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Gallery Weekend Berlin, Berlin (2025)

16/07/2025

📍Société

Lu Yang
DOKU the Creator – Bhavachakra
July 10 – August 30, 2025

Since 2018, Lu Yang has been developing the shapeshifting avatar DOKU in collaboration with a team of scientists, 3D animators, and digital technicians using the latest in motion capture technology. DOKU is a digital shell, a virtual human named after the phrase “Dokusho Dokushi,” meaning “We are born alone, and we die alone.” Yang describes DOKU a virtual avatar that traverses simulated realities, embodying the dissolution of fixed identity and the recursive nature of consciousness.

In DOKU the Creator – Bhavachakra, Lu Yang creates an otherworldly realm where digital identity, karmic recursion, creative generation, and simulated consciousness converge. Combining post-apocalyptic imagery with the vivid aesthetics of video games, manga, anime, and Buddhist spirituality, the exhibition draws connections between incarnations across virtual, corporeal, and spiritual realms—suggesting a future in which the self and its representations may be endlessly remade.

Credits:
Courtesy the artist and Société, Berlin. Photos Joe Clark

13/06/2025

📍Kraupa–Tuskany Zeidler

JW Marriott Hotel Berlin, Salon 12-13
Stauffenbergstraße 26, 10785 Berlin

Simon Denny Forces of the Unknown
June 13 - June 15, 2025
Opening: June 13, 4-8 pm
Opening hours: June 14 and 15, 12-6 pm & by appointment

Kraupa–Tuskany Zeidler is pleased to present Forces of the Unknown, a three-day exhibition of new paintings by Berlin-based, New Zealand-born artist Simon Denny.

Installed in the charged context of the JW Marriott Hotel, directly across from the German Defense Department and the German Resistance Memorial Centre, the exhibition inhabits a space where historical resonance meets contemporary urgency.

Denny’s new works reflect the increasing military focus of the tech industry, especially within US and German innovation cultures. The new paintings have been produced using a custom-built suite of tools: modified CNC machines, reprogrammed plotters, and a hand-held industrial inkjet printer, originally designed for marking shipping crates. The resulting works shift fluidly between human and machine-made, analogue and digital, strategic and improvisational.

Credit:
Simon Denny, Helsing HX-2, Above, 2025. Photo: Nick Ash. Courtesy the artist and Kraupa-Tuskany Zeidler

11/06/2025

📍Kraupa–Tuskany Zeidler

Katja Novitskova
Mirror Life
Kraupa-Tuskany Zeidler, Berlin
June 13 - July 26, 2025
Opening: June 12, 6-9 pm

Mirror Life, Katja Novitskova’s fourth solo exhibition with the gallery, explores the evolving entanglement between biological life and digital systems, examining how generative technologies, synthetic materials, and physical memory reconfigure the boundaries of species and perception.
The exhibition unfolds in two of Katja Novitskova’s ongoing bodies of work. The sculptures within the Soft Approximation series (initiated in 2022) are composed of polyurethane resin embedded with minerals such as obsidian, hematite, and labradorite, they suggest a speculative taxonomy: entities born from a process that fuses 3D modeling, AI-driven crossbreeding, and studio craft.
The other body of work encompassed by the exhibition is Novitskova’s ongoing Earthware series (since 2019), which expands Novitskova’s ongoing inquiry into vision and representation. Cephalopods emerge through digital images transferred onto epoxy clay via a process the artist has developed over a decade.

Credit:
Katja Novitskova, Soft Approximation (brooding life-form 02), 2025. Photo: Marjorie Brunet Plaza

20/05/2025

In Conversation... Esther Schipper & Jochen Meyer

Berlin galleries Esther Schipper and Meyer Riegger have long been active in the eastern Asian art market—and both are strengthening their presence in the region by opening gallery spaces in Seoul, South Korea.

While the art market is shifting everywhere, Asian art feels more present than ever in the West—Korean artist Mire Lee’s recent installation at Tate Modern’s Turbine Hall is just one example. In 2024, Art Basel in Basel last year saw a 20 percent uptick in Asian gallery participation, and now, Gallery Weekend Berlin is positioning itself as a strong draw for showing Asian artists as well as attracting young, energetic Asian collectors to the German capital.

There’s plenty of potential for just as much exposure in the other direction. What synergies are possible between East and West? Kimberly Bradley met with Esther Schipper and Jochen Meyer of Meyer Riegger to find out.

🔗Full text - link in bio

Credits:
1) Exhibition view: Conversations, Esther Schipper, Seoul, 2025. Courtesy the artist and Esther Schipper, Berlin/ Paris/Seoul. Photo © Hyun Jun Lee.

