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13/10/2025

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07/10/2025

& 🤜🤛 “Frères Ennemis” est un des projets en duo les plus streamés de l’histoire. Masterisé chez ⓢ ✨✨✨

The MD 441-N is a dynamic microphone that comes surprisingly close to condenser performance. Its response curve is smoo...
24/09/2025

The MD 441-N is a dynamic microphone that comes surprisingly close to condenser performance. Its response curve is smooth and wide, extending from 40 to 20,000 Hz, with a super-cardioid directional pattern as precise as “an Olympic skater doing school figures” as Sennheiser says. A common problem with dynamic super-cardioid is mechanical noise and vibration conducted through the housing; it is solved here by a double housing with compliant suspension, bringing studio ‘quiet’ into the performer’s hand. For added flexibility, it features presence and bass switches (a 5 dB boost at 5 kHz and a five-position attenuation), plus a design that ensures absence of pops and proximity effect thanks to its pressure-gradient system and integral windscreen.
The 441 became a broadcast staple before becoming a stage favorite; artists such as Stevie Nicks (Fleetwood Mac), David Bowie, Elton John, Robert Smith (The Cure) and Frank Zappa helped cement its status.
While recording classic album “Rumors” by Fleetwood Mac, producer-engineer Ken Caillat says he chose a MD 441 for Stevie Nicks’ vocal after tests on day one, and also on kick drum.

Available couple of M 441-N are ready to use at Ⓢ ✌🏼⚔️

The RE-501 is a fully analog, tape echo, introduced by Roland in 1980. It is basically like a Roland RE-201 Space Echo, ...
11/07/2025

The RE-501 is a fully analog, tape echo, introduced by Roland in 1980. It is basically like a Roland RE-201 Space Echo, but with a chorus effect (very similar in character to the famous Roland Dimension D), noise reduction, balanced XLR inputs/outputs, better signal, better sound. Its quirks (like tape wow and flutter, self-oscillation, and pitch warble) are now sought-after features, especially in lo-fi and ambient music. That blend of imperfect/lively tape echo + analog chorus makes it a secret weapon for dreamy and trippy textures. It is one of the most musical, living delay units ever built. Come & try it at ⓢ!
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Le RE-501 est un écho à bande entièrement analogique, introduit par Roland en 1980. C’est en quelque-sorte un Roland RE-201 Space Echo, mais avec un chorus (très similaire au célèbre Roland Dimension D), une réduction de bruit, des entrées/sorties XLR symétriques, un meilleur signal, un meilleur son. Ses bizarreries (comme les fluctuations de bande (pleurage et scintillement), l’auto-oscillation et les variations de pitch) sont aujourd’hui devenues des qualités recherchées, notamment dans la musique lo-fi et ambient. Ce mélange d’écho à bande imparfait/vivant, et de chorus analogique, en fait une arme secrète pour créer des textures dreamy et hypnotiques. C’est l’un des delay les plus musicals et organiques jamais conçus. Venez l’essayer à ⓢ !

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