ARRI Rental Group

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ARRI Rental Group

ARRI Rental offers consistently high standard of equipment, service and support wherever you need to
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ARRI Rental Europe does more than simply provide equipment; it also offers competent consulting and logistical support. Over many years it has gained experience on the demanding and logistically complex shoots of major international and national productions.

09/10/2025

"In 2023, I had the chance to get to know the SkyPanel X on a presentation in Berlin. It was really impressive. The output, the colours and the all-over handling. So I was really interested to bring them to Thailand. In Bangkok, there were no SkyPanel X available, so I bought 10 of them and ARRI was helping me out on that side to make it happen to ship them to Thailand." Gaffer Thorsten Kosellek ().

Discover what went into the shoot of the third season of "The White Lotus" () on the island of Koh Samui, Thailand. With no light pollution around the resort location, gaffer Thorsten Kosellek and his team relied on the power and versatility of SkyPanel X.

Working alongside the Orbiter and the ARRIMAX, the SkyPanel X helped illuminating the drama between staff and guests at the luxury wellness retreat.

Serviced by ARRI Rental.

Follow the link in bio to watch the interview.

02/10/2025

'Lufthansa a new Travel Experience' was one of the first projects illuminated with the SkyPanel X. Gaffer Albrecht Silberberger () recalls: "It was exciting to be one of the first to use the SkyPanel X21 fixtures. They arrived directly from the ARRI factory, still in their boxes! Despite the short setup time, everything worked flawlessly. One standout feature we really liked was the HyPer Optic accessory for hard light."

Read more at the link in bio!

📸: ©Chris Naschke

Client: Lufthansa ()
Agency: Serviceplan ()
Directors: Nono+Rodrigo (, )
Cinematographer: Patrick Golan () and Jan Prahl ()
Gaffer: Albrecht Silberberger
Production company: Iconoclast Germany ()

25/09/2025

Cinematographer Tico Poulakakis CSC crafted the look for "Foundation" season 3 where he combined the ALEXA 35 with detuned Atlas Orion anamorphics and ARRI Rental’s DNA LF and HERO Look lenses. He recalls: "The magnificent Dominik Dusek from ARRI Rental Prague suggested the HERO Look lenses to us. They were fantastic to use and a great innovation on the part of ARRI Rental. Once again, they helped us tell the story of the Mule and the bedlam he introduces. They were particularly useful because of their ability to dial in the level of detuning to taste; we had great fun with them in that regard. They were also used extensively for another storyline— superbly executed by director Chris Byrne and the great Alar Kivilo ASC, CSC, ESC—involving the character Brother Day and his figurative descent into the ‘underworld’ of Trantor." Read the full interview here: https://arri.link/3VwGMV5

📷 Credits: Tico Poulakakis, Apple TV (), Kim Worthington

'HEROLooklens ,

19/09/2025

ARRI on the Big Screen!

From epic intergalactic adventures to deeply human stories — ARRI remains the trusted choice for filmmakers around the world. Watch our latest showreel of theatrical releases captured with 65 mm, large-format, Super 35, and monochrome ALEXA cameras.

A huge thank-you to the visionary cinematographers who choose ARRI — we’re proud to be part of your creative journey.

Featured projects include:
- Americana – Nigel Bluck | ALEXA Mini
- Bono: Stories of Surrender – Erik Messerschmidt ASC | ALEXA Monochrome cameras, DNA lenses
- Five Nights at Freddy’s 2 – Lyn Moncrief | ALEXA Mini LF, DNA lenses
- Foundation Season 3 – Tico Poulakakis CSC, Owen McPolin ISC, Alar Kivilo ASC, CSC, ESC | ALEXA 35, DNA LF, HEROES LOOK lenses
- Heads of State – Ben Davis BSC | ALEXA 35
- Kiss of the Spiderwoman – Tobias A. Schliessler ASC | ALEXA Mini LF
- Predator: Badlands – Jeff Cutter | ALEXA Mini LF
- Project Hail Mary – Greig Fraser ASC, ACS | ALEXA 65, ALEXA Mini LF, HEROES T.ONE lenses
- Springsteen: Deliver Me from Nowhere – Masanobu Takayanagi | ALEXA 35
- The Fantastic Four: First Steps – Jess Hall ASC, BSC | ALEXA 65
- The Roses – Florian Hoffmeister BSC | ALEXA 35, Moviecam lenses

08/09/2025

🍿🍿🍿 "Currently leading the German cinema charts, Michael Bully Herbig’s "Das Kanu des Manitu" showcases the work of cinematographer Armin Galisano.

Industry leading camera, lighting and grip equipment including the ALEXA Mini LF, Moviecam and HEROES Look lenses and SkyPanelX were supplied by ARRI Rental Group, helping craft a comedy that looks as good as it feels.

📸 © herbX film/Constantin Film/Luis Zeno Kuhn

In cinemas now.

