Aisha

One stop shop for sound effects across films, games & video

08/07/2026

Meet Disturbing Piano — a library of prepared piano sounds, eerie melodies, and oppressive textures, built for horror, thrillers, and dark ambient projects.

Behind it is Tomas Herudek, a composer whose credits include feature films such as Horror in the Forest, Journey of Time, and the boy vs. THE TROLL. He's also a sound library author on AiSHA Sound, where you can grab this one completely free.

If you're working on anything that needs to feel unsettling, this is worth a listen.

👉 Free download: https://aishasound.com/public-libraries/213

06/07/2026

Replace overused sound effects without spending hours searching.

With Find Similar, simply drop any sound into AiSHA and instantly discover alternatives that match its character and purpose.

Whether you're replacing a whoosh, impact, UI click, ambience, or any other sound effect, AiSHA helps you keep your projects sounding fresh—without endless browsing through sound libraries.

🎧 200,000+ free royalty-free sounds
⚡️ Drag & drop directly from your browser
🔍 Find alternatives in seconds

Try Find Similar at AiSHASound.com

02/07/2026

We're excited to welcome a new release from Cal Graham (In Motion Audio) — Liquid UI.

If you're looking for organic, tactile UI sounds, this beautifully crafted collection features natural water droplets and liquid textures, professionally recorded to become clean, responsive UI sounds for apps, casual games, and interactive experiences.

If you're creating interfaces that feel alive, these subtle and expressive sounds are a perfect addition to your toolkit.

💧 Download Liquid UI now at AiSHASound.com it’s FREE

01/07/2026

Most ambient and horror textures start life as samples. FERROUS starts with a spinning disc of magnets.
Hold this $225 handheld device over a guitar, a piano, or even a metal pot, and its magnets make the surface resonate without ever touching it — turning real objects into evolving drones and unsettling, hard-to-fake textures.
Our new guide breaks down how sound designers put it to work: organic drones, horror built on instability, and resonating found metal like cymbals and metal tables into "haunted object" sounds.
Read it here: https://aishasound.com/blog/ferrous-a-unique-device-to-make-magnetic-drones-and-horror-textures
Already using one? We'd love to hear the sounds you've made with it.

23/06/2026

Sound designer Yeong min Son quit learning C after one week - "I'm just not gifted at coding," he told us. A year later, he built his own VST plugin in two days: a vectorscope that solos individual frequency bands, right inside the panel he keeps on screen all day. He's already using it in his work.
We talked to him about how he did it step by step, what kept breaking along the way, and where he thinks this approach reaches its limit. If you've got an idea sitting in your head, his story might be the push to finally build it.
Full interview on the blog: https://aishasound.com/blog/your-first-vst-in-two-days-no-coding-required-how-yeong-min-son-did-it-and-where-to-start

01/06/2026

Most microphones haven't really changed in design for fifty years. The BAROm1 is what happens when someone refuses to accept that.
Built by hand by Japanese engineer and producer Yasushi Utsunomia — known in Japan's experimental scene as a "magician of recording" — the BAROm1 is a "barometer-microphone." It responds to changes in air pressure down to 0.1 Hz: sound so low it can't even be played back through speakers.
The point isn't to hear that bass. It's headroom. Just as field recordists prize 192 kHz to capture ultrasound for extreme processing, the BAROm1 captures the opposite end — infrasound and pressure — so that when you slow a recording down or pitch it up, you get organic weight and presence instead of a synthetic "boom" layered on top.
An inexpensive omni capsule in an acrylic housing, paired with a simple pocket recorder, somehow delivering a sound that feels physically present in the room.
We wrote a full breakdown of how it works and why it matters for sound design — read it on aishasound.com.
And a small note: if you can get your hands on one of these microphones, we'd love to publish your work — and we may be putting together something bigger with a group of like-minded people. For now, that part stays a mystery. Curious? Get in touch - [email protected]

🔗https://aishasound.com/blog/barom1-the-microphone-that-hears-air-pressure

21/05/2026

51,000 sound effects. 352 gigabytes. 15 years. One person.
We sat down with Saro Sahihi - Sound Designer, founder of SoundBits, and one of the most quietly influential creators in the independent audio world - to talk about what it actually takes to build something real in this industry.
Intuition over planning. Depth over volume. Staying power over hype.
His libraries are now on AiSHA - and this conversation is worth your time.

📖 Read the full interview → https://aishasound.com/blog/created-51-000-sound-effects-and-still-going-a-conversation-with-saro-sahihi

18/05/2026

The microphone that doesn't listen to air.
Rare Waves' OCM-2 Stereo Photophone is a fundamentally different kind of audio transducer. Instead of capturing sound waves, it reads vibrations from surfaces using reflected infrared light — producing stereo recordings of things no conventional microphone can touch: water ripples, spinning tape mechanisms, cymbal edges mid-vibration.
The result is something between a contact mic and a scientific instrument. It's immune to room noise, requires no acoustic treatment, and captures a stereo image from a single unit. The physics behind it trace back to Alexander Graham Bell's 1880 photophone — which he considered a greater invention than the telephone.
We've published a full breakdown of how it works, what it can record, and where it fits in a professional toolkit. Link in comments.
And if you're already working with the OCM-2 — we'd love to hear what you're capturing. Share your recordings with AISHA and we'll publish them on the platform.

🔗https://aishasound.com/blog/photophone-when-light-becomes-sound

14/05/2026

How many times have you used the same 10 sounds across 10 different projects?

This week, AiSHA users saved 3 829 sounds to their favorites — and every one of them is one click away from finding something fresh with Find Similar.
Your sound palette shouldn't be a habit. Make it a choice.

🔗https://aishasound.com/blog/what-to-do-if-every-project-sounds-the-same

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