type7 The daily magazine for those who are driven

For Khun Wisrute (Wisrute - Driver & Car Guy), a Bangkok Porsche enthusiast, the passion for cars began long before the ...
09/09/2026

For Khun Wisrute (Wisrute - Driver & Car Guy), a Bangkok Porsche enthusiast, the passion for cars began long before the first Porsche entered his life. As a child he collected Matchbox cars; by 15 or 16, after years of reading car magazines, Porsche had become the marque that captured his imagination.

His interest has always been rooted more in driving than collecting. That philosophy led him to the 991 Speedster, a car he describes as essentially an open top GT3. “It’s the driving dynamics that I’m most interested in,” he explains.

Before the Speedster he owned a 991.2 GT3 RS, a car he initially hoped to keep. But as it’s designed, it proved to be a vehicle best suited for the track. He sold it and replaced it with the Speedster, believing it would be more enjoyable at sensible speeds on the street. Collectibility is welcome, but it is secondary to usability. “For me, it’s a car and a car should be driven as intended.”

K’ Wisrute’s Guards Red Speedster features silver wheels, black leather, red stitching and carbon fibre interior trim. The model is exceptionally rare in Thailand, where he estimates only 10 to 15 exist, and it is unusual to see one being driven at all.

Around Bangkok, its soft, road biased setup copes surprisingly well with the city’s roads, and early Sunday mornings are his preferred time. But the real experience begins outside the capital, on mountain roads in Nan, Chiang Mai and Chiang Rai. With the roof open, the naturally aspirated flat six’s climb toward 9,000 rpm becomes the experience.

Heritage matters, but driving comes first. That may also explain why, if he could keep only one of the Porsche’s in his collection, it would probably be his 991.2 GT3 Touring in PTS British Racing Green, a car he personally specified. Luckily, he doesn’t have to choose between them. The only choice he has to make is which to drive and when.

Photos and words by Marco Annunziata for Type 7

On the Alamedas campus of the Universidad Autónoma de Durango in northern Mexico, there’s a building that seems to look ...
09/09/2026

On the Alamedas campus of the Universidad Autónoma de Durango in northern Mexico, there’s a building that seems to look at you 👀⁠

Not literally, but through the skin of the Torre Negra, or the Black Tower. It’s a compact laboratory building designed by Jonathan Corral, whose rooms are stacked vertically inside this monolithic block.⁠

The building’s exterior catches the eye with rows of black metal slabs covering it. Some of them are subtly open, allowing the students inside to glance outside.⁠

The apertures also block direct sunlight to ward off heat, diffuse the light coming into the structure, and draw air across the laboratories for ventilation. From afar, the otherwise flat surface seems to ripple and bend, giving the impression of a gust of wind folding the metal sheets open.⁠

Before entering the building, guests walk past planted strips of greenery and a geometric-shaped pond, softening the dark ambiance of the exterior.⁠

Repeated slabs of black metal sheets form shutters across the spaces, and they partially hide what’s within while still drawing air in. Inside, a set of metal staircases hangs off the main lobby, partly open to the outside.⁠

The use of black metal and stainless steel is evident in the fixtures, furniture, and decorations across the rooms, giving the design and palette a uniform look. At night, when the lamps are on from within, the metal fins outside obscure parts of the glow, turning the building into a giant night light.⁠

Photos by Recording Architecture ®
Words by for Type 7

Living between Zurich and Lugano, Gaia (Gaia Giacomazzi)’s taste bridges that classic Swiss duality between urban ration...
08/09/2026

Living between Zurich and Lugano, Gaia (Gaia Giacomazzi)’s taste bridges that classic Swiss duality between urban rationality and a love for the great outdoors. Her home is a repository for European modernism, peppered all over with classics from the Bauhaus and a particular love for Dieter Rams. Her weekends paint a different picture, so we joined her in the mountains to find out why.⁠

We found her at the top of a pass with a tent, a fold out chair, a fresh cup of coffee and an Arctic Silver Porsche 996. The car is the bridge between her two lifestyles. In the city it’s a quiet, understated work of 90s design. It doesn’t have a widebody, it doesn’t have custom rims, it’s just a clean and competent runabout that meshes elegantly into the Swiss street furniture. Out in the open air however, it really comes into its own.⁠

The internet will have you believe that it’s not worth approaching these mountain passes with anything less than a GT3, but the 296 bhp from the 3.4 Carrera is still plenty to play with if you know what you’re doing.⁠

We began with the Nufenen Pass, followed by the Gotthard, and ended with the Furka. These are the roads you picture when imagining a set of Alpine switchbacks, and they can be hard work on a near-30 year old car. The best times to experience them are late at night or early in the morning, and camping on the mountain is among the best ways to ensure you get everything to yourself.⁠

One pass leads to another, until its time pick a spot to put the tent up again. For Gaia, the 996 just isn’t a tool for getting to a fixed destination, but a vessel for progressing through the landscape that doesn’t demand answers or overthink its purpose, it’s just ready to go when you are.⁠

