CRASH Magazine

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CRASH est un magazine français independant, disponible en kiosques, lancé en 1998 par Frank Perrin et Armelle Leturcq. Avant de créer CRASH, ils étaient critiques d'art et ont fondé la r***e Blocnotes. Ils ont fait partie de cette nouvelle génération de crtitiques d'art français qui a marqué les années 90. En créant Crash, ils révolutionnent le paysage de la presse française (dixit François Bizot

, fondateur d'Actuel.) Crash arrive comme un ovni avec une volonté délibérée de changer les choses : maquette minimaliste, sans accroches de couvertures, visuels très avant garde mais beauté de l'objet, idées innovantes, très grande part donnée à l'image. Crash était complètement en phase avec l'émergence de la French touch avec des artistes comme Air, Daft Punk, Michel Gondry etc. Dès le début des années 2000, ils réalisent des couverture avec la nouvelle génération : Sofia Coppola, Phoenix, Super Discount. Crash a commencé à progressivement attirer de grands annonceurs du luxe comme LVMH, Chanel, Dior, qui avaient cette volonté de dépoussiérer leur image, de toucher un public plus jeune ce que pouvait largement leur apporter Crash. Crash est une plateforme pour tous les nouveaux talents et son équipe est devenue internationale. La mode et le cinéma sont les sujet principaux du magazine, la mode prise comme phénomène culturel, avec tout ce qu'elle véhicule sur notre époque. Crash est ainsi le seul magazine français qui ose mixer luxe et culture urbaine, à l'image d'une nouvelle génération de consommateurs avertis. Tiré à 80 000 exemplaires avec une version anglaise difusée à l'export, le lectorat de Crash, 20-45 ans sait reconnaitre le magazine comme un référent et y trouvent tout ce qui nouveau en terme de culture et de style de vie. En dix ans d'existence, Crash a su développer une crédibilité haut de gamme et est devenu un réferent dans la presse française.

Film producer and director Charlotte Dauphin ( ) invited Daniel Buren to transform a historic Parisian hôtel particulier...
18/06/2026

Film producer and director Charlotte Dauphin ( ) invited Daniel Buren to transform a historic Parisian hôtel particulier with his in-situ work “D’une maison deux”, continuing a practice that began with his radical “Affichages sauvages” in the 1960s.
In Crash 108, they discuss the dialogue between past and present, the role of context and perception in his work, and how this intervention brings a historic blind wall to life while reflecting on the artist’s decades-long exploration of public and private space.

Read the full interview of Daniel Buren in Crash 108.

https://www.instagram.com/p/DZpq1wfDU_e/?img_index=3&igsh=MWZvcjZmMW1ubm5sNQ==

We are deeply saddened by the passing of Julio Le Parc ( ), a pioneering figure of kinetic art, light, movement and colo...
03/06/2026

We are deeply saddened by the passing of Julio Le Parc ( ), a pioneering figure of kinetic art, light, movement and color, and a longtime friend of the Crash family. His vision transformed the way audiences experience art, turning spectators into participants and proving that beauty, experimentation and emotion could coexist. His luminous works will continue to inspire generations to come.

In Crash 66, we had the privilege of speaking with him about his childhood in Argentina, his artistic journey, and his critique of an art world too often driven by money, status and individualism. He spoke instead of curiosity, collective creation, experimentation and the importance of questioning established structures within the art world. Today, we look back on that conversation and celebrate the legacy of an artist who never stopped questioning, creating and imagining new possibilities.

Read the full interview in Crash 66.

https://www.instagram.com/p/DZC9mzNjSAF/?igsh=MTBuMzh6dnB4NTBlbQ==

FRAC Occitanie-Montpellier and the Musée d’Art Contemporain Occitanie (Sérignan) are jointly presenting an exhibition by...
01/06/2026

FRAC Occitanie-Montpellier and the Musée d’Art Contemporain Occitanie (Sérignan) are jointly presenting an exhibition by Brice Dellsperger ( ) that has taken shape over the course of two and a half years of preparation. The FRAC is focusing on a presentation of four videos featuring remakes of scenes from Brian De Palma’s films, while the MRAC is dedicating its first exhibition space to a large-scale installation—the latest work filmed at the FRAC, which has been transformed into a film studio.

Read the full article by on our website.

https://www.instagram.com/p/DY7d7UPDegN/?igsh=MW1vbmRzc29kMDhuMg==

On the occasion of Agnès Varda’s birthday on May 30, we look back at our interview by  with the filmmaker, photographer,...
01/06/2026

On the occasion of Agnès Varda’s birthday on May 30, we look back at our interview by with the filmmaker, photographer, and artist published in Crash 84.