29/08/2025

It’s Olivia Colman vs. Benedict Cumberbatch in “The Roses,” the story of a couple whose marriage quickly devolves into an epic divorce battle. A reimagining of the 1989 classic “The War of the Roses,” this version was written by Tony McNamara, directed by Jay Roach and shot by Florian Hoffmeister BSC, who paired ARRI Rental’s exclusively rehoused Moviecam lenses with the ALEXA 35.

Now playing in theaters. 🌹🌹

📷 Searchlight Pictures | Jaap Buitendijk, Lara Cornell

26/08/2025

Cut. Shape. Focus. Tune. The ARRI L-Series Plus continues to lead the way in LED Fresnel innovation—delivering the look and control of traditional tungsten with the power, precision, and efficiency of LED.

Optimized for studio applications like broadcast, corporate, event, location, and industrial markets, the L-Series Plus offers seamless integration, silent operation, and consistent color for professional results every time.

At a recent ARRI Rental workshop in Budapest, lighting professionals experienced the L-Series Plus up close—putting its performance to the test.

Discover why ARRI’s L-Series Plus is the go-to for gaffers, DPs, and studios worldwide.

📷 ARRI Rental

👉 Learn more at https://arri.link/47jZNRL

21/08/2025

Cinematographer Toni Tillmann took the ALEXA 265 on a test shoot and shared his experience with us: "I was very curious to see how this special camera would perform on the agile and fast paced parkour shooting with my friend Dennis Korra. I was interested in finding out how the 65mm sensor influences the aesthetics and my way of framing and camera movement.

The camera felt very familiar, boasting the same dimensions and interfaces as an ALEXA 35 which allowed us to shoot effectively and move quickly.

Being able to frame wide shots with a shallow depth of field adds a beautiful depth to the image. The incredible DNA 65 lenses were the perfect fit for the shoot, adding a softer contrast and controlled flares while retaining enough control in an available light scenario. I can't wait to bring this setup to one of my upcoming shoots."

Want to learn more about the ALEXA 265? Check www.arri.com/alexa265

Production: Tillmann Brothers
Dir-Dop: Toni Tillmann
Athlete: Dennis Korra
1st AC: Julius Aeneas Thamer
2nd AC: Tommy Re

14/08/2025

Cinematographer Georg Weiss, AAC: "Perla was my first project on ALEXA 35. I was really impressed by the dynamic range, which often allows for easier lighting setups as almost every highlight is protected. During the camera tests we liked the nostalgic texture of the camera so much that we decided to completely burn it in. I felt that the texture interacted more organically with the image than most digital or scanned grain does. Thanks a lot to ARRI for the collaboration and the great support as always." "Perla" was serviced by ARRI Rental Vienna and is released in multiple countries.

📷 Credits: Victoria Herbig, Georg Weiss

08/08/2025

Episode six of Netflix’s "The Helicopter Heist" places you inside the action with a meticulously choreographed single take—brought to life with the ALEXA Mini LF and ARRI Rental's exclusive ALFA anamorphic lenses.

In our latest interview, cinematographer Juan Sarmiento ADFC, BVK takes us behind the lens of this pivotal episode, sharing the process, challenges, and choices that shaped this episode.

🎥 Featuring exclusive BTS footage courtesy of Netflix.
👉 Watch the official trailer here: https://arri.link/4frHhc1 and full interview here: https://arri.link/4miahp2

07/08/2025

ARRI welcomed two visionary cinematographers for an unforgettable ARRI Close-Up session: Ed Lachman ASC () and Norm Li CSC (), whose 16mm-shot "Lucky Lu" is heading to . Ed Lachman ASC moderated the event.

Shot on the ARRIFLEX 416 Plus with ARRI/ZEISS Ultra 16s, Lucky Lu pays homage to Italian neo-realism and reimagines the streets of NYC through a bold, analog lens.

A true celebration of craft, vision, and film.

📷 Credits: Sanae Ohno ()

01/08/2025

Following yesterday’s launch of the ALEXA 35 Xtreme, we’re excited to share the first demo reel!

Captured by cinematographers across the globe, the reel features high-speed footage with the new ALEXA 35 Xtreme. Showcasing the camera’s unique combination of industry-leading image quality and super-slow motion, the clips encompass a diverse range of sport, commercial, tabletop, promo, and narrative applications. ALEXA 35 Xtreme frame rates go up to 330 fps with the full 17-stops of dynamic range, and an incredible 660 fps in the new Sensor Overdrive mode.

🔗 Discover ALEXA 35 Xtreme: https://arri.link/4onI81B

With huge thanks to the cinematographers who made this possible:
Jannik Abelt
Charles Bergquist
Jeff Berlin
Sean Dooley
Luca Fanti
Tom Frenette
Sean Gilroy
Manuel Koch
Robert Eder
Elias Maria BVK
Alex Salahi
Hans Peter Schepp
Michael Schrom
Stijn Van der Veken ASC, SBC
Eduardo Verrty AMC

Adresse

Medien-und Gewerbepark Ismaning
Ismaning
85737

Telefon

+498938091240

Webseite

https://www.arrirental.com/

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