Gotta Let It Out

Gotta Let It Out An independent music label. https://linktr.ee/gottaletitout Gotta Let It Out is an independent music label and a publishing house. Hipermania.

It was established in 2017 in Copenhagen by the musician Tomo Jacobson and the photo/video artist Malwa Grabowska aka.

“PALO” is an album of pieces for solo acoustic guitar (or “de palo”), written last year by Tomás Gubbins. They are simpl...
17/09/2025

“PALO” is an album of pieces for solo acoustic guitar (or “de palo”), written last year by Tomás Gubbins. They are simple compositions, recorded in the most direct way possible: one microphone, magnetic tape, and then printed onto cassette.

Alongside them are three pieces by two other composers who have accompanied Gubbins over the years, and whose inclusion felt essential within this documentation: Étude No.1 (Villa-Lobos), Mazurka-Chôro (Villa-Lobos) and Bo***ée, BWV 1002 (J.S Bach).

The album unfolds as a continuous take, a raw and unembellished record of a particular practice.

NEW S**T DROPWood Organization on „Drimpro 3.0” continues the path they entered in 2021 by releasing the previous album ...
11/06/2025

NEW S**T DROP

Wood Organization on „Drimpro 3.0” continues the path they entered in 2021 by releasing the previous album „Drimpro”. On the new release, the core duo of Szymon Pimpon Gąsiorek and Tomo Jacobson is joined by the Danish multi-instrumentalist Jonas Stampe a.k.a. Snöleoparden playing percussion and flutes. The self-titled musical approach „drimpro” (dream+impro) is a multi-stylistic expression influenced by such genres as free jazz, hyper pop, ethnic music, reggaeton, and punk rock, to mention a few. The acoustic, repetitively groovy jams were overdubbed with old-school synthesizers, piercing electronics, and song-like vocals, undergoing a genuine experimentation process in the post-production phase. Imagine you named your daughter Yamaha, your canary sings on auto-tune while bulldozers undermine your foundations, and your parrot repeats after the neighbor: "turn it down, I just put my monkeys to bed!".
credits

Releases July 4, 2025

Pre-order at https://gottaletitout.bandcamp.com/album/drimpro-30

HERE'S SOMETHING A LITTLE DIFFERENT!The great Swedish bass player Jesper Nordberg came to me with a 10-episode podcast n...
04/06/2025

HERE'S SOMETHING A LITTLE DIFFERENT!
The great Swedish bass player Jesper Nordberg came to me with a 10-episode podcast named TALKING & IMPROVISING, and asked if we'd wanna publish it. Of course!, I said!
But what is the TALKING & IMPROVISING podcast, you might ask? Well, it's pretty much what it says - each episode, Jesper meets top-of-the-line improvisers from different countries, talks to them, and subsequently improvises with them in the duo format. It's such a beautiful, simple concept that from now on, I don't want to hear any podcast that doesn't have the host improvising with the guest for half an episode, period.

Enjoy it on a podcast platform of your choice, like, subscribe, and all that free jazz, and let us know what you think, cheers!

https://open.spotify.com/show/4Xmu21eFk9nSVphNIl76CH

https://podcasts.apple.com/us/podcast/talking-and-improvising/id1818544663

https://www.youtube.com/playlist?list=PLkk5aoIXNOL9G280EVj6Kyiwl9ljD03SU

https://music.amazon.com/podcasts/bc17edac-5439-437a-862c-1d70f79b965c/talking-and-improvising

https://castbox.fm/channel/id6632786?country=us

https://www.iheart.com/podcast/269-talking-and-improvising-279129395/

https://podcastaddict.com/podcast/talking-and-improvising/5934315

ANNOUNCEMENTHChamber by Hein Westgaard & Mat ManeriChamber is an album of improvised music recorded in Copenhagen in Jul...
12/05/2025

ANNOUNCEMENTH

Chamber by Hein Westgaard & Mat Maneri

Chamber is an album of improvised music recorded in Copenhagen in July 2024, featuring the Norwegian guitarist Hein Westgaard in an intimate duo setting with esteemed American violist Mat Maneri. Consisting of seven freely improvised pieces - the first four with Westgaard on electric guitar and the final three on acoustic steel-string guitar - the recording marks the very first time the two have played together.

On the album, Westgaard and Maneri work with harmony as a dynamic, ever-shifting force, where melodic threads and microtonal textures interweave to reveal moments of unexpected beauty. Their improvisations are rooted in deep listening and a shared curiosity, resulting in a form of music that is at once precise and free-flowing; both intimate and expansive.

