Minor Compositions

Minor Compositions interventions & provocations drawing from autonomous politics, avant-garde aesthetics, everyday life

We are saddened to share the passing of artist, illustrator, and comrade Freddie Baer, who died on November 12, 2025, in...
21/11/2025

We are saddened to share the passing of artist, illustrator, and comrade Freddie Baer, who died on November 12, 2025, in Eureka, California, after a long struggle with cancer. She was born September 10, 1952, in Chicago, and spent her life committed to visual experimentation, political imagination, and the radical communities that sustained both. Freddie’s work — sharp, surreal, irreverent, and tender — helped shape the graphic language of anarchist publishing and countercultural expression for decades. Her collages and illustrations appeared in countless independent books, zines, and posters, always marked by a commitment to autonomy, pleasure, revolt, and the strange beauty of the everyday. She brought a clarity of vision that refused the separation of art from life, insisting instead on creativity as a shared, lived practice. Freddie’s images have long been a reminder that critique can be joyful, that dissent can be deeply imaginative, and that the edges of possibility are often found through play. Her work will continue to circulate, inspire, and unsettle, an enduring trace of her singular artistic voice.

Have you been wronged by America? Come to London today and get a personal apology!SORRY USAD (UNITED STATES APOLOGIES DE...
21/11/2025

Have you been wronged by America? Come to London today and get a personal apology!

SORRY USAD (UNITED STATES APOLOGIES DESK)

American-born, Edinburgh, UK based artist and activist Joseph DeLappe will perform SORRY USAD (United States Apologies Desk), a public art intervention in front of the former US Embassy in London on Grosvenor Square, where he will sit next to the statue of Ronald Reagan and engage passersby in dialogue to offer his apologies. DeLappe will sit at a small desk adorned with a cotton American flag, altered by hand-sewn letters to read ‘SORRY’. A placard on the desk reads ‘USAD – United States Apologies Desk’, playfully framing the action as an unofficial diplomatic mission. An empty chair opposite DeLappe invites passers-by to sit, talk, and reflect. Each participant receives signed apology card, a personal pledge from DeLappe to continue to resist Donald Trump and all forms of fascist ideology through civic and creative engagement.
33 Nine Elms Lane , London, NV SW11 7US

Symposium 29  --30 Jan 2026 In-personFrantz Fanon’s  Social Therapy 'To Give Body to an Institution'https://www.ici-berl...
19/11/2025

Symposium 29 --30 Jan 2026 In-person
Frantz Fanon’s Social Therapy 'To Give Body to an Institution'
https://www.ici-berlin.org/events/frantz-fanons-social-therapy/

The symposium Frantz Fanon’s Social Therapy: ‘To Give Body to an Institution’ explores Frantz Fanon’s political, clinical, and aesthetic approach to institutions along three interrelated lines. First, it delves into the impact of Saint-Alban on Fanon’s conception of madness and the institution as both in need of a cure and capable of curing — a sociogenic and phenomenological perspective attentive to embodiment, subjectivity, and history. Second, it turns to his work at Blida-Joinville and Charles-Nicolle, where colonial alienation thwarted the implementation of social therapy, yet where Fanon and his collaborators experimented with media, spatial, and aesthetic practices to propose new forms of collective life. Finally, it considers the legacies of Fanon’s clinical practice, tracing how his insights into the entanglement of psychiatry, politics, and colonial violence continue to inform contemporary understandings of trauma, resistance, and institutional life in postcolonial and neocolonial contexts.

“What I propose is not a political strategy. I’m not a political leader. My job is different: I am an interpreter of mal...
17/11/2025

“What I propose is not a political strategy. I’m not a political leader. My job is different: I am an interpreter of maladies. I try to interpret what is already happening. So what is happening? What is the mega trend of our century? Look at what’s happening with the birthrate, particularly in Europe. There is a way out. I call it desertion. I call it: quit everything.

The new generation is choosing desertion as a refusal to be a generation that is responsible for creating victims of the climate collapse, of the coming nuclear war, victims of slavery, of brutality. They are refusing to generate a future that is going to be a nightmare. This is a way out. Desertion from war, from slavery, from consumption, and desertion from procreation. Why should we prefer the eternal survival of humankind when it is going to be an eternity of suffering, humiliation, and pain?”
— Franco “Bifo” Berardi, When the Last Chance Was Missed: A Conversation, https://www.e-flux.com/notes/6783412/when-the-last-chance-was-missed-a-conversation

“Curating and the Commons encouraged participants to explore broader definitions of art practices, community engagement,...
16/11/2025

“Curating and the Commons encouraged participants to explore broader definitions of art practices, community engagement, and globally interconnected cultural landscapes. The term “commons” refers to the British Commons, a period in history when shared social goods and resources were accessible to all members of the community. In their influential 2013 text The Undercommons, Fred Moten and Stefano Harney repurpose the idea of the commons as a conceptual framework for resistance, solidarity, mutual aid, and collective freedom. Since then, scholars and artists have further reframed the commons as a curatorial tool that broadens the role of art and art professionals to include activists.Across the globe, new curatorial models accentuate the importance of building communities and alliances."
- Amber Nax, Curators, Community, and Institutional Relevance, https://curatorsintl.org/journal/25392-curators-community-and-institutional-relevance

