Blaze Type Foundry

Blaze Type Foundry Blaze Type Foundry is a digital type design foundry based in Lyon, France.

Our aim is to design and produce beautiful typefaces, which will age gracefully and provide incredible functionality over the years.

Bonto in use by .studio・・・Branding & art direction for Volume, a pop-up where music and mixology intertwine to create ni...
28/10/2025

Bonto in use by .studio
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Branding & art direction for Volume, a pop-up where music and mixology intertwine to create nicely crafted parties. 

Socialising in a modern speakeasy atmosphere, pulsating on the rhythm of house music from a curated selection of vinyl records. Each track sets the tone for an immersive journey through sound and flavour. 

Fonts in use: Bonto & Silvana Display by 🔥

Photos: 📸🧅

Sizek designed by .bonomo in use Taking a beloved 15-year-old cycling brand global isn’t just about scaling up productio...
21/10/2025

Sizek designed by .bonomo in use

Taking a beloved 15-year-old cycling brand global isn’t just about scaling up production or finding new distributors. When Thai bicycle manufacturer Nich decided to expand beyond Southeast Asia into North America, Europe and Oceania, they faced a more delicate challenge: how do you evolve an identity that carries deep emotional weight for founders and riders alike?⁠
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found themselves working with something precious – a brand that had genuine heritage in a market often dominated by newer players chasing trends. Nich wasn’t starting from scratch; they were custodians of a story that began in 2009, with hand-painted custom frames and a community that had grown organically around the brand’s distinct character.⁠
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Read the complete case study at our link in bio.⁠
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CREDITS⁠
Graphic Design: ⁠
Typography: Sizek and Server Mono by , Aktiv Grotesk by .maag

Use our fonts to get featured by tagging

Wanna learn type design?
📕 learntype.eu

Wanna use over a 1000 fonts for 29€?
🔥 blzt.eu

Bonto in use ❤️・・・New Work 🎉

Design and development for BEINGS ().

What we put on stage and screen matters. Yet, despi...
15/10/2025

Bonto in use ❤️
・・・
New Work 🎉

Design and development for BEINGS ().

What we put on stage and screen matters. Yet, despite the wealth of talent available, identities are often misrepresented because roles are given to those without lived experience.

BEINGS is an online directory to represent, explore, discover, and cast Aotearoa’s POC, Rainbow, and Disabled talent.

Loved bringing this website to life over many months with the visionary behind it all 

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👉 https://beings.co

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Fonts: 
Die Grotesk by 
Bonto by 

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Dean Slab in use by ⁠’s identity for Manchester eatery Deano’s showcases how intentional typographic tension can work be...
14/10/2025

Dean Slab in use by ⁠’s identity for Manchester eatery Deano’s showcases how intentional typographic tension can work beautifully. The Australian studio created a “playful clash of type styles,” using five different typefaces to emulate vintage signwriting while adding a digital edge. “This supports Deano’s overall positioning as nostalgic familiarity yet contemporary,” explains Creative Director Matilda Wilson.⁠
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The visual language revolves around circular motifs that echo the ‘three O’s’ – bagels, doughnuts and coffee – while Wes Anderson-inspired product photography presents each item against duo-toned backdrops. The cheeky copywriting includes gems like “don’t fear the schmear” and positions the brand in customers’ “hole foods era.”⁠
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Explore her complete portfolio at our link in bio.⁠
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CREDITS⁠
Graphic Design: ⁠
Typography: Custom typeface by , Exposure by , Gnarly by , Dean Slab by and Editorial New by .pangram

.otf Balete is a typeface evoked by the eerie structure of the native balete tree, infamous in Philippine folklore for b...
29/09/2025

.otf Balete is a typeface evoked by the eerie structure of the native balete tree, infamous in Philippine folklore for being a dwelling place of supernatural beings. Characterized by dangling roots which the hemiepiphytic species uses to strangle and eventually consume its host tree victim, the letterforms feature creeping, slender terminals that emerge from twisting stems, wrought from the illusion of fluid calligraphy without the presence of a single curved line.

Get it now at blazetype.eu/typefaces/balete



Have you marveled at a real-life balete tree yet?