2+3 ) Exhibition view: 뒤집기 / Dui Jip Ki, Esther Schipper, Seoul, 2023. Courtesy the artists and Esther Schipper, Berlin/Paris/Seoul Photo © Sangtae Kim

4) Miriam Cahn, Ten Thousand Things, Sifang Art Museum, Nanjing, 2020.

5) Katinka Bock – ‚La Passerelle‘, 2023, Jing’an Sculpture Park, Shanghai. Images courtesy Jing’an Sculpture Park.

6) Sheila Hicks, Atterrissage, 2014. © Sheila Hicks / Adagp, 2024. Photo © Kwa Yong Lee / Louis Vuitton.

17/05/2025

Artist Studio / Install - Megan Plunkett

The Already World, Megan Plunkett’s solo exhibition includes two new series of work: images of novelty dollar bills, some shot in the desert beyond the outskirts of Los Angeles, and mysterious portraits of heavyweight rubbish bags.
Megan Plunkett lives and works in Los Angeles.

- In her ongoing series Artist Studio / Install offers a rare glimpse into the often-hidden processes of artistic creation, now expanding her project to include participants of Gallery Weekend Berlin 2025. -

DE
The Already World, Megan Plunkett‘s Ausstellung in der , umfasst zwei neue Werkreihen: Bilder von neuartigen Dollarscheinen, die zum Teil in der Wüste außerhalb von Los Angeles aufgenommen wurden, und geheimnisvolle Porträts von schweren Müllsäcken.
Plunkett lebt und arbeitet in Los Angeles.

- In ihrer fortlaufenden Serie Artist Studio / Install gewährt einen seltenen Einblick in die oft verborgenen Prozesse künstlerischen Schaffens und erweitert ihr Projekt nun um Teilnehmer*innen des Gallery Weekend Berlin 2025. -

Credits: Megan Plunkett, Berlin, 2025. © Diana Pfammatter

17/05/2025

📍Sweetwater

Megan Plunkett
The Already World
May 2 - June 14, 2025

In Megan Plunkett’s second solo exhibition two new series of work comprise the exhibition: images of prop dollar bills shot in the desert beyond the outskirts of Los Angeles and mysterious portraits of heavyweight garbage bags. In her practice, she captures common objects and everyday scenes that disrupt viewers’ perception of the familiar by irrupting the common visual features.

Plunkett is interested in techniques of image making, questioning how images function in our everyday visual landscapes. With experience in forensic and objective photography, Plunkett crafts images with hidden details and unexpected twists achieved through a variety of analog photographic techniques.

Credits:
Megan Plunkett, The Already World, 2025, installation views. Photos

15/05/2025

Artist Studio / Install - Leelee Chan

For her solo exhibition with entitled Spiral Diaries, presents a new body of sculptures that continue her exploration of materiality, tactility, and the layered temporality of human time and deep time. She interplays abstract forms, intricate details, and unexpected materials to explore the complexity of how materials are entwined with human history and question the human-centric constructs of advancement and growth. Leelee Chan lives and works in Hong Kong.

- In her ongoing series Artist Studio / Install offers a rare glimpse into the often-hidden processes of artistic creation, now expanding her project to include participants of Gallery Weekend Berlin 2025. -

DE
‘s Einzelausstellung Spiral Diaries in der präsentiert eine Reihe neuer Skulpturen. Chan intensiviert darin ihre Erkundung der Themen Materialität und taktile Beschaffenheit sowie der Überlagerung von menschlicher Zeit und tieferliegenden Zeitebenen. Sie lässt abstrakte Formen, feinste Details und ungewöhnliche Werkstoffe zusammenwirken, um die komplexen Verflechtungen von Materialien und Menschheitsgeschichte zu ergründen und die anthropozentrischen Vorstellungen von Fortschritt und Wachstum zu hinterfragen. Die Künstlerin lebt und arbeitet in Hongkong.

- In ihrer fortlaufenden Serie Artist Studio / Install gewährt einen seltenen Einblick in die oft verborgenen Prozesse künstlerischen Schaffens und erweitert ihr Projekt nun um Teilnehmer*innen des Gallery Weekend Berlin 2025. -

Credits: Leelee Chan, Berlin, 2025. © Diana Pfammatter

14/05/2025

Artist Studio / Install - Diane Severin Nguyen

debuts new work across photography and video for her first solo exhibition .
She transforms the gallery into a universe suspended between continuity and rupture: moving images reverse, freeze, and fall out of sync. Time shuffles—catching and releasing—circling back in uneven loops. Moments of alignment emerge, then vanish. Diane Severin Nguyen lives and works in New York.

