12/01/2026
“Taboos and the trans community are at the heart of Ditte Haarløv Johnsen’s photographic diary from Mozambique”. Interview with on . Jump in and read along 💫
Maputo Diary, the debut photobook by Ditte Haarløv Johnsen, did not arrive easily. Spanning 25 years and multiple attempted iterations, the work resisted resolution until its author was able to locate her own position within it. The book traces Johnsen’s long relationship with Maputo, where she grew up in the aftermath of Mozambique’s War of Independence, and with a community of trans women – including Ingrácia, Yara and Antonieta – whom she befriended as a young woman and returned to photograph repeatedly over the decades.
Rather than presenting a stable authorial voice, Maputo Diary foregrounds uncertainty. Johnsen’s role shifts between insider and outsider, witness and participant, a movement that mirrors the ethical questions at the core of the project. The book is explicit about the asymmetries that structure these relationships: Johnsen is a white woman shaped by whiteness, photographing Black q***r and trans bodies. The work does not attempt to dissolve this tension, nor does it reduce the relationships to a single axis of difference. Instead, it insists on staying with complexity.
Text plays a crucial role. Johnsen’s writing situates the images within personal memory and political history, from post-independence optimism to civil war, unspoken family taboos and the formation of chosen family. Throughout the process, the people portrayed were actively involved, correcting timelines, contributing their voices and shaping how their stories were told.
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🖊: .aldu