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We are looking for someone curious about architecture, design and publishing in Copenhagen, with a strong visual eye and...
31/07/2026

We are looking for someone curious about architecture, design and publishing in Copenhagen, with a strong visual eye and an interest in how stories move between print and digital. You will work as part of the Ark Journal Marketing team; this role is crucial to support the day-to-day tasks of our Copenhagen team.⁠
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If you are thoughtful, organised and keen to learn more about how a magazine is made, we would like to hear from you.⁠
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Send your CV and a short introduction to [email protected]

“Before you make a painting, you have to know what you’re doing.”⁠For Michaël Borremans (.borremans ) , every work begin...
30/07/2026

“Before you make a painting, you have to know what you’re doing.”⁠
For Michaël Borremans (.borremans ) , every work begins with a concept. Scenes are carefully staged, models photographed, and compositions refined before instinct and chance begin to take over. While the process is meticulous, the meaning is never fixed, leaving each painting open to the viewer. ⁠
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‘The Performance’ (2004) reflects the tension between careful preparation and intuition that runs through Borremans’ practice. The painting is currently on view at David Zwirner Paris (David Zwirner – Art Gallery), titled ‘French Painting’, which opened in June, marking the artist’s first solo exhibition in France in almost twenty years.⁠
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Read the full feature in Ark Journal Volume XV.⁠
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Words ⁠
Photography Peter Cox © Michaël Borremans. Courtesy the artist and David Zwirner.

Michaël Borremans (Michaël Borremans 🇧🇪) approached the studio with the same attention he brings to a painting, consider...
28/07/2026

Michaël Borremans (Michaël Borremans 🇧🇪) approached the studio with the same attention he brings to a painting, considering from the outset how the space would shape the work made within it.⁠
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The former workshop in Ghent was transformed with architect Klaas Goris into a studio built around the discipline of painting. A new grid of structural steel girders strengthened the roof, allowing north-facing skylights to fill the vast space with soft, even light, while an oak-lined library was suspended above as a place to read, think and step away from the canvas. Every decision was made in service of the work. “A studio is just a tool,” Borremans says. “It has no impact whatsoever on my inspiration.” ⁠
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Read the full feature in Ark Journal Volume XV.⁠
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Words ⁠
Photography ⁠
Art Direction Sigrid Gry Laursen

While studying architecture in Paris, Architects Marion Pinet and Pierre Pollet travelled to a remote village in southwe...
27/07/2026

While studying architecture in Paris, Architects Marion Pinet and Pierre Pollet travelled to a remote village in southwest France to see a 19th-century farmhouse they had found online. They bought it almost immediately. Over the next two years, the restoration became an education in local craft, traditional building methods and the quiet intelligence of vernacular architecture, shaping a practice that continues to grow from those first lessons.⁠
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Today, Pollet Pinet Architectes (Pollet Pinet architectes) work across France, restoring rural buildings by drawing on the knowledge already present in each place. Every project begins with research, conversations with local craftspeople and an understanding that architecture is never made in isolation. ⁠
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Read the full feature in Ark Journal Volume XV.⁠
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Words Sisse Bro⁠
Photography Harry Crowder⁠
Art Direction Sigrid Gry Laursen

Introducing a more considered way to subscribe to Ark Journal. ⁠⁠The new Ark Journal subscription extends beyond the jou...
26/07/2026

Introducing a more considered way to subscribe to Ark Journal. ⁠
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The new Ark Journal subscription extends beyond the journal itself. Alongside delivery of both annual issues, subscribers receive 15% off every volume, exclusive member offers, priority access to selected invitations and events, and priority shipping.⁠
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Created for readers who return to each volume long after publication, the subscription reflects the way Ark Journal is intended to be read: collected, referenced and lived with over time. A new biannual payment option offers greater flexibility, making it easier to build a lasting collection.⁠
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Explore the subscription via the link in our bio.

