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Coeval Magazine

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Coeval Magazine

Monographic magazine across art, fashion, film, photography, and culture. Coeval explores the avant-garde perspective and today’s vibrant subcultures.

27/08/2026

‘300120260820 - 10220261207’ by geraymena, part of COEVAL Magazine SS26 the “FRAGILE” Issue 3

Photography geraymena
Props Styling saraxnz
Lighting Diego P de la Cruz
Color Correction Arena Retouch
Lab Cuarto Color Lab I Film Lab Madrid

Founder and Creative Director Donald Gjoka
Editor-in-Chief and Fashion Director Davide Andreatta
Art Direction Simone Conforte and at

26/08/2026

Light designer Bianca Peruzzi and curator Luca Giudici take over the corridors of Labirinto della Masone to awaken its latent legacy. Over three days and nights, LOST bridges experimental music acts with private metaphysics, transforming the physical space into a perceptual apparatus. 
Their vision acts as an extension of Franco Maria Ricci’s: the Italian publisher, bibliophile, and art collector who, over four decades, championed a vision of art at the periphery of the canon through FMR magazine.

Built on a historic promise to writer J.L. Borges, inside the labyrinth light-based dramaturgies and a single curatorial thread acts as guidance, rehearsing wholeness at the periphery of the canon. 
Bianca Peruzzi Luca Giudici   In conversation with Julieta Colantonio 
Photography by Aria Ruffini

llum collettivo

Andrea Terlizzi

24/08/2026

GENER8ION: VISIONS OF 2034 by Romain Gavras and Surkin, presented at 180 Studios in London, brings together film, music, dance and visual art in a fragmented vision of 2034 that feels disturbingly close to the present.

Across seven short films, an immersive installation and archival material, the exhibition explores conspiracy theories, ecological anxiety, violence, technology and collective rituals without falling into the familiar aesthetics of dystopia.
Rather than predicting the future, GENER8ION seems to distort the present, creating a world that appears both unfamiliar and strangely familiar.

In 2034, young people believe in conspiracy theories, scrape by, seek out unspoilt natural environments, and continue behaving like teenagers. A new review examines the exhibition and the conflictual relationship between art, politics, and technology.

Courtesy of 180 Studios

180 Studios

By Romain Gavras and Surkin

ROMAIN GAVRAS Surkin - GENER8ION

Words by Aurora Piedigrossi

20/08/2026

C. B. Evans is interested in the systems that quietly organise everyday life, technological, institutional, and narrative structures that influence how identity is formed, often without becoming immediately visible.

Film, installation, and speculative environments are used to examine identity as something provisional, produced through infrastructure, protocols, and the small acts of mediation that accompany daily life.

Projects such as ‘Amos’ World’, ‘What the Heart Wants’, and ‘Hyperlinks or It Didn’t Happen’ focus on the relationship between individual agency and the systems that regulate care, memory, communication, and governance. Fiction provides a way of making these structures perceptible while allowing uncertainty to remain unresolved.

C.B. Evans on the printed Issue 3 of COEVAL Magazine.

Interview by Davide Andreatta

06/08/2026

Fabio Cherstich works with opera and keeps asking what the form is made of. Sound, bodies, a room, a length of time. He rearranges those elements and leaves the music where it is. What he returns to are the conditions of a performance: who is watching, from how close, and what else is going on around them.

Much of the work happens outside the theatre. Streets, archives, museums, public buildings. In those places the audience stands near enough to see a singer breathe, and the setting does its own work, from the acoustics down to whatever the room was used for before.

on the printed Issue 3 of COEVAL Magazine.

Interview by

Photography AGF
Styling Ariel Câmara Bretas
Styling Assistant sofiiaberetta

31/07/2026

A conversation with Thomas Subreville ILL-STUDIO on perception, context, and aesthetic fatigue, originally published in Coeval Issue 2.

29/07/2026

‘The Whyte House’ is Ian Fleming’s invention: a Las Vegas casino-hotel introduced in his James Bond novels and later brought to the screen in ‘Diamonds Are Forever’ where it served as billionaire Willard Whyte’s paranoid glass fortress - a character transparently modelled on Howard Hughes, who was by then running the Desert Inn economy from a penthouse in blackout curtains.

‘The Whyte House’ is a speculative document of a speculative place: a photograph of a photograph of a lie.
The hardware of manufactured desire, running without a user. That is what this series is about, not absence, not atmosphere, but the thing underneath: escalators, slot machines, mirrored corridors, a piano in the dark, all of it still running after the people left, or possibly before they arrived. You walk through it waiting for the punchline.

Concept and Art Direction Tom
Image Direction SGB — Studio Gui Boucher
Image Production Retina
Words Cleo Altmann

28/07/2026

‘WE USED TO BE FOREVER PARTNERS’ by Daniel Roché, part of COEVAL Magazine SS26 the “FRAGILE” Issue 3

Photography Daniel Roché
Styling Davide Andreatta
Model Luc¡a at monster mgmt
Make-up Manuela Balducci at Walter Schupfer Management
Hair Styling sergio sorbello at BLEND MANAGEMENT
Casting Director Vittorio Vanzulli
Post Production nittygritty.berlin
Styling Assistant alicia🕷️
Special thanks to villarezzonico

Founder and Creative Director Donald Gjoka
Editor-in-Chief and Fashion Director Davide Andreatta
Art Direction Simone Conforte and at

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