Grass Audio Studio

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Deutschland
Munich
Grass Audio Studio

First Class Mixing & Mastering Services. For tailor-made Hip Hop und Urban Sound.

12/12/2025

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➡️ - Release - EP ⬅️
music 🎹
🎹w.a.s.p 🎸
🎸

and the rest of the gang ❤️🙌🏻❤️🙌🏻

Thanks for being a part of this! 🙏🏻
🔜

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11/12/2025

Nightshift

10/12/2025

▶️ Get Out There ◀️
………………………………..
For a sound engineer who is new to the professional industry, the opportunities to gain
experience can be difficult. The industry is already bursting at the seams with sound
engineers looking for available work. That being said, get yourself out into as many audio
recording situations possible. Even if the situation isn’t ideal it will give you a chance to
grow your audio knowledge. You can never anticipate what can be learned from a gig,
big or small. The weirdest little situations can sometimes reap the most significant
learning experiences, whereas a highly involved rock band may be more entertaining but
may not give you any new audio knowledge.
As your audio experience grows it will give you the confidence to trust your ears. This will
lead to success in making critical audio decisions and in turn, will make your clients
happier with the end product.

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09/12/2025

➡️ Try New Things ⬅️

Experimenting is key when it comes to gaining the experience needed for a critical ear.
Take recording a guitar, for example, every aspect of a guitar player’s setup will change
the resulting audio received by the microphone. From the strings on the guitar to the
cables used for the amp, everything affects the tone. If an engineer really didn‘t care, they
could just throw up a microphone close to the speaker and call it a day. To really start fine
tuning an engineer’s critical listening one must take a moment to judgmentally consider
the choices being made before the recording begins. “Is the microphone distorting?” “Is
the preamp a good match for the microphone?” “Does the final tone fit within the song?”
“Is the placement of the mic giving us what we want?” All of these decisions can affect
the final outcome of the recording.

08/12/2025

Trusting Your Ears in the Studio
One of the hardest things for any new sound engineer is learning how to trust one’s own listening skills. In making audio decisions, it can take years of experience in learning how to trust one’s own ears. This can come from dealing with varied types of music in many different studio situations. Just placing a microphone at a sound source per common practice is not necessarily going to give the engineer an amazing sound. You must ask yourself, “is this the right mic for this situation?” “Does the mic actually make the audio source sound good?” An engineer must take the time to listen critically to judge if the choice being made indeed helps the recording as a whole.

05/12/2025

DON´T GET LOST IN THE MIX VOL. X

▶️ Mixing References ◀️

One of the best mixing tools is probably already on your shelf: your own music collection.
Comparing your own work with your favorite productions is probably the cheapest way to
improve your mixing (adjusting the volume if necessary to allow for a realistic comparison).

04/12/2025

DON´T GET LOST IN THE MIX Vol. IX

➡️ Use EQ ⬅️

Use equalization to clear up frequency clashes. You can cut competing frequencies in other instruments or roll oﬀ the low-end on eﬀects like delay and reverb to prevent muddiness.

02/12/2025

DON´T GET LOST IN THE MIX Vol. VII

➡️ Focus Despite Width ⬅️

There are various ways to make sounds wider: doubling and panning, modulation, imagers, and
so on. However, these methods often have the disadvantage of losing focus on the sound source,
and the sounds might even sound diﬀuse and phasey. To counteract this, with layered sounds,
you can process only one of the layers with an imager. The others remain as they are. This makes
the sound wide and enveloping without losing energy or becoming distracting to the listener.

28/11/2025

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▶️ - Isola ◀️

🎹
and by at 🎚️🎛️

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27/11/2025

DON´T GET LOST IN THE MIX Vol. VI

➡️ The Core Elements as a Foundation ⬅️

Everyone has their own workflow when it comes to approaching and structuring a mix. Many start
with the drums and build upon them. While they form the rhythmic backbone in most genres, they
aren’t necessarily always the core element. The latter can also be keys or vocals. Try laying a
foundation of keys and vocals first, and then building drums, bass, and other instruments around
it. This approach gives the main elements more space in the mix and allows you to integrate
secondary sounds so they don’t clash.

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26/11/2025

DON´T GET LOST IN THE MIX Vol. V

🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️

➡️ Manual Compression ⬅️

Instead of controlling dynamics via compressors, you can also compress manually ->
HUMAN COMPRESSION

What sounds strange simply describes volume automation. The advantage of this method is that
you can react more flexibly because you are not dependent on fixed attack and release times.
This allows you to make targeted adjustments, and you will find that a compressor doesn’t need
to work as hard afterward to round out the sound.

🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️🎚️

25/11/2025

DON´T GET LOST IN THE MIX Vol. IV

▶️ Templates ◀️

A structured workflow not only helps with file management but also with maintaining an overview
within a session. Create raw sessions and save them as templates. Specific templates for
individual workflow steps are also recommended here.

They should include everything you use by
default. This includes the color coding of your tracks and plugins.
For example, you can load your favorite synths directly into a composition template, so they’re
immediately accessible.
For mixing, you can create and route buses and equip them with your preferred tools; one
application for this would be parallel compression for drums.
Again, once you’ve internalized this, you’ll always have a clear overview and save time.

Adresse

Munich

Telefon

+4917621003889

Webseite

http://www.grassaudio.de/

Benachrichtigungen

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