Valofirma - The Light House

Valofirma - The Light House Valofirma - The Light House is Finland’s leading film equipment rental house. We offer equipment,

Why is Finland becoming a go-to filming destination? 🇫🇮🎥 From untouched Arctic wilderness to modern Nordic city streets....
28/07/2026

Why is Finland becoming a go-to filming destination? 🇫🇮🎥 From untouched Arctic wilderness to modern Nordic city streets.

Swipe to see why international productions are choosing Finland:
- Up to 40% cash rebate for international productions
- Four seasons, extended blue hour, and weeks of midnight sun
- Production-ready infrastructure, from Helsinki to the Arctic Circle
- Highly skilled, English-fluent crews
- A genuinely sustainable production culture

Ready to scout your next shoot? Let's talk.
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Meet the new LIT DUO 1. One compact device combining a light meter, color meter, spectrum analyzer, and flicker meter, e...
23/07/2026

Meet the new LIT DUO 1. One compact device combining a light meter, color meter, spectrum analyzer, and flicker meter, everything you need on set.

Now available for rental at Valofirma. We love it. ⚡️

New gear alert ⚡ Aputure STORM 1200x 1200W of output, outstanding color accuracy, wide CCT range, full +/- Green control...
02/07/2026

New gear alert ⚡ Aputure STORM 1200x

1200W of output, outstanding color accuracy, wide CCT range, full +/- Green control, IP65 weather protection, and every professional control protocol you need.

Now available at Valofirma.
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Next up: the Aputure STORM 700x, now in stock! ⚡️This powerful 700W point-source lamp features Aputure’s new BLAIR light...
29/06/2026

Next up: the Aputure STORM 700x, now in stock! ⚡️

This powerful 700W point-source lamp features Aputure’s new BLAIR light engine, delivering exceptional white light quality. The STORM 700x weighs just over 5kg, making it quick and easy to rig on set.

The head comes with a ProLock Bowens mount for modifier attachments. It's also IP65 weather-resistant, from the lamp head to the control box and cables. Take it for a spin! 💫

Our new fleet of versatile Aputure lights is now in stock! ⚡️ Let’s start with the smallest: the Aputure STORM 80c.This ...
26/06/2026

Our new fleet of versatile Aputure lights is now in stock! ⚡️ Let’s start with the smallest: the Aputure STORM 80c.

This new point-source lamp features the BLAIR-CG light engine in a compact body, delivering great 1800K–20,000K CCT range and outstanding color accuracy. The head comes with a Mini ProLock Bowens mount for secure modifier attachment. It's also IP65 weather-resistant, perfect for the Finnish summer! ☔️

“I’m Aki Ruostepuro, and I worked as Key Grip on the upcoming John Rambo feature film in Thailand, directed by Jalmari H...
09/06/2026

“I’m Aki Ruostepuro, and I worked as Key Grip on the upcoming John Rambo feature film in Thailand, directed by Jalmari Helander and shot by Mika Orasmaa. Several Finnish professionals joined the production, including Head of Makeup Salla Yli-Luopa, SFX Supervisor Konsta Mannerheimo, and Director’s Assistant Nina Erwes.

I became a grip by accident. While on sick leave due to a wrist injury, I was offered a job driving a makeup bus for Rölli. That led to working as a grip assistant under Tommi Tikanoja, where I learned the basics of the craft. I’ve now worked in the industry for 14 years.

My path to Rambo came through long-term collaboration with Jalmari Helander on several productions, and even before Sisu 2, I knew a strong performance could open this door. Rambo was a mid-sized international production with a grip team of 13 and a total crew of over 500. The tropical jungle environment caused fewer issues than expected. The main challenges were heat, equipment overheating, and keeping the crew hydrated.

Compared to Finnish productions, the biggest difference was scale: more people, more equipment, and longer preparation periods. Every setup was carefully tested in advance, which made shooting days very efficient. One of the most memorable moments was a demanding crane shot under intense pressure. At one point I wished someone else would take it, but when we nailed the shot, the feeling was extremely rewarding.

Action films are more demanding in almost every way—heavier gear, more complex locations, and frequent use of effects like fire, water, dust, heights, and explosions. This makes planning and safety absolutely critical. Despite language barriers, my crew was highly skilled, hardworking, and cooperative, and this applied across departments. Finnish strengths in international productions, in my view, are reliability, humility, and strong work ethic. We keep our promises and avoid unnecessary noise or overstatement—qualities that are valued everywhere.

My advice to newcomers is: do every job well enough to earn the next one. Consistency, professionalism, and reputation are the foundation of a long career, both in Finland and internationally.”

“I’m Aake Kivalo, and I work as a cinematographer. I began my studies in cinematography at the Department of Film at Aal...
01/06/2026

“I’m Aake Kivalo, and I work as a cinematographer. I began my studies in cinematography at the Department of Film at Aalto University in 2016 and graduated in 2023. Over the past 10 years, both during and after school, I have worked on a wide variety of projects as a cinematographer: a TV series, feature-length documentaries, over a dozen short films, and I have also served as a cinematographer for video artists on their projects.

The scale of the production always determines how much equipment I carry with me. If I’m working without a technical crew, I have to prepare in a completely different way than in situations where I can outsource tasks to others. I try to figure out well in advance of shooting how much personal equipment I’ll need to bring. Especially when working alone, I try to pack everything I need into my backpack, from cleaning supplies to screwdrivers.