- In her ongoing series Artist Studio / Install offers a rare glimpse into the often-hidden processes of artistic creation, now expanding her project to include participants of Gallery Weekend Berlin 2025. -

DE
In ihrer ersten Einzelausstellung in der präsentiert neue Foto- und Videoarbeiten. Nguyen verwandelt die Galerie in ein Universum zwischen Kontinuität und Brüchigkeit: Bewegte Bilder werden rückwärts abgespielt, gestoppt, laufen nicht mehr synchron. Die Zeit schlägt Kapriolen, springt vor und zurück und kehrt in unregelmäßigen Schleifen wieder. Momente des Einklangs entstehen – und verschwinden. Die Künstlerin lebt und arbeitet in New York.

- In ihrer fortlaufenden Serie Artist Studio / Install gewährt einen seltenen Einblick in die oft verborgenen Prozesse künstlerischen Schaffens und erweitert ihr Projekt nun um Teilnehmer*innen des Gallery Weekend Berlin 2025. -

Credits: Diane Severin Nguyen, Berlin, 2025. © Diana Pfammatter

14/05/2025

📍Galerie Molitor

Diane Severin Nguyen
Spring Snow
May 3 — June 7, 2025

Titled with its own seasonal poetics, Diane Severin Nguyen’s Spring Snow places us in front of another jungle, electrified by radio static, but this time voiceless.
It’s springtime again and the snow has started to fall. Leaves are covered in particles, at once eerie and invasive, softly dystopian; something seems to be haunting this improbable landscape.

Text
Photos

13/05/2025

Artist Studio / Install - Thomas Bayrle

In his solo exhibition with neugerriemschneider, bewegung im stillstand, Thomas Bayrle presents new prints alongside collages and film from the 1980s and ’90s. His work, inspired by fascinations with items at quantity, networks of infrastructure and material culture, draws upon conventions of mid-century graphic design and advertising. Among the works shown are Pianta Robusta I through VIII — canvases featuring a grayscale print of a computer-generated shopping centre’s escalators, running in parallel between its floors, the motif repeated to form the images’ backgrounds. A potted plant emerges from the cores of these compositions’, a selection of which are carefully accented with pops of colored acrylic paint. Thomas Bayrle lives and works in Frankfurt am Main.

- In her ongoing series Artist Studio / Install offers a rare glimpse into the often-hidden processes of artistic creation, now expanding her project to include participants of Gallery Weekend Berlin 2025. -

DE
In seiner Einzelausstellung ‚bewegung im stillstand‘ bei neugerriemschneider präsentiert Thomas Bayrle eine neue Serie von Drucken, Collagen sowie einen Film aus den 1980er- und 1990er-Jahren.
Geprägt von einer Faszination für Massenproduktion, Infrastruktur und materielle Kultur, greift Bayrles Werk auf Konventionen des Grafikdesigns und der Werbung aus Mitte des 20. Jahrhunderts zurück. Zu den gezeigten Arbeiten zählen Pianta Robusta I bis VIII, deren Motiv auf einem computergenerierten Bild zweier Rolltreppen in einem Einkaufszentrum aufbaut, welches in vielfacher Wiederholung auch den Hintergrund bildet, aus deren Zentrum jeweils eine Topfpflanze erwächst – ergänzt von gezielten Farbakzenten in Acryl. Thomas Bayrle lebt und arbeitet in Frankfurt am Main.

- In ihrer fortlaufenden Serie Artist Studio / Install gewährt einen seltenen Einblick in die oft verborgenen Prozesse künstlerischen Schaffens und erweitert ihr Projekt nun um Teilnehmer*innen des Gallery Weekend Berlin 2025. -

Credits: Thomas Bayrle, Berlin, 2025. © Diana Pfammatter

13/05/2025

📍neugerriemschneider

Thomas Bayrle
Bewegung im Stillstand
May 3 - June 28, 2025

Thomas Bayrle’s solo exhibition features a new body of prints alongside collages and film from the 1980s and
1990s. Guided by the presentation’s title – “idle movement” – each of the works on view are centered on the interfaces between an accelerated modern life, systems in and of motion, and the nature that, against all odds, persists in their midst.

Credits:
1) Thomas Bayrle, Pianta Robusta, 2024 (detail).

2) Installation view: Thomas Bayrle, bewegung im stillstand, May 3 - June 28, 2025, neugerriemschneider, Berlin.

3) Thomas Bayrle, Pianta Robusta V, 2024.

4) Installation view: Thomas Bayrle, bewegung im stillstand, May 3 - June 28, 2025, neugerriemschneider, Berlin.

All images © Thomas Bayrle. Courtesy the artist and neugerriemschneider, Berlin. Photo: Jens Ziehe, Berlin.

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