In use by ・・・INDIGODenim brand imagined and crafted in Paris from recycled materials, that makes no compromise 🫶Font : M...
24/09/2025

In use by
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INDIGO

Denim brand imagined and crafted in Paris from recycled materials, that makes no compromise 🫶

Font :
Mockup : .mockup & .maison

Silvana in use by .studio・・・ is a small press. They publish books that defy the constraints of genre, because they belie...
17/09/2025

Silvana in use by .studio
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is a small press. They publish books that defy the constraints of genre, because they believe that weird, brave, complex stories deserve a home.

They’re fundraising to print their first book, The Witch of Prague by J.M. Sidorova. It’s a story about bodily autonomy, fighting authoritarianism, and unicorns.

Kickstarter merch coming at ya soon 👀

Silvana In use by ・・・Layers, 2025 by is the reault of a four-year journey exploring Polaroid photography and abstract p...
26/08/2025

Silvana In use by
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Layers, 2025 by is the reault of a four-year journey exploring Polaroid photography and abstract painting—a multidisciplinary approach to self-expression, seeking meaning and beauty in the unpremeditated, casual, and sometimes accidental outcomes.

I’m a bit late in sharing this, but was very happy to be drawn into this project with my dear friend early last year 🤍

Artist:
Design:
With the support of
1st edition 2025
Format: 213 x 262 mm, 160 pages
Typeface: Silvana by
Printing & binding:
ISBN: 978-3-033-11035-9

Last copies available online at marcogasser.com, or in stores in Zurich, Berlin, Barcelona, Tokyo, and Ciudad de México.

SYSTM in use .pt・・・RISOMA: RISO Printing Exhibition June 26 — October 23 🌈The educational programme of RISOMA is a body ...
28/07/2025

SYSTM in use .pt
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RISOMA: RISO Printing Exhibition
June 26 — October 23 🌈

The educational programme of RISOMA is a body of its own. It was designed as a space for contagion between knowledge, practices. A way to return to technique what is most precious about it: the possibility of being shared. 🐿️

We’ve divided it into three moments, each with different levels of depth and intensity. With a common thread: the urge to experiment.

1️⃣ RISO from A to Z Workshop – 06/07
A first contact with the machine. For those who’ve never printed before. Participants will learn the basics: colour separation, file prep, printer operation, but most of all, how to dance with unpredictability.

2️⃣ RISO Faux CMYK Workshop – 20/07
An intermediate course for the bold. We start with Faux CMYK. A manual simulation of four-colour printing through ink overlaps, and push further.
All the things the machine doesn’t promise, but allows.

3️⃣ Publishing & Risograph – 31/08, 07/09, 14/09
An intensive lab in editing, curation and production. The third level is a space of synthesis. From concept to final print, participants develop a publication from scratch. But more than making an object, this course is about what it means to edit in risograph: How limits become language. How constraints become choices. It’s demanding, and doesn’t hide it.

Any questions?
Head to desisto.pt/education 💫

Massilia in use by ・・・La maquette s’appuie sur une grille en deux colonnes, offrant une lecture fluide et fonctionnelle....
01/07/2025

Massilia in use by
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La maquette s’appuie sur une grille en deux colonnes, offrant une lecture fluide et fonctionnelle. De nombreuses notes et légendes photographiques viennent s’inscrire dans une colonne plus étroite tout en rythmant les pages et en s’associant à l’iconographie. Il nous semblait essentiel de donner toute leur place aux iconographies pour restituer la richesse et l’atmosphère de l’œuvre provençale de Fayet.
Afin de rythmer le parcours de lecture et marquer les passages des écrits des six auteurs invités, nous avons imaginé des intercalaires aux fonds bleus, véritables respirations visuelles entre les chapitres.
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The layout is based on a two-column grid, providing a fluid and functional reading experience. Numerous notes and photographic captions appear in a narrower column, giving rhythm to the pages and complementing the iconography. We felt it was essential to give the illustrations their rightful place in order to convey the richness and atmosphere of Fayet’s Provençal work.
To punctuate the reading experience and mark the passages in the writings of the six guest authors, we designed dividers with blue backgrounds, providing a visual breathing space between the chapters.

Apoc in use by .work ・・・work crafts a typographic identity for HKG Metals rooted in its founder’s initials.⁠⁠———⁠Get the...
30/06/2025

Apoc in use by .work
・・・work crafts a typographic identity for HKG Metals rooted in its founder’s initials.⁠
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Get the fonts on http://blazetype.eu
Students get -80% ! 🔥
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20 Montée Saint Sebastien
Lyon
69001

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