My most important tools are definitely clothes, good shoes, gloves, a water bottle, and my computer and folder. Perhaps my best purchase ever is the pair of 1950s French army boots shown in the photo, which are incredibly comfortable in addition to being durable.

I usually carry a laptop with me that contains all the necessary plans, furniture lists, artistic references, etc. On the other hand, I find that I also want to have this same information with me in physical form. On the one hand, this is because physical materials help me visualize the whole picture and are easily within reach. On the other hand, it’s also about archiving my own artistic work.

In conclusion, however, it can be said that no tool used in photography is as important as one’s own body. I have maintained my physical fitness by going to the gym at least three times a week, in addition to which I play various other racket and ball sports. All of this has only positive effects on my body, my stamina, and, through that, on what matters most: the quality of my work.”

This photo series highlights independent filmmakers and the personal gear they always bring to set. Is there someone you’d like to see featured — or would you like to take part yourself? ✨ DM us!

“I’m Mikael Gustafsson (F.S.C.), a cinematographer. I’ve worked as a cinematographer in various forms for around 20 year...
25/05/2026

“I’m Mikael Gustafsson (F.S.C.), a cinematographer. I’ve worked as a cinematographer in various forms for around 20 years, both in Finland and internationally. Recently, my work has focused mainly on commercial productions, as everyday life with small children doesn’t always fit well with the schedules of long fiction productions.

The most important tools in my work are a mobile phone and practical workwear, they always come with me. An iPad and a Sigma fp recce camera are also often close at hand. I feel fortunate to work alongside professionals who take care of the camera equipment, allowing me to focus on what matters most: the work itself. In practice, that often means trying not to freeze, sweat, or get soaked during the day. Over the years I’ve probably become a little better at that too, although it’s still difficult to think about much else when your shoes are wet.

I believe pre-production is at the core of a cinematographer’s work. Whenever possible, I like to be involved early in the process, from location scouting to shot planning. Being part of those conversations from the start gives a clearer understanding of the director’s vision and the production’s direction before arriving on set. At its best, that collaboration makes this the best job in the world.

I wouldn’t describe myself as a particularly technical cinematographer. The equipment itself has never been the main interest, what matters is what you are trying to express or communicate with it. The script and visual arts are where my inspiration begins and what everything else is built upon.

One of the most valuable lessons I’ve come across over the years comes from Robert Nordström: every production should contain at least one detail that interests, teaches or challenges you. That mindset helps keep curiosity and enthusiasm alive.

Even if you don’t want to focus too much on the technical side, you need skilled people around you and reliable tools to support the process. Professionals who take care of the gear that meets production standards make it possible for a cinematographer to focus on what truly matters: the story and how it’s told.”

Kristiina Werner will join Valofirma on May 18 in the role of Interim Director.Kristiina brings extensive experience in ...
19/05/2026

Kristiina Werner will join Valofirma on May 18 in the role of Interim Director.

Kristiina brings extensive experience in the media and AV industry, with a strong background in growth leadership and business development. She has a long career in commercial television, broad international experience, and a solid understanding of production environments as well as equipment rental operations.

At Valofirma, Kristiina will focus on supporting the company’s strategic and operational development, as well as strengthening growth and sales development in both domestic and international markets.

Welcome aboard, Kristiina!

“I’m Tuomas Järvelä, a cinematographer and a recent member of the Finnish Society of Cinematographers (F.S.C.). I have w...
18/05/2026

“I’m Tuomas Järvelä, a cinematographer and a recent member of the Finnish Society of Cinematographers (F.S.C.). I have worked in the film industry since 1998. In the early 2000s, I worked at P. Mutasen Elokuvakonepaja while freelancing as a video assistant and 2nd AC, and at the same time I shot as many music videos as possible. Although I also studied film and television, my greatest film school has probably been the more than one hundred music videos I have shot over the years.

Since 2005, I have worked full-time as a cinematographer. Most of my career has focused on commercials, music videos, and other short-form productions, alongside some long-form drama projects — hopefully more in the future.

Over the years, I have owned several cameras and built up a wide range of camera equipment. My interest in camera technology likely comes from my years working in a rental house. Having my own gear allows me to experiment, develop personal projects, and stay flexible on productions. I also tend to travel with more equipment than most cinematographers because unexpected situations are part of the job. For that reason, I put a lot of effort into keeping everything organized and efficient for both myself and the camera team.

At times, I dream about simplifying everything — selling the gear, buying elegant clothes, and working with nothing more than a light meter and a notebook in the trunk of a small sports car.

In practice, my most important tools are my phone, iPad, computer, light and color meters, and especially proper clothing for all weather conditions. It is difficult to concentrate on cinematography when you are cold and wet.

I enjoy planning, testing, and preparing for productions as thoroughly as possible, and I aim to communicate clear plans with the crew before shooting days begin. The applications I currently rely on most are Cadrage, Sun Surveyor, ShotDeck, and Scenario.”

This photo series highlights independent filmmakers and the personal gear they always bring to set. Is there someone you’d like to see featured — or would you like to take part yourself?

Drop a comment below or send us a DM! ✨

Osoite

Laippatie 14
Helsinki
00880

Aukioloajat

Maanantai 07:30 - 15:30
Tiistai 07:30 - 15:30
Keskiviikko 07:30 - 15:30
Torstai 07:30 - 15:30
Perjantai 07:30 - 15:30

Puhelin

+358103238080

Verkkosivusto

Ilmoitukset

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