Photos by Chris Leustean for Type 7⁠
Words by Alfie Munkenbeck for Type 7

Some pampering and self-care for the horses à la 5-star hotel in this clubhouse in Mexico. 🏇⁠⁠Named Hípico Piedra Grande...
08/09/2026

Some pampering and self-care for the horses à la 5-star hotel in this clubhouse in Mexico. 🏇⁠

Named Hípico Piedra Grande, the horse riding clubhouse is designed by STUDIO RC. in Salazar, just west of Mexico City.⁠

What draws you in is the terrace suspended over the hillside with nothing supporting under it other than the sloping land itself. Up above, the roof is a space for gathering and an observation deck, completing this single-story, 700-square-meter pavilion.⁠

Natural materials design the structure: rugged local stone for the walls, timber for the roof, and textured local marble for the floors. As visitors walk around, a central patio separates the public rooms from the private ones.⁠

When they step behind the pavilion, they’ll find a stone wall holding back the land of the hillside. The architects left a gap between this and the building as a way to let the air in during the warm seasons.⁠

The clubhouse shares the site with 110 two-level horse stalls, sand tracks, and gravel riding trails, and the stables run on a steel-module system, where three blocks are linked by steel bridges around a central courtyard.⁠

Dark grey concrete façade colors each stall, and here, wooden shutters and sliding doors fill the openings. Nothing covers the concrete slab to leave it exposed, and throughout the corridors, a recycled material installed on the floor grips the horses’ feet and dampens the noise as they move.⁠

The site was already farmland, so no forest was torn down to build it. The stone, wood, and marble came from nearby and were put up by local labor, and the trees already on the plot shade the cantilevered structure, naturally surrounding the clubhouse.⁠

Photos by César Belio | Fotógrafo de Arquitectura
Words by for Type 7

“I always prefer air-cooled engines because of their distinctive character” 🌬️ “As much as I enjoyed the 964 RS and my o...
08/09/2026

“I always prefer air-cooled engines because of their distinctive character” 🌬️

“As much as I enjoyed the 964 RS and my old 993, having kids means I won’t have time to fool around with a project car anymore.”⁠

Meet Billy, an avid collector whose air-cooled journey began in 2011 with a 993 Carrera 2. Not one to leave well enough alone, he started his own RS-conversion. Manual-swapped, repainted in Turquoise Blue followed by modifications with genuine factory parts. He then went on to acquire a Mint Green 964 RS—kept original before eventually finding its next custodian, followed soon after by the departure of the 993.⁠

“I wasn’t desperately looking for a replacement when I sold the 964 and the 993; the Turbo was rather a coincidence.”⁠

It was actually a friend who took notice of the 993 Turbo’s listing online. Together, they inspected the car, but his friend decided to walk away. Billy saw his window, stepped in, and seized the moment, taking home this Hong Kong-delivered, factory manual example.⁠

“I have a soft spot for green, especially complex shades. This Turbo wears a chameleon coat and shifts its color depending on where it is and how the light hits it.”⁠

Painted in Aventurine Green Metallic, the interior is blanketed in matching Porsche Exclusive Caramel leather spanning the headliner, dashboard, steering wheel, shifter, center console, handbrake, door panels, and a pair of body paint matched Hardback Sport Seats.⁠

“You know—I’m getting old and fixed buckets aren’t my thing anymore… so this to me strikes the perfect balance for an analog yet pleasurable experience behind the wheel.”⁠

As our conversation continued under bright, cloudless skies, the paint seemed to answer back, echoing the deep, infinite blue from above.⁠

Photos and words by Cyrus for Type 7

The Harbin Opera House feels like an icy mountain at day and a modern lair at night 🧊⁠⁠Designed by MAD, the building’s w...
07/09/2026

The Harbin Opera House feels like an icy mountain at day and a modern lair at night 🧊⁠

Designed by MAD, the building’s white aluminium skin rises in low humps, one that the team describes as sculpted by wind and water. It is set out on Cultural Island, where the Songhua River spreads into marsh on the edge of one of China’s coldest cities.⁠

It ascends out of the flat marsh like a pair of snow-capped hills, with the double hump climbing to an apex around 56 metres up and a communal plaza and pond at the base. After dark, the building glows from the inside through the geometric skylight that seems to rise and fall like a heartbeat.⁠

Looking around the lobby, the feeling is of standing inside an ice cave. White concrete walls curve overhead, polished marble runs underfoot, and a crystalline glass ceiling, where thousands of faceted glass pyramids on a thin diagonal lattice, allows the light to pour in. ⁠

The skylights are even rigged with a custom system that melts the snow off and drains it away. Big glass walls span the lobby as well, so the curved white interior reads straight through to the plaza outside.⁠

