Blaze Type Foundry

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France
Lyon
Blaze Type Foundry

Blaze Type Foundry is a digital type design foundry based in Lyon, France.

Our aim is to design and produce beautiful typefaces, which will age gracefully and provide incredible functionality over the years.

17/09/2025

Silvana in use by .studio
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is a small press. They publish books that defy the constraints of genre, because they believe that weird, brave, complex stories deserve a home.

They’re fundraising to print their first book, The Witch of Prague by J.M. Sidorova. It’s a story about bodily autonomy, fighting authoritarianism, and unicorns.

Kickstarter merch coming at ya soon 👀

26/08/2025

Silvana In use by
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Layers, 2025 by is the reault of a four-year journey exploring Polaroid photography and abstract painting—a multidisciplinary approach to self-expression, seeking meaning and beauty in the unpremeditated, casual, and sometimes accidental outcomes.

I’m a bit late in sharing this, but was very happy to be drawn into this project with my dear friend early last year 🤍

Artist:
Design:
With the support of
1st edition 2025
Format: 213 x 262 mm, 160 pages
Typeface: Silvana by
Printing & binding:
ISBN: 978-3-033-11035-9

Last copies available online at marcogasser.com, or in stores in Zurich, Berlin, Barcelona, Tokyo, and Ciudad de México.

28/07/2025

SYSTM in use .pt
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RISOMA: RISO Printing Exhibition
June 26 — October 23 🌈

The educational programme of RISOMA is a body of its own. It was designed as a space for contagion between knowledge, practices. A way to return to technique what is most precious about it: the possibility of being shared. 🐿️

We’ve divided it into three moments, each with different levels of depth and intensity. With a common thread: the urge to experiment.

1️⃣ RISO from A to Z Workshop – 06/07
A first contact with the machine. For those who’ve never printed before. Participants will learn the basics: colour separation, file prep, printer operation, but most of all, how to dance with unpredictability.

2️⃣ RISO Faux CMYK Workshop – 20/07
An intermediate course for the bold. We start with Faux CMYK. A manual simulation of four-colour printing through ink overlaps, and push further.
All the things the machine doesn’t promise, but allows.

3️⃣ Publishing & Risograph – 31/08, 07/09, 14/09
An intensive lab in editing, curation and production. The third level is a space of synthesis. From concept to final print, participants develop a publication from scratch. But more than making an object, this course is about what it means to edit in risograph: How limits become language. How constraints become choices. It’s demanding, and doesn’t hide it.

Any questions?
Head to desisto.pt/education 💫

01/07/2025

Massilia in use by
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La maquette s’appuie sur une grille en deux colonnes, offrant une lecture fluide et fonctionnelle. De nombreuses notes et légendes photographiques viennent s’inscrire dans une colonne plus étroite tout en rythmant les pages et en s’associant à l’iconographie. Il nous semblait essentiel de donner toute leur place aux iconographies pour restituer la richesse et l’atmosphère de l’œuvre provençale de Fayet.
Afin de rythmer le parcours de lecture et marquer les passages des écrits des six auteurs invités, nous avons imaginé des intercalaires aux fonds bleus, véritables respirations visuelles entre les chapitres.
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The layout is based on a two-column grid, providing a fluid and functional reading experience. Numerous notes and photographic captions appear in a narrower column, giving rhythm to the pages and complementing the iconography. We felt it was essential to give the illustrations their rightful place in order to convey the richness and atmosphere of Fayet’s Provençal work.
To punctuate the reading experience and mark the passages in the writings of the six guest authors, we designed dividers with blue backgrounds, providing a visual breathing space between the chapters.

30/06/2025

Apoc in use by .work
・・・work crafts a typographic identity for HKG Metals rooted in its founder’s initials.⁠
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Get the fonts on http://blazetype.eu
Students get -80% ! 🔥
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24/06/2025

SYSTM use .pt
RISOMA is on! 🌈 Save the Date!

