06/12/2016
Call for Papers: Hardly any other creative practice is as thoroughly entwined with the social, political andeconomic everyday life, as is design. Technological change, social upheavals, or global crisis do
affect design and provoke permanent redefinitions. Accordingly, controversial topics like climate change, increasing scarcity of resources and distributive justice shape the contemporary disciplinary discourse. Whether product, industrial, communication or fashion designer, design advisor or design activist, designers reflect their role and position within industry, consumer culture and media, and they do make an effort to adjust their tasks and methods, too. Big Data, the Internet of Things or Smart Objects appear to be new fields of design activity, at the same time they create new realities with consequences for the concepts of freedom, security and self-determination, which urgently need to be confronted and discussed. Furthermore, the discourse around new digital media makes it very clear once more, that design cannot be reduced to one-dimensional, problem solving approaches, a set of standardised methods or even the design of objects.
The conference „Design Criticism“ would like to raise the question as to what extend design journalism and criticism serve to reflect and convey this altered, extended, even ambivalent understanding of design. Above all, the actual crisis of media and of their political and cultural institutions, may serve as a starting point for the conference. Moreover, it may be useful to ask
if critical journalism is losing territory in general, as it is sandwiched between private business interests and the heterogeneity of the New Media (Social Media, Blogs, and digital magazines).
Finally, the observation that contemporary critical design devises potential new fields of action, in order to raise its bearing on social, economic or political processes, appears to be particularly
intriguing in that context. Confronting the state of affairs, what kind of design criticism may have any sense at all? Does design criticism nowadays need to be based on new theoretical, strategic of methodological principals? Can design criticism, in the context of contemporary media landscape, claim independence or does it need to operate all the more biased and specific?
The conference is organised by the Gesellschaft für Designgeschichte (GfDg – German Design History Society) in cooperation with the University of Art and Design Offenbach (HfG
Offenbach), at the occasion of the foundation of the new Master programmes “Design Criticism” and “Curating Design” at the HfG Offenbach. The conference will discuss promising stances of a
new design criticism as well as the historical relationship between design, media and society.
Tensions between the extended field of design and the complex media landscape, especially in view of the present economic and political changes, will serve as a critical framework for the
presentations.