Feral Class Book Launch at Housmans, Londonhttps://housmans.com/event/book-launch-feral-class-with-mark-garrett/Wednesda...
15/11/2025

Feral Class Book Launch at Housmans, London
https://housmans.com/event/book-launch-feral-class-with-mark-garrett/
Wednesday November 19 @ 7:00 pm – 8:30 pm

Feral Class is Marc Garrett’s deeply personal and thought-provoking exploration of his early years, chronicling his journey as a working-class artist navigating a world that often rejects them. Through humorous, vivid storytelling and incisive critique, Garrett explores how his upbringing shaped his identity, forging a path that defied societal expectations. How can one survive, let alone thrive, as part of what Garrett describes as the feral class: a group of individuals who, like him, exist outside traditional institutions and thrive in the margins, using resourcefulness and rebellion to carve out their own artistic spaces?

Interesting discussion with Ben Morea, Abigail Susik, and Breanne Fahs on Acid HorizonA Life in Rebellion: Up Against th...
13/11/2025

Interesting discussion with Ben Morea, Abigail Susik, and Breanne Fahs on Acid Horizon

A Life in Rebellion: Up Against the Wall Mo********er, Black Mask, and the Surrealist Struggle in 1960-70s New York
https://www.youtube.com/watch?v=AfsNu9051-k

Rest in Power, Steve Kurtz (1958–2025)We are deeply saddened to hear of the passing of Steve Kurtz, artist, writer, and ...
12/11/2025

Rest in Power, Steve Kurtz (1958–2025)

We are deeply saddened to hear of the passing of Steve Kurtz, artist, writer, and founding member of the Critical Art Ensemble. For over three decades, Steve’s work helped redefine what it meant to make politically engaged art – collaborative, fearless, and resolutely public. From Flesh Machine to Molecular Invasion and Marching Plague, the Critical Art Ensemble’s interventions questioned the politics of science, bioengineering, and state power long before bio-art had a name. Steve’s work was never about spectacle, but about collective inquiry – art as a laboratory for resistance.

In 2004, Steve was infamously arrested by the FBI and charged under bioterrorism laws for possessing materials used in an art project – a chilling moment that exposed the paranoia of the post-9/11 security state. He faced down those charges with dignity and the support of artists, scientists, and activists worldwide, emerging as a symbol of artistic courage against repression. Steve believed, deeply, that art could help us imagine and build other worlds – experimental, collective, and alive to the struggles of the present. His passing is a tremendous loss, but his example endures in every artist who insists that creative work can also be an act of resistance.

Thank you, Steve.

COVER Seminar TomorrowCOVER Seminar TomorrowCommunize the city. Towards an insurgent vicinity K**e EspañaWednesday 12th ...
11/11/2025

COVER Seminar Tomorrow

COVER Seminar Tomorrow

Communize the city. Towards an insurgent vicinity
K**e España
Wednesday 12th November @ 12PM UK Time, online:
https://www.essex.ac.uk/events/2025/11/12/communize-the-city

This seminar will discuss K**e España’s “Communize the City: Towards an Insurgent Vicinity,” a text that examines the contemporary urban condition through the lens of financial brutalism. España argues that cities have become logistical infrastructures of extraction, where financialization, automation, and real-estate speculation converge to displace communities and dissolve social relations. Drawing on thinkers such as Mbembe, Lefebvre, Guattari, and Moten, the essay frames the city-form as a planetary apparatus of expulsion – one that transforms citizenship, civility, and urban renewal into mechanisms of enclosure, discipline, and dispossession.

Against this backdrop, España calls for insurgent forms of inhabiting that arise from the ruins of financial brutalism: practices of neighborhood, subsistence, and insurgency that refuse recognition by the dominant order while cultivating new forms of common life. By foregrounding the “informality of the commune” and proposing strategies like neighborhood committees, blocks in struggle, and intercommunalism, the text insists on the possibility of communizing the city from within its fractures. The seminar invites participants to reflect on how these concepts might inform both critical theory and practical organizing in the face of today’s planetary urban crisis.

Bio: K**e España is an architect and urban researcher based in Málaga, Spain, with a PhD in urban theory from the University of Seville. He is actively involved in grassroots cultural-urban initiatives, including the social and cultural centre La Casa Invisible, the collective bookshop Suburbia, and the independent publishing house Subtextos. His work bridges academic inquiry and activist practice. He contributes to the Overtourist City research project at the School of Architecture, University of Málaga, and his writings explore themes of gentrification, commoning, and insurgent urbanism.

RIP Paolo Virno
08/11/2025

RIP Paolo Virno

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Colchester

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https://www.minorcompositions.info/

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