free. For this month’s “User Error,...
15/09/2025

Sure, AI therapy could induce psychosis – but it’s also instantaneous and completely free. For this month’s “User Error,” a morbidly curious Adina Glickstein seeks help about seeking help. 🔗 in bio, her column is now online!

Visit and the editions / booth F 84 Fri 11.00-19.00, Sat 11.00-19.00, Sun 11.00-18.00, Messe Wien, Halle D .rockenschau...
12/09/2025

Visit and the editions / booth F 84

Fri 11.00-19.00, Sat 11.00-19.00, Sun 11.00-18.00, Messe Wien, Halle D

.rockenschaub .leckey

A Berlin Biennale more intent on crisis management than exhibition-making raises the question: Does the biennial format ...
12/09/2025

A Berlin Biennale more intent on crisis management than exhibition-making raises the question: Does the biennial format – and Berlin itself – still deliver? Link in bio, Pablo Larios’s review of “passing the fugitive on” is now online!

Till Sunday, 14 September at and
the Former Courthouse Lehrter Straße 60

Images
1. Still from Fredj Moussa, لاد البربر [Land of Barbar], 2025
2. Still from Jane Jin Kaisen, Wreckage, 2024
3. Vikrant Bhise, We Who Could Not Drink (detail), 2024. Photo: Aristidis Schnelzer
4. Htein Lin, The Fly (Paris), 2008. Photo: Eberle & Eisfeld
5. Chaw Ei Thein, from the series Artists’ Street, 2025. Photo: Eberle & Eisfeld
6. Nge Nom, The Ditch, 2025. Photo: Eike Walkenhorst
7. Huda Lutfi, The Fool’s Journal, 2013/14. Photo: Diana Pfammatter, Eike Walkenhorst
8. Panties for Peace, Panty Power Attack, 2007. Photo: Marvin Systermans
9. Kikí Roca, Las Chicas del Chancho y el Corpiño, El Corpiño (The Bra, detail), 1995/2025. Photo: Marvin Systermans

Pieter Schoolwerth’s third solo exhibition at Kraupa-Tuskany Zeidler, Thinking Through (13 Years), opens for Berlin Art ...
11/09/2025

Pieter Schoolwerth’s third solo exhibition at Kraupa-Tuskany Zeidler, Thinking Through (13 Years), opens for Berlin Art Week 2025.

12.09.2025–25.10.2025
Opening 11.09.2025, 6–10 pm

The project began from the artist’s impulse to distill a body of data, in this case 13 years of exhibition images displayed on the K-T Z website, in Schoolwerth’s words: ‘a space that has been hugely important for progressive experimentation in contemporary art in Europe and a welcoming community of people I’m continually inspired by who have supported my work for years.’ Schoolwerth tackles questions of authorship, mnemonics, and simulation - giving expressive form to the ubiquitous question of “Is this real?,’ which is so prevalent in today’s digital landscape. The exhibition becomes not a monument to the gallery’s past but a meditation on how we remember now—through websites, databases, screenshots, and fragments.

Pieter Schoolwerth’s third solo exhibition at Kraupa-Tuskany Zeidler, Thinking Through (13 Years), opens for Berlin Art ...
11/09/2025

Pieter Schoolwerth’s third solo exhibition at Kraupa-Tuskany Zeidler, Thinking Through (13 Years), opens for Berlin Art Week 2025.

12.09.2025–25.10.2025

Opening 11.09.2025, 6–10 pm

The project began from the artist’s impulse to distill a body of data, in this case 13 years of exhibition images displayed on the K-T Z website, in Schoolwerth’s words: ‘a space that has been hugely important for progressive experimentation in contemporary art in Europe and a welcoming community of people I’m continually inspired by who have supported my work for years.’ Schoolwerth tackles questions of authorship, mnemonics, and simulation - giving expressive form to the ubiquitous question of “Is this real?,’ which is so prevalent in today’s digital landscape. The exhibition becomes not a monument to the gallery’s past but a meditation on how we remember now—through websites, databases, screenshots, and fragments.

Pieter Schoolwerth’s third solo exhibition at Kraupa-Tuskany Zeidler, Thinking Through (13 Years), opens for Berlin Art ...
11/09/2025

Pieter Schoolwerth’s third solo exhibition at Kraupa-Tuskany Zeidler, Thinking Through (13 Years), opens for Berlin Art Week 2025.

12.09.2025–25.10.2025

Opening 11.09.2025, 6–10 pm

The project began from the artist’s impulse to distill a body of data, in this case 13 years of exhibition images displayed on the K-T Z website, in Schoolwerth’s words: ‘a space that has been hugely important for progressive experimentation in contemporary art in Europe and a welcoming community of people I’m continually inspired by who have supported my work for years.’ Schoolwerth tackles questions of authorship, mnemonics, and simulation - giving expressive form to the ubiquitous question of “Is this real?,’ which is so prevalent in today’s digital landscape. The exhibition becomes not a monument to the gallery’s past but a meditation on how we remember now—through websites, databases, screenshots, and fragments.

So — your cousin’s seeing an AI therapist. What could possibly go wrong? Adina Glickstein takes on the rise of the shrin...
10/09/2025

So — your cousin’s seeing an AI therapist. What could possibly go wrong? Adina Glickstein takes on the rise of the shrinkbot in September’s “User Error” – 🔗 in bio, now online!

Image: Snow monkey with iPhone in Jigokudani, Japan. Photos: Marsel van Oosten

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