Across a practice that moved fluidly between cinema, photography, and installation, she reflected on memory as material, film as recyclable matter, and storytelling as a form of political and emotional engagement. From the sculptural reuse of ’Le Bonheur‘ in her exhibition ’Une Cabane de cinéma‘ to her enduring explorations of feminism, female solidarity, and social reality in films such as ’L’une chante‘, ’l’autre pas‘ and ’Sans toit ni loi‘, she outlined a body of work defined by radical curiosity, formal invention, and a constant rethinking of how images can be lived, shared, and transformed.
Her legacy continues to resonate in the way we look at images today.

Read the full interview in Crash 84.

https://www.instagram.com/p/DY97NlMDf2G/?igsh=bjByeGw5aDFqZ2Nv

Thirty years ago, David Cronenberg’s ( ) ‘Crash’ featuring James Spader ( ), Holly Hunter, Elias Koteas ( ), Deborah Kar...
27/05/2026

Thirty years ago, David Cronenberg’s ( ) ‘Crash’ featuring James Spader ( ), Holly Hunter, Elias Koteas ( ), Deborah Kara Unger, Rosanna Arquette ( ), and Peter MacNeill premiered at the Cannes Film Festival, where it immediately became one of the most controversial films of the decade. Adapted from J.G. Ballard’s novel, the film shocked audiences with its provocative exploration of desire, technology, and the body, sparking intense debate following its premiere on the Croisette. Despite polarising reactions and censorship controversies surrounding its release, ‘Crash’ went on to become one of his most iconic works.

On this occasion, we‘re looking back at our conversation with David Cronenberg in Crash 105 held around the release of his film ’The Shrouds‘, starring Vincent Cassel and Diane Kruger and co-produced by Saint Laurent Productions. He has long been a cult filmmaker, redefining genres through iconic works such as ’Scanners‘, ’Videodrome‘, and ’Dead Ringers‘. Masterfully blending horror, technology, and reflections on the body, David Cronenberg has inspired a whole new generation of filmmakers. A pioneer of independent cinema and a visionary mind, his exploration of the human condition through deeply personal narratives has earned him worldwide recognition.

https://www.instagram.com/p/DYzvCfeDZYg/?igsh=eGg0bHRzc242cWY2

As Félix Lefebvre ( ) arrived at the Cannes Film Festival this week for the premier of his new film ’Moulin‘ directed by...
26/05/2026

As Félix Lefebvre ( ) arrived at the Cannes Film Festival this week for the premier of his new film ’Moulin‘ directed by László Nemes, we revisit our conversation in Crash 94. At the time, the actor was emerging as one of the defining new faces of French cinema following his breakout performance in François Ozon’s ’Summer of 85‘.

https://www.instagram.com/p/DYr71wcDdTN/?igsh=NzVqajh4MTVqMm01

Another actor of this year’s Festival de Cannes we had the chance to speak with is Bastien Bouillon ( ), whose latest fi...
26/05/2026

Another actor of this year’s Festival de Cannes we had the chance to speak with is Bastien Bouillon ( ), whose latest film ’Histoires de la nuit‘ directed by Léa Mysius premiered this week on the Croisette. In Crash 106, the actor reflected on the unpredictable realities of an acting career between auteur cinema and larger-scale productions.

https://www.instagram.com/p/DYpYiBQjdLk/?igsh=bXk3YmUwcHU0cTk%3D

Gucci unveils “The Original Sinner” campaign with Jannik Sinner
22/05/2026

Gucci unveils “The Original Sinner” campaign with Jannik Sinner

In his first solo exhibition in Paris, Max Coulon (.coulon ) immediately asserts a singular visual language that challen...
22/05/2026

In his first solo exhibition in Paris, Max Coulon (.coulon ) immediately asserts a singular visual language that challenges the conventions of contemporary sculpture. At the Romero Paprocki Gallery ( ), the young artist unveils a series of delightfully uncanny sculptures in which the familiar slips into a subtly disquieting fantasy—hovering somewhere between amusement and unease.

At first glance, everything appears familiar: garments, masks, humble objects gathered here and there. Yet very quickly, something begins to shift. These ordinary elements become the raw material for an unexpected bestiary. By casting them in concrete, Max Coulon preserves their folds, textures, and patterns, transforming these fragments into hybrid beings. Silhouettes gradually emerge: children with melancholic bear heads, oxen with winged arms, dogs with boot-clad paws. Nothing is entirely predetermined; the forms reveal themselves progressively, through an ongoing dialogue with the material itself.

Read the full text by on our website. Link in bio.

https://www.instagram.com/p/DYm2cCVjU2X/?igsh=b2Z5azIwdTM0bWx6

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