Plume Films

13/03/2026

We’re thrilled to join forces with Byron Vincent on Curating Visibility at London Museum Docklands.

This immersive, accessible digital installation celebrates disabled creativity across decades of London nightlife.

A huge thanks to Accentuate, London Museum Docklands, and the fellows, we’re really grateful to be involved in such a beautiful project. Discover more → https://www.plumefilms.com/plumeblog/curating-visibility-plume-films-and-byron-vincent-join-forces-again

Plume Films teams up with Byron Vincent at London Museum Docklands for Curating Visibility, an immersive digital installation celebrating disabled, deaf, and neurodivergent creativity across London nightlife. Explore animation, sound, and inclusive storytelling in a playful, accessible gallery exper

25/02/2026

Do you remember the magic of Windsor McKay’s 'Little Nemo in Slumberland'? 🌟 I’ve been revisiting that world lately, blending the charm of vintage print with modern collage animation. It is a reminder that sometimes the simplest constraints—like a limited palette and a sharp, etched line—can lead to the most visual pleasure. We’re pulling back the curtain on our process to show how these layers click together. Read the full article here →

www.plumefilms.com/plumeblog/the-art-of-the-pure-play-finding-visual-breakthroughs-in-collage-animation

30/01/2026

We are thrilled to share a behind-the-scenes look at our work on "The In Between," premiering at the Bay International Film Festival this January. Created by Byron Vincent, this film is a beautiful, messy, and urgent conversation about neurodivergence. We discuss why we chose a handmade, tactile animation style to mirror the "frenetic synergy" of the ADHD mind.

Read the full article here → https://www.plumefilms.com/plumeblog/the-in-between-finding-beauty-in-the-messy-liminal-spaces-of-neurodivergence

09/12/2025

This is how we bring handmade soul into the virtual world! 🎬

Our new 30, second reel, "From Handmade Prop to Virtual Production," gives you a super quick glimpse behind the scenes of The Cowgirl Project. Watch the journey of our papier, mâché cloud:

It starts as a physical prop, goes through 3D scanning via photography, and then we add the traditional 2D animated face. You see the magic when Plume Films maps that face onto the scanned cloud surface in Unreal Engine, then watch it come to life on the virtual production set with the actress, cameras, and lighting.

This film shows the true harmony between virtual production and traditional 2D craft.

You can view the full two minute film and read the technical breakdown on the Plume Films website, link in bio!



Production: Virtual Production: Director: Head of Technical: