Andrew Robinson

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360 view @ Bray, Windsor And Maidenhead, United Kingdom
15/03/2021

360 view @ Bray, Windsor And Maidenhead, United Kingdom

Trickier setup requiring both Nanlite Forza 500’s to balance the strong sunlight and to keep a sense of contrast between...
15/03/2021

Trickier setup requiring both Nanlite Forza 500’s to balance the strong sunlight and to keep a sense of contrast between the light ratios of shadow and light I have used some negative fill. @ Bray, Windsor And Maidenhead, United Kingdom

Picking up the next sessions of filming... @ Bray, Windsor And Maidenhead, United Kingdom
15/03/2021

Picking up the next sessions of filming... @ Bray, Windsor And Maidenhead, United Kingdom

The car van is packed for the next filming adventure...
14/03/2021

The car van is packed for the next filming adventure...

Got to use some Storaro inspired colour schemes with a bit of help from the Nanlite Mixpanel 150 and the Vibesta rgb pix...
09/03/2021

Got to use some Storaro inspired colour schemes with a bit of help from the Nanlite Mixpanel 150 and the Vibesta rgb pixel tube @ Birmingham, United Kingdom

A few test grade examples using Color Finale in FCPX and several different curve settings and tracking masks. Graded fro...
08/03/2021

A few test grade examples using Color Finale in FCPX and several different curve settings and tracking masks. Graded from the S-Log3_cine log from the Sony Fx6.

A few test grade examples using Color Finale in FCPX and several different curve settings and tracking masks. Graded fro...
08/03/2021

A few test grade examples using Color Finale in FCPX and several different curve settings and tracking masks. Graded from the S-Log3_cine log from the Sony Fx6.

Following a shoot, I like to give the production or director some examples of possible grades. I haven’t managed to use ...
06/03/2021

Following a shoot, I like to give the production or director some examples of possible grades. I haven’t managed to use DaVinci Resolve yet, so these example are graded in FCX using a combination of a LUT, colour wheels and hue / saturation curves (which allow for more more precise control over individual colours within a scene) here are the before and afters...

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