In Hein's own words: “This album documents the first musical meeting between me and Mat one summer day in Copenhagen, in a lovely little studio run by the Danish studio engineer Jens “Benz” Søndergaard. A bottle of wine was procured for the occasion. While playing, I was impressed by Mat’s ability of deep concentration and focus, creating very intentional beginnings and endings for each improvisation. For every single take he would be waiting in silence for the right moment to begin - often thirty seconds or more, which can feel like a small eternity when you are about to play. Allowing for this repeated waiting-for-the-right-time-to-start pointed me towards the value of silence, patience, consistency, and the importance of the opening of a piece, how it sets the stage for the ensuing improvisation both emotionally and compositionally. In other words, the space between silence and music should be taken very seriously.

Through playing together, it seemed as though we naturally gravitated towards shorter forms, ranging from around four to fifteen minutes. A common thread through many of the pieces seems to be exploring harmony as the main material, sometimes in a clearly tonal direction, sometimes more towards an area that was more post-tonal and chromatic, even microtonal, not judging any aesthetic space as wrong or right, just allowing it to happen, sometimes intuitively splitting up into roles of soloist and accompaniment, other times melting together into a sort of harmony-machine. Not really avant garde, and not really conservative, perhaps melancholic but not nostalgic, harmony and melody were both welcome, although in an abstract manner, never settling too long in one place, like the memory of a song.”

https://gottaletitout.bandcamp.com/album/chamber

20/09/2024

From the album "Days of Impermanence", a collection of improvisations for drum set, prepared vibraphone, small percussions, and electronics. A limited editi...

THE PAST IS A BLACK HOLEcoming this friday"With a flexible group of forward-thinking instrumentalists, we developed a ne...
02/09/2024

THE PAST IS A BLACK HOLE
coming this friday

"With a flexible group of forward-thinking instrumentalists, we developed a new performance practice aimed at fostering an inclusive environment for the spontaneous creation of collective music. Imagine a cybernetic orchestra functioning as a self-regulating system, eliminating the need for a conductor or specific instructions. No element exists independently; each is interrelated and reacts to previous actions, creating an organic, self-regulating system where elements can only exist in connection with one another. The compositions resemble a game with a set of rules and objectives, giving players significant decision-making power. This results in generative music, where each musician acts as a unique, minimal component of the overall texture, capable of influencing the final outcome. This concept defines our music."

Petter Asbjørnsen - bass
Irene Bianco - vibraphone
Sarah Buchner - voice, flute
Francesco Colocci - guitar
Lorenzo Colocci - flute, composition
Miguel Angel Crozzoli - tenor sax
Jacob PJ Fossum - piano
Tomás Gubbins - guitar
Simona Guler - flute
Inger Hannisdal - violin
Oscar Andreas Haug - trumpet
Darius Heid - piano
Flavia Huarachi - flute
Karin Ingves - piano
Jan Kadereit - drums
Antti Lähdesmäki - piano
Lone Aagot Meinich - campanula
Mette Hommel Østerlund - flute
Judith Parts - violin
Gintė Preisaitė - piano
Daniel Sousa - alto sax
Asger Thomsen - bass
Kim Mai Thordsen - flute
Michaela Turcerová - alto & baritone sax
Alex Ventling - piano
Marcus Wärnheim - bass clarinet
Luka Zabric - alto sax
Laura Zöschg - flute

OUT TODAYBartosz Szablowski - Id​(​ee)Id​(​ee) is a debut solo album from Bartosz Szablowski (the drummer of RASP LOVERS...
01/06/2024

OUT TODAY
Bartosz Szablowski - Id​(​ee)

Id​(​ee) is a debut solo album from Bartosz Szablowski (the drummer of RASP LOVERS) filled with piano soundscapes, electronic flows, forward drumming, and metaphysical spoken word. In Bartosz's own words:

"This music is very intimate to me, as it was mostly recorded in my bedroom, in which there stood two pianos tuned with a 10 Hz difference (A: 440 Hz & 430 Hz). I just had to do something with the ambivalence of their common sound. The idea for the album was to recreate the calming effect I experienced over and over again playing the piano just before going to sleep. The title "Id(ee)" refers to the primary system of mental organization (ID), as well as to the verb I GO (in Polish, IDĘ), because no matter how slowly it happens, we are always moving. I hope forward."

Cover art by Pola Włodarczyk

link in bio

This was released two months ago, do you remember? What an album - Sacha Perry / Ben Street / Kresten Osgood playing jaz...
31/05/2024

This was released two months ago, do you remember?
What an album - Sacha Perry / Ben Street / Kresten Osgood playing jazz like no one does.