An international exhibition dedicated to risograph printing. It’s a celebration. A deliberately imperfect and open-ended map of a landscape that prints, folds, cuts, glues, and persists.
It brings together a living network of printers, designers, illustrators, photographes, musicians, and poets, who use these digital duplicators not just as tools, but as a way of being.

With contributions from:
(FR), (IT), .kr (KR), (FR), .pt (PT), (ES), (GR), (CH), (PT), .de (DE), (DE), (FI), (ES), (DK), (FR), .la.hyene (FR), (PT), (FR), (ES), (BE), (PT), (TW), (ES), (IT), (NL), (FR), (HU), .studio (BE), (ES), (DE), RISOFORENING (NO), (FR), .studio (BE), (DE), (HU), (AT), (NL), (PT), (NL), (IE), (DE), (FR), .bleu (NL), (ES), .druck (DE), (NL) 🫂

It will also feature posters by twelve guest illustrators/designers/artists: / / / .pt / / / / / / .studio / /

Also:
An educational programme with three levels – from risograph basics to advanced techniques and editorial practice.

📍Opening: June 26 / 6pm
📍At Desisto (Lisbon)
📍Free Entrance

A show about printing, yes.
But also about networks, accidents, DIY, and the joy of making things.

This wouldn’t be possible without the help of:
RISO Ibérica / / / /
Thank you. ❤️

20/06/2025

SYSTM font family in use by .pt

SYSTM is a modular and metric font family built by two components – a quadrant and a square — displayed on a grid.
Its design has been made to satisfy any grid obsession while echoing pavement’s principles, brutalist architecture, early interface designs and modular design in the broadest sense

Get the fonts on http://blazetype.eu
Students get -80% ! 🔥
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19/06/2025

We were invited by to give a talk about some development in the world of AI and font.

Matthieu Salvaggio and examined some try outs based on some Blaze Type fonts as a base to see its future possibilities.

So much fun to share some of our experiments with, some more details about the whole thing coming soon.

Cheers for the invitation!
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We’re still buzzing from last week’s Brand Talks London.

Huge thanks to our speakers for sharing their stories — and to the creative community in London for showing up with such energy and curiosity. It’s always inspiring to be in a room full of people who care deeply about the world of design and where it goes from here.

Until next time. ✌

10/06/2025

Amongst the mist there is Eternal font family. Designed by Matthieu & it is the embodiment of over 10 years of constant questions to find a proper balance in extended serifs fonts.

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Eternal Collection is a display font family that is designed for high-impact visual communication, this font family features a striking combination of serif detailing and high contrast proportions. With an extensive range of 162 styles, Eternal Collection offers a broad range of creative possibilities. The family includes variations in width, weight, and slant.

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25/04/2025

Collapse in use by
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Identité visuelle, exposition Eggsquisite 🥚
24.04–14.06.25
Typographie Collapse par 🫶

24/04/2025

Fautive partially used with custom lettering by
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KAKTUS Part 1 🌵 Spikey concept design for a soda made of cactus. Brewed as an alternative to alcohol, Kaktus brings the spike without the spirits. See ➡️ Custom Logotype, Packaging Design, Brand Strategy, and Graphic System 👀

Brief by
Typeface is Fautive by

17/04/2025

Bonto in use by
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NEW BOOK — Casa Mexicana, published today by 🥳

Photography by and words by . 304 pages and over 320 beautiful images. Some incredible houses by architects including Fernanda Canales, Ludwig Godefroy, Pedro Reyes & Carla Fernández, and Tadao Ando.

This was such a lovely book to design 😊 The typography is set in Bonto from and Aperçu by

Many thanks to Edmund, Jon and the T&H team. And also to for some invaluable thoughts and feedback at the early design stage💛

Adresse

20 Montée Saint Sebastien
Lyon
69001

Site Web

http://www.blazetype.eu/

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