From the lobby, a swooping wooden stair climbs to the grand theatre. The whole 1,600-seat room is lined in Manchurian ash, bent into narrow planks that wrap the stage and seats like the inside of a wooden block gently hollowed out. ⁠

A quiet skylight even threads daylight down to the audience. Next door, a smaller 400-seat theatre has a trick of its own with a huge soundproof window behind the stage, so the Harbin wetlands become the backdrop to whatever’s on stage.⁠

It’s best not to miss the paths carved right into the façade outside, where visitors can climb them like a hillside. Up above, they find an open-air rooftop stage, a viewing platform that oversees the Harbin’s skyline and the marsh below. ⁠

Photos courtesy of MAD
Words by for Type 7

Last week we joined our friends at the Brand Store "Porsche Driven by Dreams" in Stuttgart to celebrate Artifacts: Porsc...
07/09/2026

Last week we joined our friends at the Brand Store "Porsche Driven by Dreams" in Stuttgart to celebrate Artifacts: Porsche Motorsport

Hosted by from the evening focused on a talk show discussion around the history of the project, how it came to be, and some of the most fascinating details involved in its production.

Did you know for example that every photo taken by Thomas Walk in this book was executed on site in Weissach at the test facility? Thomas and his team painstakingly built mobile photo studios in the various buildings of the facility to maintain secrecy during the process, both around the project as well as the sensitive development taking place of Porsche’s highest performance cars.

There’s a retrofuturistic Brutalist vibe going on inside the Phillips Exeter Academy Library ⏺️⁠⁠Looking around, massive...
07/09/2026

There’s a retrofuturistic Brutalist vibe going on inside the Phillips Exeter Academy Library ⏺️⁠

Looking around, massive, hollow concrete rings frame the bookshelves inside MAPALA PEALIP and let natural light from the windows flow within.⁠

Each floor is lined with wooden balustrades, and from afar, these diagonal lines sit just inside the concrete portals, making them look like giant circular vents.⁠

It was the architect Louis Kahn who designed the library in 1965. He built it with both readers and books in mind and allowed the latter to complete the negative space in the design.⁠

The heart of the library is the atrium, where four concrete portals are cut through its walls. He arranged the library as three nested square rings, a scheme he nicknamed the “doughnut,” and treated each ring as a separate building in its own material.⁠

The geometry, perfect circles set into squares, drew partly from Roman ruins, which the architect revered. On the ceiling, diagonal concrete beams brace the top, and it forms an X-shaped umbrella that shelters the library’s lobby.⁠

The design feels somehow unexpected, given that the building’s exterior is covered in locally sourced bricks. Kahn laid around 420,000 of them on the outer walls alone, and its overall look mirrors the material used across the older campus on-site.⁠

When the library opened in November 1971, the school suspended classes for a day and had everyone move some 60,000 books from the old library into the new one by hand.⁠

Today that same building holds far more, having become what’s dubbed the largest secondary-school library in the world, with shelving for up to 250,000 volumes, and since 1995, the structure has been renamed the Class of 1945 Library.⁠

Photos by Olly Wainwright
Words by for Type 7

There’s a labyrinthine complex set in Dhermi, Albania, and it’s all in red 🟥⁠⁠The name says it all: Red Sol Resort, desi...
06/09/2026

There’s a labyrinthine complex set in Dhermi, Albania, and it’s all in red 🟥⁠

The name says it all: Red Sol Resort, designed by Bofill Taller de Arquitectura. These homes and hotels rise in a hilly village on the Albanian Riviera facing the Ionian Sea.⁠

There are about 19 villas and 20 apartments, alongside hotel pavilions, built across this 12,750-square-meter site, all finished in clay and ceramic tiles tinted a vivid, earthy red.⁠

The color is so striking that it stands out among the trees, rocky hills, and blue sea, like rows of vibrant pixels or blocks. What links the houses and accommodations are the interconnected staircases around the structures, as well as the bridges and walkways that wind around circular pools, shared patios, and elevated lookouts. ⁠

From afar then, the resort looks like a modern fortress right in the heart of a quiet village.⁠

Every villa has its own private courtyard for residents to enter through, while the upper floors are open to nature, overlooking the Ionian Sea. A private pool also awaits guests and residents alike on the roof of each stucture.⁠

Red Sol Resort reworks Taller’s 1970s housing, such as La Muralla Roja (The Red Wall) in Calpe, Spain (1968–1973), where architect Ricardo Bofill set his blood-red, cubic, staircase-laced complex on a cliff above the Mediterranean.⁠

That project transformed around 50 apartments into a maze of red, pink, and violet-blue planes without corridors inside, so residents move through on outdoor stairs and bridges, a similar technique brought to the Red Sol Resort.⁠

A sense of community comes alive in this part of the village, as the dense mesh of interlocking spaces allows residents to share routes, courtyards, gathering places, and a landscape of pixelated homes and hotels.⁠

Photos by Mir⁠
Words by for Type 7

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