Hein Westgaard / Katt Hernandez / Raymond Strid's 'The Knapsack, The Hat, and The Horn' featured on Best Jazz on  Bandca...
12/03/2024

Hein Westgaard / Katt Hernandez / Raymond Strid's 'The Knapsack, The Hat, and The Horn' featured on Best Jazz on Bandcamp, February 2024

Our guide to the month’s crucial jazz releases.

OUT TODAY!"The Knapsack, The Hat and The Horn” is a unique album of improvisations in an acoustic setting featuring Norw...
23/02/2024

OUT TODAY!
"The Knapsack, The Hat and The Horn” is a unique album of improvisations in an acoustic setting featuring Norwegian guitarist Hein Westgaard, U.S. violinist Katt Hernandez, and the Swedish drummer legend Raymond Strid. Recorded in a single day in Gävle, Sweden by Jon Fält, the unique instrumentation of plucked and bowed strings with percussion leads the music sometimes into abstract territory, other times into a kind of psychedelic, hypnotic folk music. The title is taken from the lesser known Brothers Grimm story of the same name, about one of three brothers who ventures into the forest and discovers different objects with magical properties, eventually making him the ruler of the entire kingdom.

Hein Westgaard says about the project:
“Playing unamplified with a drummer, violinist and a steel string acoustic guitar is a very fragile situation - especially since I play without a pick or other preparations of my instrument - but luckily Raymond and Katt are such great listeners and amazing improvisers, making it possible for everyone to contribute equally and beautifully to this special session. I have wanted to do an improvised project with a violin and drums for a long time, and this also happens to be my first record where I play completely acoustically on the guitar, two things that I am very excited about. With help from sound engineers Jon Fält and Francesco Toninelli - who are both great musicians in their own right - we managed to bring out some of the more subtle sound details of the recording session, while always trying to preserve a naturalistic sound image. I am really happy with how this record turned out, and I sincerely hope some adventurous listeners out there will resonate with it as well.”

Hein Westgaard is a Norwegian guitarist, improviser and composer, currently based in Copenhagen, Denmark. In addition to his own genre-bending Hein Westgaard Trio mixing folk, rock, country, free jazz and disco, he can be heard in the post-minimalistic quartet Ototoi, working with conceptual sound-art with Ensemble Ektos, in duo with the Lithuanian double bassist Aurelijus Uzameckis or the New Zealand pianist Alexander Ventling, playing ad-hoc free improvised constellations, or simply performing in the solo acoustic guitar format where he focuses on his own instrumental songs in the fingerpicking tradition. Raymond Strid is one of the most important voices in free improvised drumming in Scandinavia. Particularly inspired by some of the European master drummers like Han Bennink, Paul Lytton and Tony Oxley, Strid's first concert was 30 September 1977 and he subsequently performed in a variety of local groups in Stockholm. In 1988 he formed the Swedish trio GUSH together with Mats Gustafsson and Sten Sandell. From that point work has also included a wide number of groupings and projects such as Guy/ Gustafsson/Strid (Tarfala Trio), Crispell/Jormin/ Strid and the free jazz trio LSB (Fredrik Ljungkvist and Johan Berthling). The Electrics (Axel Dörner, Sture Ericson and Ingebrigt Flaten (Joe Williamson replacing Flaten in 2011)) was formed in 2000 and that same year he became a member of the Barry Guy New Orchestra.

Raymond Strid works constantly with occasional ad-hoc groups and temporary meetings. He has been touring and participating regularly at major improvisation festivals in Europe and North America. He also considers that, since around 2005, his playing moves stylistically between free improvisation and free jazz, sometimes mixing the two. Raymond Strid also teaches improvisation, methods and aesthetics. Katt Hernandez is a renowned violinist from the USA, living in Sweden since 2010. Katt is classically trained on her violin but she has also studied composition, electronic music, jazz, Eastern European folk music and improvisation.

Katt Hernandez plays mainly free improvised music and is a veteran of the improvisation and experimental music scenes in Boston, Philadelphia, Baltimore, and New York. Katt has performed in contexts ranging from underground venues to large concert halls alongside an incredible array of musicians, dancers, visual artists, filmmakers, and performance artists including Joe Maneri, Joe Morris, Jonathan Vincent, Gordon Beeferman, Joel Grip, John Berndt, Matt Samolis, Gene Coleman, Audrey Chen, Saul Levine, Zack Fuller, Erik Ruin, and many others.

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Copenhagen

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