For Keiji Ashizawa (KEIJI ASHIZAWA), architecture is shaped by inheritance. From Peter Stutchbury’s home in Australia to...
23/07/2026

For Keiji Ashizawa (KEIJI ASHIZAWA), architecture is shaped by inheritance. From Peter Stutchbury’s home in Australia to two formative years in a steel workshop, each experience reshaped his understanding of materials, place and the stories buildings can hold.⁠
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That thinking defines the transformation of the Karimoku Research Centre (KARIMOKU RESEARCH), where a former brutalist house has been carefully stripped back to reveal its original character. Through precise interventions, Ashizawa reconnects the building with its architecture, creating a journey guided by light, material and movement. ⁠
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Read the full feature in ARK JOURNAL Volume XV.⁠
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All images courtesy of KEIJI ASHIZAWA DESIGN. ⁠
Photography by Tomooki Kengaku (Tomooki Kengaku) and Ben Richards | Japan Travel⁠
Word by alisalarsen

Entering Nata Janberidze’s (jambo) apartment creates a chain of recollections. Through a wooden library corridor, Tbilis...
21/07/2026

Entering Nata Janberidze’s (jambo) apartment creates a chain of recollections. Through a wooden library corridor, Tbilisi begins to reveal itself, not only through books, artworks and collected objects, but in the atmosphere of the home itself. Looking onto the city’s disappearing courtyards, the apartment carries the layered culture of Georgia, where memories, symbolism and everyday rituals quietly shape the spaces people inhabit.⁠
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Home to the co-founder of Rooms Studio (Rooms Studio), the apartment has evolved over the past decade alongside family life, each intervention responding to changing needs rather than a fixed plan. Ancient and contemporary influences exist in quiet dialogue, reflecting the same intuitive approach that has established Rooms Studio as one of Georgia’s defining voices in design. ⁠
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Read the full feature in ARK JOURNAL Volume XV.⁠
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Photography by James Nelson⁠
Words by Elené Abashidzé

In the classic Tblisian courtyard home, the formality of the herringbone parquet is eased by the 1940s soft leather sofa and the folding deck chair from Cado.

Expansive windows and gauzy curtains filter light in the dining room with a custom-made oak table and early midcentury chairs from Paul Bert, Serpette market in Paris. On the plinth is Ceramiche Vessel 3 by Rooms Studio for Bitossi and above it a plate by Georgian ceramicist Alde Kakabadze.

Ethnology, mythology, traditional and
hand-crafted modernist elements have all been incorporated in the Beam Dining Table, Pomegranate Chairs and Sculptural Chairs by Rooms Studio.

Inspired by NPR’s Tiny Desk Concerts, Birgit Lyngbye Pedersen () looked across the two-storey shelves in her Copenhagen ...
20/07/2026

Inspired by NPR’s Tiny Desk Concerts, Birgit Lyngbye Pedersen () looked across the two-storey shelves in her Copenhagen home and imagined what music might sound like there. Designed by Lene Tranberg as a place centred on community, the house became something far greater than a family residence. Its generous, open interiors encouraged conversation, shared experiences and a different way of living, eventually giving birth to Brodie Sessions. Years later, that same spirit gave rise to Brodie Sessions Brodie Sessions. On this independent music platform, international artists perform in architectural spaces, each session filmed on 16mm analogue film and created with the same care given to the house itself.⁠
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Read the full feature in ARK JOURNAL Volume XV.⁠
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Photography by Wichmann + Bendtsen Photography⁠
Words by

Founded by Filipe Assis (Filipe Assis), the annual exhibition opens the doors to landmark houses that are rarely accessi...
15/07/2026

Founded by Filipe Assis (Filipe Assis), the annual exhibition opens the doors to landmark houses that are rarely accessible to the public, revealing the dialogue between architecture, art and design. For Aberto 3 (⁠ABERTO), the setting is the former home of architect Chu Ming Silveira, designed in the early 1970s. Born in China before emigrating to Brazil, Silveira created the multi-level Brutalist residence around the principles of feng shui, while also designing the iconic Orelhões telephone booths that became a symbol of Brazil.  The home itself extends the dialogue between architecture, history and contemporary art.⁠
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(1) Grace, 2024 by Laura Vinci.⁠
(2) Grace, 2024 by Laura Vinci. At the top of the stairs,⁠
Narrative II, 1957 by Maria Leontina is mounted on Claudia Moreira Salles’ Aberto easel for Etel.⁠
(3)Cartouche aperture.⁠
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Read the full feature in ARK JOURNAL Volume XV.⁠
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Words by mateus nunes⁠
Photography by Ruy Teixeira

Certain ideas begin to surface across an issue without ever being planned.⁠⁠In Volume XV, that thread is the relationshi...
12/07/2026

Certain ideas begin to surface across an issue without ever being planned.⁠
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In Volume XV, that thread is the relationship between people and place. Homes, studios and conversations unfold through architecture, craft and design, revealing how spaces become shaped by the lives lived within them. From New York and Naples to Ghent, Marfa and beyond, each feature offers a different way of thinking about identity, memory and making.⁠
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Available through the link in our bio and at selected magazine retailers.

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